Shaylih Muehlmann – författare

When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico's north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige. In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural villages, from the vibrant folklore popularized in the narco-corridos of Nortena music to the icon of Jesus Malverde, the "patron saint" of narcos, tucked beneath the shirts of local people. In When I Wear My Alligator Boots, the author explores the everyday reality of the drug trade by living alongside its low-level workers, who live at the edges of the violence generated by the militarization of the war on drugs.Rather than telling the story of the powerful cartel leaders, the book focuses on the women who occasionally make their sandwiches, the low-level businessmen who launder their money, the addicts who consume their products, the mules who carry their money and drugs across borders, and the men and women who serve out prison sentences when their bosses' operations go awry.

A gripping portrait of the relentless women taking missing persons, kidnapping, and extortion cases into their own hands—and building a movement for one another.  In this riveting exploration of the lives of mothers whose children are among the 100,000 disappeared in Mexico’s war on drugs, Shaylih Muehlmann shows how families have mobilized on the ground to get answers and justice. It is often mothers who confront government corruption, indifference, and incompetence by taking on the responsibilities of searching for missing persons and dealing with kidnapping and extortion cases.  In bringing the voices of these women to the fore, Muehlmann demonstrates how the war on drugs affects everyday life in Mexico and how these activists have become detectives, forensic specialists, and even negotiators with drug traffickers. Call the Mothers provides a unique look at a grassroots movement that draws from the symbolic power of motherhood to build a network of collectives that redefine traditional gender roles and challenge injustice and impunity.

A gripping portrait of the relentless women taking missing persons, kidnapping, and extortion cases into their own hands—and building a movement for one another.  In this riveting exploration of the lives of mothers whose children are among the 100,000 disappeared in Mexico’s war on drugs, Shaylih Muehlmann shows how families have mobilized on the ground to get answers and justice. It is often mothers who confront government corruption, indifference, and incompetence by taking on the responsibilities of searching for missing persons and dealing with kidnapping and extortion cases.  In bringing the voices of these women to the fore, Muehlmann demonstrates how the war on drugs affects everyday life in Mexico and how these activists have become detectives, forensic specialists, and even negotiators with drug traffickers. Call the Mothers provides a unique look at a grassroots movement that draws from the symbolic power of motherhood to build a network of collectives that redefine traditional gender roles and challenge injustice and impunity.

When I Wear My Alligator Boots examines how the lives of dispossessed men and women are affected by the rise of narcotrafficking along the U.S.-Mexico border. In particular, the book explores a crucial tension at the heart of the "war on drugs": despite the violence and suffering brought on by drug cartels, for the rural poor in Mexico’s north, narcotrafficking offers one of the few paths to upward mobility and is a powerful source of cultural meanings and local prestige.In the borderlands, traces of the drug trade are everywhere: from gang violence in cities to drug addiction in rural villages, from the vibrant folklore popularized in the narco-corridos of Norteña music to the icon of Jesús Malverde, the "patron saint" of narcos, tucked beneath the shirts of local people. In When I Wear My Alligator Boots, the author explores the everyday reality of the drug trade by living alongside its low-level workers, who live at the edges of the violence generated by the militarization of the war on drugs. Rather than telling the story of the powerful cartel leaders, the book focuses on the women who occasionally make their sandwiches, the low-level businessmen who launder their money, the addicts who consume their products, the mules who carry their money and drugs across borders, and the men and women who serve out prison sentences when their bosses'' operations go awry.

A gripping portrait of the relentless women taking missing persons, kidnapping, and extortion cases into their own hands—and building a movement for one another.   In this riveting exploration of the lives of mothers whose children are among the 100,000 disappeared in Mexico’s war on drugs, Shaylih Muehlmann shows how families have mobilized on the ground to get answers and justice. It is often mothers who confront government corruption, indifference, and incompetence by taking on the responsibilities of searching for missing persons and dealing with kidnapping and extortion cases.   In bringing the voices of these women to the fore, Muehlmann demonstrates how the war on drugs affects everyday life in Mexico and how these activists have become detectives, forensic specialists, and even negotiators with drug traffickers. Call the Mothers provides a unique look at a grassroots movement that draws from the symbolic power of motherhood to build a network of collectives that redefine traditional gender roles and challenge injustice and impunity.

Living in the northwest of Mexico, the CucapÁ people have relied on fishing as a means of subsistence for generations, but in the last several decades, that practice has been curtailed by water scarcity and government restrictions. The Colorado River once met the Gulf of California near the village where Shaylih Muehlmann conducted ethnographic research, but now, as a result of a treaty, 90 percent of the water from the Colorado is diverted before it reaches Mexico. The remaining water is increasingly directed to the manufacturing industry in Tijuana and Mexicali. Since 1993, the Mexican government has denied the CucapÁ people fishing rights on environmental grounds. While the CucapÁ have continued to fish in the Gulf of California, federal inspectors and the Mexican military are pressuring them to stop. The government maintains that the CucapÁ are not sufficiently "indigenous" to warrant preferred fishing rights. Like many indigenous people in Mexico, most CucapÁ people no longer speak their indigenous language; they are highly integrated into nonindigenous social networks. Where the River Ends is a moving look at how the CucapÁ people have experienced and responded to the diversion of the Colorado River and the Mexican state's attempts to regulate the environmental crisis that followed.

Living in the northwest of Mexico, the CucapÁ people have relied on fishing as a means of subsistence for generations, but in the last several decades, that practice has been curtailed by water scarcity and government restrictions. The Colorado River once met the Gulf of California near the village where Shaylih Muehlmann conducted ethnographic research, but now, as a result of a treaty, 90 percent of the water from the Colorado is diverted before it reaches Mexico. The remaining water is increasingly directed to the manufacturing industry in Tijuana and Mexicali. Since 1993, the Mexican government has denied the CucapÁ people fishing rights on environmental grounds. While the CucapÁ have continued to fish in the Gulf of California, federal inspectors and the Mexican military are pressuring them to stop. The government maintains that the CucapÁ are not sufficiently "indigenous" to warrant preferred fishing rights. Like many indigenous people in Mexico, most CucapÁ people no longer speak their indigenous language; they are highly integrated into nonindigenous social networks. Where the River Ends is a moving look at how the CucapÁ people have experienced and responded to the diversion of the Colorado River and the Mexican state's attempts to regulate the environmental crisis that followed.