Sherrill E Grace – författare

Sherrill Grace''s introductory essay describes the influence of Lowry''s work on artists working in other media. She also includes an important letter from Lowry to the Norwegian writer Nordahl Grieg, published here, with annotations, for the first time. Jan Gabrial, Lowry''s first wife, provides an intimate glimpse of Lowry in a biographical story which has been out of print for more than forty years, Hallvard Dahlie documents the connection between Lowry and Nordahl Grieg, and David Falk conjures up an image of Lowry "groping his way through a labyrinth of paper" in an attempt to salvage himself and his texts. Christine Pagnoulle considers the major Volcano translations, Hilda Thomas astutely relates Volcano to contemporary politics and writing, and Frederick Asals provides a valuable study of the evolution of the Volcano manuscript. Joan Mulholland illustrates the centrality of speech acts in a Lowry text, Sue Vice successfully locates Lowry within the vanguard of post-modernism, and Donald Jewison links Lowry with Elias Canetti, Jorge Louis Borges, and Umberto Eco. Cynthia Sugars returns Lowry''s Dark as a Grave to the critical limelight, Victor Doyen chronicles the extraordinary gestation of Lowry''s final work, October Ferry to Gabriola, and Elsa Linguanti argues that the stories in Hear us O Lord from heaven thy dwelling place are among the best of Lowry''s work. Suzanne Kim analyses his creative process and the significant "figures" within Lowry''s poems and Mark Ellis Thomas makes a convincing case for the need for further study of Lowry''s poetry. Graham Collier, a British jazz composer, discusses the compositional similarities between Lowry''s texts and "free jazz"; Robert Kroetsch -- poet, novelist, and critic -- weaves the Lowry voice into his own "celebration of the anguish and ecstasy of creation." The suitability of Lowry''s work to investigation by a variety of approaches and the array of international scholars who have contributed to this collection confirm Lowry''s reputation as a major twentieth-century writer and make this book an exciting contribution to Lowry studies.

Canada and the Idea of North examines the ways in which Canadians have defined themselves as a northern people in their literature, art, music, drama, history, geography, politics, and popular culture. From the Franklin Mystery to the comic book superheroine Nelvana, Glenn Gould''s documentaries, the paintings of Lawren Harris, and Molson beer ads, the idea of the north has been central to the Canadian imagination. Sherrill Grace argues that Canadians have always used ideas of Canada-as-North to promote a distinct national identity and national unity. In a penultimate chapter - "The North Writes Back" - Grace presents newly emerging northern voices and shows how they view the long tradition of representing the North by southern activists, artists, and scholars. With the recent creation of Nunavut, increasing concern about northern ecosystems and social challenges, and renewed attention to Canada''s role as a circumpolar nation, Canada and the Idea of North shows that nordicity still plays an urgent and central role in Canada at the start of the twenty-first century.