During the Spanish Civil War, women—long oppressed in Spain—were active both on the front and in the rear guard. This book is the first to focus on Spanish women's contributions to the war effort and the social and psychological implications of this radical change in their traditional role. Quoting extensively from such "memory texts" as oral testimonies, diaries, autobiographies, and letters, Shirley Mangini considers the status of women before, during, and after the war. She discusses the factors that provoked the war and how they affected Spanish women--both the "visible" women who during the turbulent 1920s and 1930s tried to become part of mainstream politics and the "invisible" women who came to the fore during the revolutionary years of the Second Spanish Republic from 1931 to 1936 and became activists in the protest against the military insurrection of 1936. She describes the incarceration and exile of women after the war and examines how they dealt with their lives during the long years of persecution and silence under the Franco regime from 1939 to 1975.

The first book in English on Maruja Mallo, this volume is an insightful examination of the life and work of this seminal artist of the Spanish avant-garde. Previously sidelined by a culture that treated women as "insider-outsiders" and by her own mythmaking, Mallo no longer can be viewed as simply a muse to famous counterparts such as Salvador Dalí and Federico García Lorca; her role has been re-contextualized to demonstrate that she was a driving force in the flowering of Spanish culture through the 1920s and 1930s. The analysis of Mallo's unique life and extraordinary art is set against the complicated social and political backdrop of interwar Madrid. This book highlights the struggle of Mallo and other women artists against the rampant misogyny of both Spanish culture and the avant-garde community of the time. The effects of the Spanish Civil War are also analyzed-in Mallo's case, Franco's victory forced her into exile in South America for almost 30 years, with profound effects on her art and her life. Added to this rich context, the author's numerous interviews with members of the Mallo family provide essential new background material. Maruja Mallo and the Spanish Avant-Garde recasts this artist as a vital figure in the heretofore all-male establishment of the Spanish artistic vanguard.

During the Spanish Civil War, women—long oppressed in Spain—were active both on the front and in the rear guard. This book is the first to focus on Spanish women's contributions to the war effort and the social and psychological implications of this radical change in their traditional role. Quoting extensively from such "memory texts" as oral testimonies, diaries, autobiographies, and letters, Shirley Mangini considers the status of women before, during, and after the war. She discusses the factors that provoked the war and how they affected Spanish women--both the "visible" women who during the turbulent 1920s and 1930s tried to become part of mainstream politics and the "invisible" women who came to the fore during the revolutionary years of the Second Spanish Republic from 1931 to 1936 and became activists in the protest against the military insurrection of 1936. She describes the incarceration and exile of women after the war and examines how they dealt with their lives during the long years of persecution and silence under the Franco regime from 1939 to 1975.

The first book in English on Maruja Mallo, this volume is an insightful examination of the life and work of this seminal artist of the Spanish avant-garde. Previously sidelined by a culture that treated women as "insider-outsiders" and by her own mythmaking, Mallo no longer can be viewed as simply a muse to famous counterparts such as Salvador Dalí and Federico García Lorca; her role has been re-contextualized to demonstrate that she was a driving force in the flowering of Spanish culture through the 1920s and 1930s. The analysis of Mallo's unique life and extraordinary art is set against the complicated social and political backdrop of interwar Madrid. This book highlights the struggle of Mallo and other women artists against the rampant misogyny of both Spanish culture and the avant-garde community of the time. The effects of the Spanish Civil War are also analyzed-in Mallo's case, Franco's victory forced her into exile in South America for almost 30 years, with profound effects on her art and her life. Added to this rich context, the author's numerous interviews with members of the Mallo family provide essential new background material. Maruja Mallo and the Spanish Avant-Garde recasts this artist as a vital figure in the heretofore all-male establishment of the Spanish artistic vanguard.