Winner of the Prairie Schooner Book Prize in Poetry, Shane Book's collection, Ceiling of Sticks, is a powerful and unflinching sort of documentary poetics. It bears elegiac witness to the effects of global politics on individual lives. Book's poems carry us to Uganda, Ghana, Mali, Trinidad, and Canada's west coast; from a religious sacrifice in Tarahumara, Mexico, to Book's ailing grandfather's bedside. They bring an intimate vision of humanity to scenes of inhuman atrocity and suffering; a moment of clarity and empathy to individuals overwhelmed by war or other man-made catastrophes. The attentiveness of the poems and meditative lyrics reveal a careful allegiance to their subjects and a fearless refusal to turn away. Filled with experiences of Africa and Latin America, California and the Caribbean, family and lost love, these poems resonate with the intensity of truth as it is lived and written.
The lyrics in All Black Everything shine with work and the freedom of young people. Full of menace and humor, objects of warfare and luxury consumption are transformed with Shane Book’s blade of caustic irony against the worldwide nihilism of cash payments, guns, and disease. In their syncopated, slangy, and musically enjambed flow of the digital world, a poet known for singular collections has produced his most inventive and uncompromising volume yet.The political sublime of Caribbean poetics ebb and flood in this contagious new voice of borrowings, hijacking the trap house. This is an original collection, daring to assume the voice of the system and its death drives, having fun, mixing it up, throwing hands too. If old pirates rob I, then Shane Book has stolen back something from them. All Black Everything is a redemption song.
Winner of the Prairie Schooner Book Prize in Poetry, Shane Book's collection, Ceiling of Sticks, is a powerful and unflinching sort of documentary poetics. It bears elegiac witness to the effects of global politics on individual lives. Book's poems carry us to Uganda, Ghana, Mali, Trinidad, and Canada's west coast; from a religious sacrifice in Tarahumara, Mexico, to Book's ailing grandfather's bedside. They bring an intimate vision of humanity to scenes of inhuman atrocity and suffering; a moment of clarity and empathy to individuals overwhelmed by war or other man-made catastrophes. The attentiveness of the poems and meditative lyrics reveal a careful allegiance to their subjects and a fearless refusal to turn away. Filled with experiences of Africa and Latin America, California and the Caribbean, family and lost love, these poems resonate with the intensity of truth as it is lived and written.
The lyrics in All Black Everything shine with work and the freedom of young people. Full of menace and humor, objects of warfare and luxury consumption are transformed with Shane Book’s blade of caustic irony against the worldwide nihilism of cash payments, guns, and disease. In their syncopated, slangy, and musically enjambed flow of the digital world, a poet known for singular collections has produced his most inventive and uncompromising volume yet.The political sublime of Caribbean poetics ebb and flood in this contagious new voice of borrowings, hijacking the trap house. This is an original collection, daring to assume the voice of the system and its death drives, having fun, mixing it up, throwing hands too. If old pirates rob I, then Shane Book has stolen back something from them. All Black Everything is a redemption song.