Shirin M. Rai – författare
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Shirin Rai pushes us to rethink development. She brings us to ear a feminist analysis that grows out of her nuanced understanding of both China’s and India''s gendered experience. Readers will find fresh ideas and sharp caveats about how patriarchy is sustained and fought over globally. --Cynthia Enloe, Clark University
This important book ranges across contemporary debates in the study of gender and political economy. It situates differing gender-based theories in the context of wider political and historical processes such as colonialism, post-colonialism, Cold War politics, the New World Order, globalization and democratization.
Shirin Rai focuses on the gendered nature of the political economy of development, and the shifts that have occurred as economies and states have moved from a development process that is state-focused to one that is clearly framed by globalization. Differences between men and women, and differences between women in contrasting social and geographical positions, are explored in relation to their influence on political practice. Rai considers how the structures of economic and political power frame men and women and examines the consequences of these gendered positionings. She makes important connections between the political narratives of different levels of governance and examines the discourse of empowerment at these different levels.
The book concludes by reflecting on the way men and women are coping with the challenges of globalization and argues that women''s movements need to re-establish the link between the recognition of difference and the redistribution of economic and social resources if they are to maintain their radical edge.
This will be essential reading for undergraduates and graduates in politics, development studies and gender studies.
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Rethinking Empowerment looks at the changing role of women in developing countries and calls for a new approach to empowerment. An approach that adopts a more nuanced, feminist interpretation of power and em(power)ment, recognises that local empowerment is always embedded in regional, national and global contexts, pays attention to institutional structures and politics and acknowledges that empowerment is both a process and an outcome. Moreover, the book warns that an obsession with measurement rather than process can undermine efforts to foster transformative and empowering outcomes. It concludes that power must be restored as the centrepiece of empowerment. Only then will the term and its advocates provide meaningful ammunition for dealing with the challenges of an increasingly unequal, and often sexist, global/local world.
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Rethinking Empowerment looks at the changing role of women in developing countries and calls for a new approach to empowerment. An approach that adopts a more nuanced, feminist interpretation of power and em(power)ment, recognises that local empowerment is always embedded in regional, national and global contexts, pays attention to institutional structures and politics and acknowledges that empowerment is both a process and an outcome. Moreover, the book warns that an obsession with measurement rather than process can undermine efforts to foster transformative and empowering outcomes. It concludes that power must be restored as the centrepiece of empowerment. Only then will the term and its advocates provide meaningful ammunition for dealing with the challenges of an increasingly unequal, and often sexist, global/local world.
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This volume brings together important work at the intersection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines, these are seldom deployed seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other disciplines.
This book investigates the structural similarities and features of politics and performance, which are referred to here as ‘grammar’, a concept which also emphasizes the common communicational base or language of these fields. In each of the chapters included in this collection, key processes of both politics and performance are identified and analyzed, demonstrating the critical and indivisible links between the fields. The book also underlines that neither politics nor performance can take place without actors who perform and spectators who receive, evaluate and react to these actions. At the heart of the project is the ambition to bring about a paradigm change, such that politics cannot be analyzed seriously without a sophisticated understanding of its performance. All the chapters here display a concrete set of events, practices, and contexts within which politics and performance are inseparable elements.
This work will be of great interest to students and scholars in both International Relations and Performance Studies.
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This volume brings together important work at the intersection of politics and performance studies. While the languages of theatre and performance have long been deployed by other disciplines, these are seldom deployed seriously and pursued systematically to discover the actual nature of the relationship between performance as a set of behavioural practices and the forms and the transactions of these other disciplines.
This book investigates the structural similarities and features of politics and performance, which are referred to here as ‘grammar’, a concept which also emphasizes the common communicational base or language of these fields. In each of the chapters included in this collection, key processes of both politics and performance are identified and analyzed, demonstrating the critical and indivisible links between the fields. The book also underlines that neither politics nor performance can take place without actors who perform and spectators who receive, evaluate and react to these actions. At the heart of the project is the ambition to bring about a paradigm change, such that politics cannot be analyzed seriously without a sophisticated understanding of its performance. All the chapters here display a concrete set of events, practices, and contexts within which politics and performance are inseparable elements.
This work will be of great interest to students and scholars in both International Relations and Performance Studies.
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Ceremony and Ritual in Parliament breaks new ground in the study of legislatures. It combines mainstream historical and social science approaches with cultural theory to consider how parliamentary ritual is constructed through ceremony, space and socialisation. The focus is on the marginalised groups especially women and members of ethnic minorities who seek inclusion as representatives in democratic legislatures.
This book assesses aspects of the role that ceremony and ritual in legislatures play, especially but not exclusively, in their gendered and racialised dimensions. Within this broad frame, it considers the impact of space, identity, ritual and/or ceremony on the institutional form of parliament, how power is shaped within it, how the behaviour of members is facilitated, constrained and shaped, how power and rituals interact to and how they impinge upon the relationships between representative institutions and citizens. Contributions are theoretical and empirical, comparative or single-country studies of national or sub-national legislatures. They have interdisciplinary, historical, or postcolonial perspectives that contribute to this emerging field in the study of parliaments.
This book was previously published as a special issue of the Journal of Legislative Studies.
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Ceremony and Ritual in Parliament breaks new ground in the study of legislatures. It combines mainstream historical and social science approaches with cultural theory to consider how parliamentary ritual is constructed through ceremony, space and socialisation. The focus is on the marginalised groups especially women and members of ethnic minorities who seek inclusion as representatives in democratic legislatures.
This book assesses aspects of the role that ceremony and ritual in legislatures play, especially but not exclusively, in their gendered and racialised dimensions. Within this broad frame, it considers the impact of space, identity, ritual and/or ceremony on the institutional form of parliament, how power is shaped within it, how the behaviour of members is facilitated, constrained and shaped, how power and rituals interact to and how they impinge upon the relationships between representative institutions and citizens. Contributions are theoretical and empirical, comparative or single-country studies of national or sub-national legislatures. They have interdisciplinary, historical, or postcolonial perspectives that contribute to this emerging field in the study of parliaments.
This book was previously published as a special issue of the Journal of Legislative Studies.
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