Serge Gruzinski – författare

Mestizo: a person of mixed blood; specifically, a personof mixed European and American Indianancestry.Serge Gruzinski, the renowned historian of Latin America, offers a brilliant, original critique of colonization and globalization in The Mestizo Mind. Looking at the fifteenth-century colonization of Latin America, Gruzinski documents the mélange that resulted: colonized mating with colonizers; Indians joining the Catholic Church and colonial government; and Amerindian visualizations of Jesus and Perseus. These physical and cultural encounters created a new culture, a new individual, and a phenomenon we now call globalization. Revealing globalization's early origins, Gruzinski then fast forwards to the contemporary mélange seen in the films of Peter Greenaway and Wong Kar-Wai to argue that over 500 years of intermingling has produced the mestizo mind, a state of mixed thinking that we all possess.A masterful alchemy of history, anthropology, philosophy and visual analysis, The MestizoMind definitively conceptualizes the clash of civilizations in the style of Homi Bhabha, Gayatri Spivak and Anne McClintock.

Mestizo: a person of mixed blood; specifically, a personof mixed European and American Indianancestry.Serge Gruzinski, the renowned historian of Latin America, offers a brilliant, original critique of colonization and globalization in The Mestizo Mind. Looking at the fifteenth-century colonization of Latin America, Gruzinski documents the mélange that resulted: colonized mating with colonizers; Indians joining the Catholic Church and colonial government; and Amerindian visualizations of Jesus and Perseus. These physical and cultural encounters created a new culture, a new individual, and a phenomenon we now call globalization. Revealing globalization's early origins, Gruzinski then fast forwards to the contemporary mélange seen in the films of Peter Greenaway and Wong Kar-Wai to argue that over 500 years of intermingling has produced the mestizo mind, a state of mixed thinking that we all possess.A masterful alchemy of history, anthropology, philosophy and visual analysis, The MestizoMind definitively conceptualizes the clash of civilizations in the style of Homi Bhabha, Gayatri Spivak and Anne McClintock.

The Conquest of Mexico is a brilliant account of the Spanish conquest of Mexico, written from a new and unfamiliar angle. Gruzinski analyses the process of colonization that took place in native Indian societies over three centuries, focusing on disruptions to the Indian's memory, changes in their perception of reality, the spread of the European idea of the supernatural and the Spanish colonists' introduction of alphabetical script which the Indians had to combine with their own traditional - oral and pictorial - forms of communication.Gruzinski discusses the Indians' often awkward initiation into writing, their assimilation of Spanish culture, and their subsequent reinterpretation of their own past and recovers the changing Indian perceptions of the sacred and their 'absorption' of elements from the Christian tradition.The Conquest of Mexico is a major work of cultural history which reconstructs a crucial episode in the European colonization of the New World. It is also an important contribution to the study of the relationship between memory, orality, images and writing in history.

What Time is it There? is a history of worlds that encounter each other without ever meeting. The title comes from a film by Tsai Ming-liang which explores the desire to conquer the barriers of space and time by abolishing time differences and inventing substitutes for a coveted elsewhere. This preoccupation with other worlds and consciousness of the differences that separate them have become a persistent theme of our world today, shaped as it has been by the complex flows of people, images and ideas that we have come to associate with the term 'globalization'. But the dismantling of closed worlds that gradually opened cultures and peoples to one another is by no means new. In this remarkable book, Serge Gruzinski takes us back to the early modern period and examines two testimonies that require us to navigate between America and the Islamic world long before the images of 9/11 had entered our heads. One is a chronicle of the New World compiled in Istanbul in 1580, the other is a Repertory of the Times written in Mexico in 1606, which dwells at length on the Empire of the Turks. Why and how did the Turks come to know so much about America, and what made readers in Mexico ask questions about the Ottomans?Gruzinski conducts a dialogue between these two texts that emphasizes the singularities of the two visions, that of Islam and that of America, each already keeping a watchful eye on the other and yet irreducibly different, with this question always in the background: what did it mean to 'think the world' at the dawn of modern times?

What Time is it There? is a history of worlds that encounter each other without ever meeting. The title comes from a film by Tsai Ming-liang which explores the desire to conquer the barriers of space and time by abolishing time differences and inventing substitutes for a coveted elsewhere. This preoccupation with other worlds and consciousness of the differences that separate them have become a persistent theme of our world today, shaped as it has been by the complex flows of people, images and ideas that we have come to associate with the term 'globalization'. But the dismantling of closed worlds that gradually opened cultures and peoples to one another is by no means new. In this remarkable book, Serge Gruzinski takes us back to the early modern period and examines two testimonies that require us to navigate between America and the Islamic world long before the images of 9/11 had entered our heads. One is a chronicle of the New World compiled in Istanbul in 1580, the other is a Repertory of the Times written in Mexico in 1606, which dwells at length on the Empire of the Turks. Why and how did the Turks come to know so much about America, and what made readers in Mexico ask questions about the Ottomans?Gruzinski conducts a dialogue between these two texts that emphasizes the singularities of the two visions, that of Islam and that of America, each already keeping a watchful eye on the other and yet irreducibly different, with this question always in the background: what did it mean to 'think the world' at the dawn of modern times?

