Sebastien Brebel – författare

The narrator of Villa Bunker receives letters, dozens of them, written by his mother in an isolated seaside villa, which tell of his parents'' troubles in this uninhabitable house, which is soon to become a kind of labyrinth roamed by memories and long-buried feelings. At first the narrator''s parents fret most about the villa''s physical deterioration, but soon their own psychological deterioration becomes the inescapable focus of their stories. Is their joint madness due to the villa''s aberrant architecture? Or is the isolation of the villa to blame? Or were they mad all along? The narrator is left to decipher the clues, himself in turn becoming prey to his own house, which like memory and time, seems in a state of permanent metamorphosis.

A middle-aged couple takes in a prurient young woman picked up from the side of the road; a single mother struggles against the hostile feelings she harbors towards her precocious son; a man has alternative fantasies of domination and submission involving a fellow commuter; a hotel room is booked by an elderly woman in search of a place to end her life. In the fourteen stories that make up A Perfect Disharmony, Sébastien Brebel explores the experiences of isolated women and sexually obsessed men while weaving together digression, daydreams, and an accumulation of detail to create a wholly unique approach to the short story form.

The unnamed narrator of Francis Bacon’s Armchair has just been released from an extended stay at a psychiatric hospital and now has only one objective: to shut himself away in his apartment and contemplate the best way to restart his life. But his obsession with Cathie, a young woman he met during his convalescence, drives him out of his bedroom one night in search of a telephone—which leads him two floors below into the apartment of his morbidly obese neighbor, Sauvage. Sauvage is a translator overwhelmed by his current project, The Dictionary of Rare and Incurable Diseases, and by the inherent difficulties of his profession. The narrator begins paying regular visits to his mysterious neighbor, and the two isolated men develop a bizarre relationship dominated by fear, jealousy, and mutual fascination. A hypnotic and philosophically dense novel, Francis Bacon’s Armchair deftly weaves between explorations of loneliness, language, and obsession.

The narrator of "Villa Bunker" receives letters, dozens of them, written by his mother in an isolated seaside villa, which tell of his parents' troubles in this uninhabitable house, soon to become a kind of labyrinth roamed by memories and long-buried emotions. At first the narrator's parents fret most about the villa's physical deterioration, but soon their own psychological deterioration becomes the inescapable focus of their stories. Is their joint madness due to the villa's aberrant architecture? Or is its isolation to blame? Or were they mad all along? The narrator is left to decipher the clues, himself in turn becoming prey to his own house, which, like memory and time, seems in a state of permanent metamorphosis.