Sharon A. Russell – författare

One of the most prolific and popular contemporary novelists, Stephen King has a devoted following of captivated readers. This is the first critical work on King to examine his most recent novels, Dolores Claiborne, Insomnia, and Rose Madder, and to analyze the many threads of his fiction in a way that is accessible to young adults and general readers. It is designed to help the reader understand the carefully organized narrative structure of his novels, the relation of his fiction to the horror and science fiction genres and to each other, character development, and stylistic and thematic concerns that recur and evolve throughout his work. Following a biographical chapter that links his life to the development of his fiction, Russell offers an overview chapter on all his novels. Individual chapters examine nine representative novels: in addition to the three mentioned above, Russell examines Salem's Lot, The Shining, The Stand, The Dark Half, The Dark Tower III: The Waste Lands, and Needful Things. A complete bibliography of all Stephen King's work, critical sources, and a listing of reviews of the novels examined in depth complete the work.Each chapter deals with one novel and includes sections on plot and narrative structure, character development, and thematic concerns. While concentrating on the elements of each novel, Russell also draws comparisons to other novels in King's canon and points out their developmental relationship. She shows how King uses horror, science fiction, and suspense to explore human relationships, how he expands traditional approaches to genre by combining elements of the various genres in his fiction, and how he has continued to grow as an artist throughout his career. Each novel is also examined from an alternative critical approach, which offers the reader an additional perspective from which to read it. Because it is the only critique of King to deal with his recent novels and has been designed for young adults and general readers, this critical companion will be a key purchase for school and public libraries.

Intended as a guide to the filmmakers and films of the African cinema, this reference book also provides the framework for understanding the history and development of African film with respect to its situation in world cinema. The goals and achievements of African film are studied with respect to the forces that impact it, such as colonialism and racism. The importance of the creative efforts of African filmmakers and the diversity of their approaches to cinema are explored. Examined as well are the views of Africa presented by European colonial filmmakers, views often contested in contemporary African film. The listings include critical analysis, bio-bibliography, and filmographies. Both Saharan and sub-Saharan films are included.As an important reference to African film, the information outlined is valuable due to the current lack of researched data on African cinema, in part as a result of postcolonial attitudes on production and distribution. The book concentrates on films and directors who work toward defining a unique, African perspective without compromising thematic concerns due to commercial considerations. The research detailed in this text should encourage a wider appreciation of the film work being done in Africa, especially to those without the benefit of access to specialized libraries and collections.