Sean Thomas Dougherty – författare

"These soul-infused, deftly crafted stanzas pulse with the rhythms of a poet who lives his life out loud. Sean Thomas Dougherty has always shunned convention in favor of his fresher landscapes—and this book will be the one that stamps his defiant signature on the canon."—Patricia Smith

Sasha Sings the Laundry on the Line is a powerful, grief-driven, deeply felt collection that finds the beautiful and the true, the little epiphanies that give our lives meaning no matter how ephemeral they might be.

The author of ten previous poetry collections, Sean Thomas Dougherty teaches poetry at Case Western University and lives in Erie, Pennsylvania, and Cleveland, Ohio.

For over twenty years Sean Thomas Dougherty has negotiated between modernist and avant-garde writing and more populist traditions that extend back to Walt Whitman. His subject matter ranges from basketball to Bjork, from blue collar workers to Biggie Smalls, from Luciano Pavarotti to women waiting at a diner outside a prison in Upstate New York. Selecting from the best of eight previous collections, this New and Selected reveals the powerful arc and development of Dougherty''s writing and establishes him as a voice of dissent for the future.

A former Fulbright fellow, Sean Thomas Dougherty works at Gold Crown Billiards in Erie, Pennsylvania.

Fusing street scenes (from Budapest to New York City) with family history (African American and Jewish), Sean Thomas Dougherty uses both traditional and experimental forms to explore issues of identity and family. Deeply rooted in music and performance, Dougherty’s poetry resists easy categorization, revealing the complexity of our lives and times.

Sean Thomas Dougherty lives in Erie, Pennsylvania, where he teaches in the BFA program for creative writing at Penn State Erie. He is a nationally renowned performance poet and author of nine previous poetry collections. He was a finalist for the 2005 Paterson Poetry Prize and winner of the 2000 Pinyon Press Poetry Prize.

In Death Prefers the Minor Keys, Dougherty offers the reader collaged prose poems, stories and essays full of dreams, metaphors, aphorisms, parables and narratives of his work as a caregiver. Moving portraits of Dougherty’s residents, a series of letters to Death, invocations of Jewish ancestry through the photography of Roman Vishniac, imaginary treatments for brain injuries, and half translated short stories of lives both real and imagined populate this collection. Through these, Dougherty engages issues of labor, the ontology of disability, and the mysticism of life. 

Death Prefers the Minor Keys is most of all a kind of love letter to Dougherty’s wife, and her courage and complicity in the face of long-term illness and addiction. Ultimately, we see how the antidote to despair can reside in daily acts of caring for other human beings.