Shawn Wong - Böcker

In the eyes of mid-twentieth-century white America, "Aiiieeeee!" was the one-dimensional cry from Asian Americans, their singular expression of all emotions—it signified and perpetuated the idea of Asian Americans as inscrutable, foreign, self-hating, undesirable, and obedient. In this anthology first published in 1974, Frank Chin, Jeffery Chan, Lawson Inada, and Shawn Wong reclaimed that shout, outlining the history of Asian American literature and boldly drawing the boundaries for what was truly Asian American and what was white puppetry. Showcasing fourteen uncompromising works from authors such as Carlos Bulosan and John Okada, the editors introduced readers to a variety of daring voices.Forty-five years later the radical collection continues to spark controversy. While in the seventies it helped establish Asian American literature as a serious and distinct literary tradition, today the editors' forceful voices reverberate in contemporary discussions about American literary traditions. Now back in print with a new foreword by literary scholar Tara Fickle, this third edition reminds us how Asian Americans fought for—and seized—their place in the American literary canon.

In the eyes of mid-twentieth-century white America, “Aiiieeeee!” was the one-dimensional cry from Asian Americans, their singular expression of all emotions—it signified and perpetuated the idea of Asian Americans as inscrutable, foreign, self-hating, undesirable, and obedient. In this anthology first published in 1974, Frank Chin, Jeffery Chan, Lawson Inada, and Shawn Wong reclaimed that shout, outlining the history of Asian American literature and boldly drawing the boundaries for what was truly Asian American and what was white puppetry. Showcasing fourteen uncompromising works from authors such as Carlos Bulosan and John Okada, the editors introduced readers to a variety of daring voices.Forty-five years later the radical collection continues to spark controversy. While in the seventies it helped establish Asian American literature as a serious and distinct literary tradition, today the editors’ forceful voices reverberate in contemporary discussions about American literary traditions. Now back in print with a new foreword by literary scholar Tara Fickle, this third edition reminds us how Asian Americans fought for—and seized—their place in the American literary canon.

Read about the movie, Americanese, based on Shawn Wong's book, at: http://www.americanesethemovie.com

Homebase is the coming of age story of Rainsford Chan in 1950s and '60s California. Rainsford is a fourth-generation Chinese American named after the town where his great-grandfather worked during the gold rush. Orphaned at fifteen, he attempts to claim America as his homebase, and his personal history is interwoven with dreams, stories, and letters of his family's life in America. Moving through time and place, the story allows the reader to discover the past as Rainsford does, to see the world through his eyes, and to learn the truth about the Chinese American experience.

Homebase is the coming of age story of Rainsford Chan in 1950s and '60s California. Rainsford is a fourth-generation Chinese American named after the town where his great-grandfather worked during the gold rush. Orphaned at fifteen, he attempts to claim America as his homebase, and his personal history is interwoven with dreams, stories, and letters of his family's life in America. Moving through time and place, the story allows the reader to discover the past as Rainsford does, to see the world through his eyes, and to learn the truth about the Chinese American experience.

Since 1976 the Before Columbus Foundation has been devoted to the task of redefining our notion of "mainstream" American literature to reflect this country's multicultural, multi-ethnic richness and diversity. Since 1980 it has sponsored the American Book Awards.

Since 1976 the Before Columbus Foundation has been devoted to the task of redefining our notion of mainstream American literature to reflect this country’s multicultural, multiethnic, and multiracial diversity. Since 1980 it has sponsored the American Book Awards, which honor a wide spectrum of books that reflect this heritage. To recognize literary excellence in this way demands a panoramic perspective, without restrictions and without quotas. Open, inclusive, democratic, the American Book Awards celebrates the many tributaries that flow into, in Ishmael Reed’s words, the ocean of American literature. The Before Columbus Foundation Poetry Anthology includes over 150 selections from a decade of American Book Award-winning poetry. Authors represented include Ai, Jimmy Santiago Baca, Edward Dorn, Allen Ginsberg, Maurice Kenny, Etheridge Knight, Colleen J. McElroy, Charles Olson, Sonia Sanchez, Gary Snyder, Quincy Troupe, Terence Winch, and Elizabeth Woody. It will quickly be seen as a landmark, pioneering volume and literary event. Along with The Before Columbus Foundation Fiction Anthology, which is being published simultaneously, it is the first book to reflect accurately the American literature of the present—and to prepare us for the American literature of the twenty-first century.

In this pointed and resonant project, internationally acclaimed artist Zhi Lin refocuses on the forgotten Chinese laborers in America from an iconic moment in US history. In the nineteenth century, thousands of men migrated from China to seek fortunes in the gold mines of California; instead they found work building the transcontinental railroads. The contributions of these workers are largely overlooked in the history books, their names and stories lost. Zhi Lin's works address this absence and are inspired by his own experiences as an immigrant.Zhi Lin began exploring the history of Chinese laborers in 2005 by following the route of the first transcontinental railroad and making watercolor sketches of the landscapes and landmarks along the way. His work later focused on the Golden Spike Ceremony, an annual reenactment of the completion of the first transcontinental railroad. This book will include approximately thirty illustrated works, an interview with the artist, and two scholarly essays.

The essays in this volume view Asian diasporic movements in the context of globalization and global citizenship, in which multiple cultural allegiances, influences and claims together create complex negotiations of identity.