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3 produkter
786 kr
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Internationally renowned and a crucial classroom text, The Arts of China has been revised and expanded by the late Michael Sullivan, with Shelagh Vainker. This new, sixth, edition has an emphasis on Chinese art history, not as an assemblage of related topics, but as a continuous story. With updated attributions and dating throughout and a revised bibliography, it reflects the latest archaeological discoveries, as well as giving increased attention to modern and contemporary art and to calligraphy throughout China’s history, with additional discussions of work by women artists. Visual enhancements include all new maps, and approximately one hundred new color illustrations—bringing the total to well over four hundred color illustrations.Written in the engaging and lucid style that is Sullivan's hallmark, The Arts of China is readily accessible to general readers as well as to serious students of art history. Sullivan's approach remains true to the way the Chinese themselves view art, providing readers with a sense of the sweep of history through China's dynasties. This organizational strategy makes it easy for readers to understand the distinct characteristics of each period of art and to gain a clearer view of how Chinese art has changed in relation to its historical context. With many improvements that bring it fully up to date, The Arts of China will remain the most comprehensive and widely read introduction to the history of Chinese art.
376 kr
Skickas inom 5-8 vardagar
Internationally renowned and a crucial classroom text, The Arts of China has been revised and expanded by the late Michael Sullivan, with Shelagh Vainker. This new, sixth, edition has an emphasis on Chinese art history, not as an assemblage of related topics, but as a continuous story. With updated attributions and dating throughout and a revised bibliography, it reflects the latest archaeological discoveries, as well as giving increased attention to modern and contemporary art and to calligraphy throughout China’s history, with additional discussions of work by women artists. Visual enhancements include all new maps, and approximately one hundred new color illustrations—bringing the total to well over four hundred color illustrations.Written in the engaging and lucid style that is Sullivan's hallmark, The Arts of China is readily accessible to general readers as well as to serious students of art history. Sullivan's approach remains true to the way the Chinese themselves view art, providing readers with a sense of the sweep of history through China's dynasties. This organizational strategy makes it easy for readers to understand the distinct characteristics of each period of art and to gain a clearer view of how Chinese art has changed in relation to its historical context. With many improvements that bring it fully up to date, The Arts of China will remain the most comprehensive and widely read introduction to the history of Chinese art.
253 kr
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Liu Dan is one of twenty-first-century China's leading artists. Born in 1953 in one of China's ancient capitals, Nanjing, he received his school education from the then recently-established People's Republic of China. His academic training was based on Western methods, while at home his grandfather taught him the traditional art of calligraphy. In the early 1980s he moved to America, returning to Beijing in 2005. As a result, he has lived his whole life passing between the discordant worlds of East and West. His familiarity with both sides of the Pacific filter into his art, although they are not necessarily emphasised. For example, the exhibition featured in this book focusses on Dan's response to the Italian Renaissance. It is particularly fitting that Dan should choose the Ashmolean to host his works. The Ashmolean houses one of the world's finest collections of Old Master drawings, and a selection of Italian metalpoint drawings from the collection is included in his exhibition. Liu Dan is also an international artist whose work has been exhibited across China, America and Europe. The museums and galleries that have displayed his work are not limited to those with a history of showing Chinese or Asian art, but also include those that specialise in contemporary art. In the thriving public and private global markets for contemporary Chinese art there are few artists, and still fewer painters, who are active so successfully across so many contexts. Liu Dan is a painter whose equal facility with classical and modern China sets him apart.