Selena Daly – författare

During the First World War, over 300,000 Italian emigrants returned to Italy from around the world to perform their conscripted military service, a mass mobilisation which was a uniquely Italian phenomenon. But what happened to these men following their arrival and once the war had ended? Selena Daly reconstructs the lives of these emigrant soldiers before, during and after the First World War, considering their motivations, combat experiences, demobilisation, and lives under Fascism and in the Second World War. Adopting a micro-historical approach, Emigrant Soldiers explores the diverse fates of four men who returned from the United States, Brazil, France, and Britain, interwoven with accounts of other emigrants from across Europe, the Americas, Africa, the Middle East and Australia. Through letters, diaries, memoirs, oral histories, newspapers, and diplomatic reports, Daly focuses on the experiences and voices of the emigrant soldiers, providing a new global account of Italians during the First World War.

Selena Daly’s work is the first comprehensive study of Futurism during the First World War period. In this book, she examines the cultural, political, and military engagement of the Futurists with the war effort, both on the battlefields and on the home front.Beginning with the outbreak of war in 1914, Italian Futurism and the First World War provides vivid accounts of Futurist experiences through an analysis of previously unpublished material, including letters, diaries, and military documents as well as newspapers, magazines, and popular novels. Her focus on Futurist protagonists such as Filippo Tommaso Marinetti, Umberto Boccioni, Emilio Settimelli, and lesser known figures such as Giuseppe Steiner and Ennio Valentinelli greatly extends our knowledge of the movement. Daly’s timely and detailed analysis challenges long-held assumptions about Futurist activity during the war and offers new insights for both the non-specialist and specialist alike.

This comparative and transnational study of landscapes in the First World War offers new perspectives on the ways in which landscapes were idealised, mobilised, interpreted, exploited, transformed and destroyed by the conflict.