Sekibakiba Peter Lekgoathi – författare

Guerrilla Radios in Southern Africa is a collection of essays on the histories of the different radios of the liberation movements in the region during the era of the armed struggle.From Angola and Mozambique, to Namibia, Zimbabwe and South Africa, the new technology of radio provided the liberation movements in exile with a platform to address their followers at home, to propagate their ideologies and to counter the propaganda of the oppressive white minority regimes. As the cheapest and most direct medium, guerrilla radios transcended the boundaries imposed by the settler regimes and were widely listened to, albeit within the realm of illegality.Transnational in its approach, the book explores the workings of these radios from their areas of broadcast in exile, international solidarity, to reception at home where listeners often huddled around their receivers to listen to the messages from the liberation movements, often beyond the gaze of the state. These radios shaped the nature of resistance campaigns that the liberation movements embarked upon in the various countries in the region.

This volume critically examines sources of evidence and material from the archive that historically have been used to tell southern Africa's pre-colonial story.

This volume critically examines sources of evidence and material from the archive that historically have been used to tell southern Africa's pre-colonial story.

Archives of Times Past: Conversations about South Africa’s Deep History explores particular sources of evidence on southern Africa’s time before the colonial era. It gathers recent ideas about archives and archiving from scholars in southern Africa and elsewhere, focusing on the question: ‘How do we know, or think we know, what happened in the times before European colonialism?’ Historians who specialise in researching early history have learnt to use a wide range of materials from the past as source materials. What are these materials? Where can we find them? Who made them? When? Why? What are the problems with using them? The essays by well-known historians, archaeologists and researchers engage these questions from a range of perspectives and in illuminating ways. Written from personal experience, they capture how these experts encountered their archives of knowledge beyond the textbook. The book aims to make us think critically about where ideas about the time before the colonial era originate. It encourages us to think about why people in South Africa often refer to this ‘deep history’ when arguing about public affairs in the present. The essays are written at a time when public discussion about the history of southern Africa before the colonial era is taking place more openly than at any other time in the last hundred years. They will appeal to students, academics, educationists, teachers, archivists, and heritage, museum practitioners and the general public.

Archives of Times Past: Conversations about South Africa’s Deep History explores particular sources of evidence on southern Africa’s time before the colonial era. It gathers recent ideas about archives and archiving from scholars in southern Africa and elsewhere, focusing on the question: ‘How do we know, or think we know, what happened in the times before European colonialism?’ Historians who specialise in researching early history have learnt to use a wide range of materials from the past as source materials. What are these materials? Where can we find them? Who made them? When? Why? What are the problems with using them? The essays by well-known historians, archaeologists and researchers engage these questions from a range of perspectives and in illuminating ways. Written from personal experience, they capture how these experts encountered their archives of knowledge beyond the textbook. The book aims to make us think critically about where ideas about the time before the colonial era originate. It encourages us to think about why people in South Africa often refer to this ‘deep history’ when arguing about public affairs in the present. The essays are written at a time when public discussion about the history of southern Africa before the colonial era is taking place more openly than at any other time in the last hundred years. They will appeal to students, academics, educationists, teachers, archivists, and heritage, museum practitioners and the general public.

Guerrilla Radios in Southern Africa is a collection of essays on the histories of the different radios of the liberation movements in the region during the era of the armed struggle.From Angola and Mozambique, to Namibia, Zimbabwe and South Africa, the new technology of radio provided the liberation movements in exile with a platform to address their followers at home, to propagate their ideologies and to counter the propaganda of the oppressive white minority regimes. As the cheapest and most direct medium, guerrilla radios transcended the boundaries imposed by the settler regimes and were widely listened to, albeit within the realm of illegality.Transnational in its approach, the book explores the workings of these radios from their areas of broadcast in exile, international solidarity, to reception at home where listeners often huddled around their receivers to listen to the messages from the liberation movements, often beyond the gaze of the state. These radios shaped the nature of resistance campaigns that the liberation movements embarked upon in the various countries in the region.

In no other society in the world have urbanisation and industrialization been as comprehensively based on migrant labour as in South Africa. Rather than focusing on the well-documented narrative of displacement and oppression, A Long Way Home captures the humanity, agency and creative modes of self-expression of the millions of workers who helped to build and shape modern South Africa. The book spans a three-hundred-year history beginning with the exportation of slave labour from Mozambique in the eighteenth century and ending with the strikes and tensions on the platinum belt in recent years. It shows not only the age-old mobility of African migrants across the continent but also, with the growing demand for labour in the mining industry, the importation of Chinese indentured migrant workers. Contributions include 18 essays and over 90 artworks and photographs that traverse homesteads, chiefdoms and mining hostels, taking readers into the materiality of migrant life and its customs and traditions, including the rituals practiced by migrants in an effort to preserve connections to “home” and create a sense of “belonging”. The essays and visual materials provide multiple perspectives on the lived experience of migrant labourers and celebrate their extraordinary journeys. A Long Way Home was conceived during the planning of an art exhibition entitled ‘Ngezinyawo: Migrant Journeys’ at Wits Art Museum. The interdisciplinary nature of the contributions and the extraordinary collection of images selected to complement and expand on the text make this a unique collection.

In no other society in the world have urbanisation and industrialization been as comprehensively based on migrant labour as in South Africa. Rather than focusing on the well-documented narrative of displacement and oppression, A Long Way Home captures the humanity, agency and creative modes of self-expression of the millions of workers who helped to build and shape modern South Africa. The book spans a three-hundred-year history beginning with the exportation of slave labour from Mozambique in the eighteenth century and ending with the strikes and tensions on the platinum belt in recent years. It shows not only the age-old mobility of African migrants across the continent but also, with the growing demand for labour in the mining industry, the importation of Chinese indentured migrant workers. Contributions include 18 essays and over 90 artworks and photographs that traverse homesteads, chiefdoms and mining hostels, taking readers into the materiality of migrant life and its customs and traditions, including the rituals practiced by migrants in an effort to preserve connections to “home” and create a sense of “belonging”. The essays and visual materials provide multiple perspectives on the lived experience of migrant labourers and celebrate their extraordinary journeys. A Long Way Home was conceived during the planning of an art exhibition entitled ‘Ngezinyawo: Migrant Journeys’ at Wits Art Museum. The interdisciplinary nature of the contributions and the extraordinary collection of images selected to complement and expand on the text make this a unique collection.