Shirley Sherwood – författare
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4 produkter
4 produkter
213 kr
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Treasures of Botanical Art reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redouté, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists.Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing thehistorical and international background of this genre.‘Two of the best botanical minds come together in this beautifully illustrated book...the illustrations,from the Kew Collection, are breath-taking and the text wonderfully informative’. Oxford Times‘This book is a tribute both to Shirley Sherwood and to Kew, and should be bought by everyonewith an interest in botanical illustration’. Curtis’s Botanical Magazine
419 kr
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This book is a celebration of the Shirley Sherwood Collection of contemporary botanical art, made over a period of 30 years by Dr Shirley Sherwood and considered the most important private collection of its kind in the world. In 2018 the 1000th painting was added to the collection, a pocket handkerchief by Coral Guest.
264 kr
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The magnificent old, the masterful new, this is the premise in this lush publication with 180 plant portraits that span 1,000 years. These portraits were selected from the unique collection of Dr. Shirley Sherwood and from the rich treasures of Oxford's libraries and museums.
273 kr
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Shirley, The Life of a Botanical Adventurer is the remarkable story of Dr Shirley Sherwood, scientist, author, travel writer, gardener as well as mother and grandmother. Following the tragic death of her brilliant scientist husband, Michael Cross, in a freak air crash in 1964, she was left as a 30-year-old widow with two young boys aged four and three. For the next twelve years she worked as a key member of the Nobel Prize-winning team which developed Tagamet, the first block-buster drug (sales of over $1 billion a year). After her marriage to Jim Sherwood in 1977, she left science to concentrate full-time on the huge task of restoring the fabled Orient-Express train, probably the most luxurious and exotic form of travel ever devised. The Venice Simplon-Orient-Express, running between London and Venice, was relaunched in 1982, ninety-nine years after its first journey. Sherwood's history of the project sold more than 400,000 copies. The Orient-Express train was just the beginning. The Sherwoods went on to create the five-star Orient-Express Hotels company (now Belmond), which owned some of the finest hotels in the world, including the Cipriani in Venice, the Mount Nelson in Cape Town and the Copacabana Palace in Rio. They pioneered new train routes across the Alps, started the Eastern & Oriental Express running between Singapore and Bangkok- crossing over the Bridge on the River Kwai- opened up tourism in Myanmar with the first cruise ship to operate on the Irrawaddy, and took over the railways of Peru, which run all the way to Machu Picchu and Lake Titicaca. Her most lasting achievement, the one of which she is proudest, is the Shirley Sherwood Collection of contemporary botanical art, which she started in 1990 and now includes over 1,000 paintings and drawings representing the work of more than 300 contemporary botanical artists from 36 countries. She has mounted exhibitions in many prestigious locations including the Smithsonian Institute in Washington, the Ashmolean Museum, Oxford, Kirstenbosch in Cape Town and the Real Jardin Botanico, Madrid. The Shirley Sherwood Gallery in Kew Gardens is the first museum to be dedicated to modern botanical art and her books, which often accompanied her exhibitions, have been largely responsible for re-establishing botanical art in its rightful place as an important art form. These are just some of the many achievements in a long and rich life, vividly described in this book.