Shahab Uddin – författare

This book provides a comprehensive review of the potential of neglected and underutilized crops in the prevention and treatment of various cancers. It explores various aspects of these crops and their bioactive compounds, shedding light on their role in health and nutrition. The initial chapters discuss neglected and underutilized crops, emphasizing their relevance in human disease and cancer management. These chapters also examine the bioavailability and formulation strategies of bioactive compounds derived from these crops. The book further delves into the isolation, availability, and therapeutic uses of these bioactive compounds, emphasizing their significant role in modern medicine. It also reviews the potential of the Indian gooseberry, quinoa, and seabuckthorn in cancer treatment and management. Additionally, the book discusses neglected medicinal plants of the Northwestern Himalayas, showcasing their potential applications in both traditional and modern medicine. It also highlights the importance of sustainable cultivation and conservation efforts to ensure the long-term availability of these crops. This book is of particular interest to scientists, researchers, and academics in fields such as agriculture, biochemistry, nutrition, and medicine.

Seminar paper from the year 2008 in the subject American Studies - Culture and Applied Geography, grade: 1, University of Frankfurt (Main) (Amerikanistik), course: Introducing Tod Browning, language: English, abstract: Ever since the horror genre has established, it has fascinated viewers around the world. Despite (and to some degree also because of) its controversial status, the horror film has gained much popularity. At the same time it has also been the target of critics. Especially in academic writing the horror film seems to have been neglected. Nonetheless, the horror film has this one peculiarity that other genres don't have. As Rick Worland correctly stated, "e;A given phase of the horror film often reveals something about the times that produced it, exposing anxieties and outright fears of those days, though doing so in a roundabout or thoroughly unintentional way."e; (Worland 55-56). Thus there have been many approaches on the horror film and the cultural fear in it. Among other interpretations, the theory of the cultural fear of war has become significant. The connection between war and the cultural fear is definitely not arbitrary. To a great part, this expression is the product of the fearful events that occured in western society. But the content of most horror movies not only indicates the fear of events that took place. these expressions in the horror film have often been understood as metaphors of the fear of a social reconstruction, hence as the fear of things to come- Wars have always existed, and the horror genre has not, at least not as aunique genre. Compared to other genres in literature, the gothic novel - nowadays recognized as the predecessor of the horror genre - came about very late. The emancipation of women, being an important factor in the social construction of modern times, has also established very late. Is this just a coincidence, or does this indicate a stronger connection between cultural fear and the emancipation of women? With respect to that, this term paper will specifically deal with two of Tod Browning's most popular movies: "e;Freaks"e; and "e;Dracula"e;. The first part of this term paper will consider the expression of fear in horror movies as an unconscious reaction to the emancipation of women. Particularly Pierre Bourdieu's ideas in Masculine Domination and Norbert Elias' schemes in The Established and the Outsiders will help to understand the impact of the emancipation of women on the horror genre. In the two chapters that follow, Bourdieu's and Elias' ideas will be applied on "e;Freaks"e; and "e;Dracula"e;...