Sean Wallace – författare

From the editor of The Mammoth Book of Steampunk, this anthology of steam-powered short stories, dirigibles aloft, retro-tech wonders, and astounding adventure will set clockwork-loving hearts hammering with delight. Longtime steampunk fans: prepare to gleefully grab your goggles to read these remarkable stories! Newcomers: prepare to become fans of this popular genre involving both the past and present—entertainingly and provocatively re-thought, re-invented, and re-evaluated. With stories by K.W. Jeter, Caitlín R. Kiernan, Ken Liu, Cherie Priest, Carrie Vaughn, and many others.Full list of contributors: Christopher Barzak; Tobias Buckell; C. S. E. Cooney; Aliette de Bodard; Lisa L. Hannett; Samantha Henderson; K. W. Jeter; Caitlin R. Kiernan; Jay Lake; Ken Liu; Alex Dally MacFarlane; Tony Pi; Cherie Priest; Cat Rambo; Chris Roberson; Margaret Ronald; Sofia Samatar; Gord Sellar; Nisi Shawl; Benjanun Sriduangkaew; E. Caterine Tobler; Genevieve Valentine; Carrie Vaughn; AC Wise; Jonathan Wood. Praise for the author:The Mammoth Book of Steampunk, edited by Sean Wallace, focuses on newer elements of steampunk and proudly includes work by Mary Robinette Kowal, Jay Lake, Cat Rambo, Ekaterina Sedia, Catherynne M. Valente, Genevieve Valentine and more. Kirkus ReviewsThe Mammoth Book of Steampunk, edited by Sean Wallace, includes five original stories (and a large selection of good recent work). All the originals are worthy of attention. LocusWorld Fantasy Award-winning editor Wallace has compiled an outstanding anthology of thirty stories (including four originals) sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading. Publishers Weekly, starred reviewWhat I liked best about the majority of these short stories was that they’re true to steampunk; no real unusual deviations for those of you looking for goggles and corsets . . . Wired

Dieselpunk: an emerging retro-futuristic sub-genre, similar to steampunk, based on the era between the First World War and the start of the Atomic Age, merging elements of noir, pulp, and the past with today’s technology . . . and sometimes a dash of the occult. Award-winning editor Wallace presents a cutting-edge collection of twenty-five vibrant stories that explore the possibilities of history while sweeping readers into high-powered hydrocarbon-fuelled adventures. Join us in an era when engines were huge, fuel was cheap and plentiful, and steel and chrome blended with the grit and grease of modern machines.Praise for The Mammoth Book of Steampunk:''World Fantasy Award-winning editor Wallace has compiled an outstanding anthology . . . sure to satisfy even the most jaded steampunk fans and engage newcomers and skeptics. Each story exemplifies steampunk’s knack for critiquing both the past and the present, in a superb anthology that demands rereading.'' Publishers Weekly

Giant monsters whose every roar and footstep shakes the earth, whose simple stroll through a city wreaks havoc: KAIJU! And even though humankind has never really seen such monsters - we tremble at the thought of them and love to shiver as their screen versions make mayhem: the beast from twenty-thousand fathoms, Godzilla demolishing Tokyo, the massive creature in Cloverfield destroying New York, all of Earth warring with the colossal monsters in Pacific Rim.Now, for the first time, a definitive anthology that gathers a wide range of larger-than-life short fiction with creatures that run a gargantuan gamut: the stealthy gabbleduck of Neal Asher''s Polity universe; Gary McMahon''s huge sea-born terror; An Owomoyela ''s incredibly tall alien invaders; Frank Wu''s city-razing, eighty-foot-high, fire-breathing lizard; Lavie Tidhar''s titanic ship-devouring monstrosity; a really big Midwest US smackdown related by Jeremiah Tolbert . . . and many more mega-monster stories to feed your need for killer kaiju!With an introduction by Robert Hood, co-editor of the groundbreaking, Ditmar Award-winning Daikaiju: Giant Monster Tales and host of Undead Backbrain, the premier website for matters relating to giant monsters.

We are born into an automatic social contract--democracy--that we never consent to. While seemingly championing the individual and the value of individual choice, democracy ultimately degenerates into collectivism and mob rule. Coupled with a reified religious mythology, widespread economic and market collapse, and deep political corruption, the individual is lost within a democracy to the collective majority. However, can a just, viable form of governance and society exist without the coercion of democracy?

The End of Democracy and Faith presents an alternative vision that wrests the value of individual choice from mob rule and restores the consent and supremacy of the individual in the social contract. Eschewing faith and hope instead for a movement toward building bonds with our fellow men and women and for taking the reins and helping each other save our future, it explores the connections between our morality, identity, history, philosophy, and economy. And with the introduction of the concept of the voluntary state, it offers a philosophical foundation in support of using freedom instead of coercion to handle our responsibilities regarding our own income, retirement, health care, and way of life.

The promises of democracy and any individualism inherent to the founding of the nation have been largely replaced by a perilous, disenfranchising collectivism. Pursuing an alternative social reality--one that can truly enable free markets, overcome religious myth, and restore individual choice--represents a true challenge to the moral depravity of democracy and faith.

There are certain elements holding back our economy, the author asserts, though economists rarely make mention of them, due to their status as societal sacred cows. His arguments against democracy are the most engaging sections of the book, in part because such cases are so infrequently made. -- Kirkus Reviews