In this important new book the renowned historian Serge Gruzinski returns to two episodes in the sixteenth century which mark a decisive stage in global history and show how China and Mexico experienced the expansion of Europe.In the early 1520s, Magellan set sail for Asia by the Western route, Cortes seized Mexico and some Portuguese based in Malacca dreamed of colonizing China. The Aztec Eagle was destroyed but the Chinese Dragon held strong and repelled the invaders - after first seizing their cannon. For the first time, people from three continents encountered one other, confronted one other and their lives became entangled. These events were of great interest to contemporaries and many people at the time grasped the magnitude of what was going on around them. The Iberians succeeded in America and failed in China. The New World became inseparable from the Europeans who were to conquer it, while the Celestial Empire became, for a long time to come, an unattainable goal. Gruzinski explores this encounter between civilizations that were different from one another but that already fascinated contemporaries, and he shows that our world today bears the mark of this distant age. For it was in the sixteenth century that human history began to be played out on a global stage. It was then that connections between different parts of the world began to accelerate, not only between Europe and the Americas but also between Europe and China. This is what is revealed by a global history of the sixteenth century, conceived as another way of reading the Renaissance, less Eurocentric and more in tune with our age.

In this important new book the renowned historian Serge Gruzinski returns to two episodes in the sixteenth century which mark a decisive stage in global history and show how China and Mexico experienced the expansion of Europe.In the early 1520s, Magellan set sail for Asia by the Western route, Cortes seized Mexico and some Portuguese based in Malacca dreamed of colonizing China. The Aztec Eagle was destroyed but the Chinese Dragon held strong and repelled the invaders - after first seizing their cannon. For the first time, people from three continents encountered one other, confronted one other and their lives became entangled. These events were of great interest to contemporaries and many people at the time grasped the magnitude of what was going on around them. The Iberians succeeded in America and failed in China. The New World became inseparable from the Europeans who were to conquer it, while the Celestial Empire became, for a long time to come, an unattainable goal. Gruzinski explores this encounter between civilizations that were different from one another but that already fascinated contemporaries, and he shows that our world today bears the mark of this distant age. For it was in the sixteenth century that human history began to be played out on a global stage. It was then that connections between different parts of the world began to accelerate, not only between Europe and the Americas but also between Europe and China. This is what is revealed by a global history of the sixteenth century, conceived as another way of reading the Renaissance, less Eurocentric and more in tune with our age.

“If colonial America was the melting pot of modernity, it was because it was also a fabulous laboratory of images. . . . Just as much as speech and writing, the image can be a vehicle for all sorts of power and resistance.” So writes Serge Gruzinski in the introduction to Images at War, his striking reinterpretation of the Spanish colonization of Mexico. Concentrating on the political meaning of the baroque image and its function within a multicultural society, Gruzinski compares its ubiquity in Mexico to our modern fascination with images and their meaning.Although the baroque image played a decisive role in many arenas, especially that of conquest and New World colonization, its powerful resonance in the sphere of religion is a focal point of Gruzinski’s study. In his analysis of how images conveyed meaning across linguistic barriers, he uncovers recurring themes of false images, less-than-perfect replicas, the uprooting of peoples and cultural memories, and the violence of iconoclastic destruction. He shows how various ethnic groups-Indians, blacks, Europeans-left their distinct marks on images of colonialism and religion, coopting them into expressions of identity or instruments of rebellion. As Gruzinski’s story unfolds, he tells of Aztec idols, the cult of the Virgin of Guadalupe, conquistadors, Franciscans, and neoclassical attempts to repress the baroque. In the final chapter he discusses the political and religious implications of contemporary imagery-such as that in Mexican soap operas-and speculates about the future of images in Latin America. Originally written in French, this work makes available to an English audience a seminal study of Mexico and the role of the image in the New World.

One of the most decisive and irreversible consequences of the Spanish conquest of the Americas was the alphabetic revolution which changed the forms of communication in indigenous societies. Writing, paper and books arrived in the Americas with the conquistadors and they were used as weapons by the Spanish to subjugate local populations and impose Christianity on them.The written word of the conquerors was a key medium of colonization: orders from the imperial metropole were written down, local resources and valuables were recorded and books conveyed knowledge coming from Europe. The children of indigenous elites, trained in humanist values, were soon more familiar with Latin and the Bible than with the beliefs of their ancestors, and the use of Latin instilled new modes of reasoning and thought. By imposing European languages and writing systems, the conquistadors also inculcated a belief in the superiority of the written word and even its holiness. And yet despite this, indigenous people were able to resist alphabetic colonization in other ways, thanks to their extraordinary creativity.By putting language, writing and printing at the centre of his analysis, Serge Gruzinski develops a fresh perspective on the colonization and conversion of the indigenous people of the Americas and enables us to observe in detail how ideas intermingle when two civilizations collide.

One of the most decisive and irreversible consequences of the Spanish conquest of the Americas was the alphabetic revolution which changed the forms of communication in indigenous societies. Writing, paper and books arrived in the Americas with the conquistadors and they were used as weapons by the Spanish to subjugate local populations and impose Christianity on them.The written word of the conquerors was a key medium of colonization: orders from the imperial metropole were written down, local resources and valuables were recorded and books conveyed knowledge coming from Europe. The children of indigenous elites, trained in humanist values, were soon more familiar with Latin and the Bible than with the beliefs of their ancestors, and the use of Latin instilled new modes of reasoning and thought. By imposing European languages and writing systems, the conquistadors also inculcated a belief in the superiority of the written word and even its holiness. And yet despite this, indigenous people were able to resist alphabetic colonization in other ways, thanks to their extraordinary creativity.By putting language, writing and printing at the centre of his analysis, Serge Gruzinski develops a fresh perspective on the colonization and conversion of the indigenous people of the Americas and enables us to observe in detail how ideas intermingle when two civilizations collide.