Shrabani Basu – författare

Soon to be a Major Motion Picture starring Dame Judi Dench from director Stephen Frears, releasing September 22, 2017.History’s most unlikely friendship—this is the astonishing story of Queen Victoria and her dearestcompanion, the young Indian Munshi Abdul Karim.In the twilight years of her reign, after the devastating deaths of hertwo great loves—Prince Albert and John Brown—Queen Victoria meets tall and handsome Abdul Karim, a humble servant from Agra waiting tables at her Golden Jubilee. The two form an unlikely bond and within a year Abdul becomes a powerful figure at court, the Queen’s teacher, her counsel on Urdu and Indian affairs, and a friend close to her heart. This marked the beginning of the most scandalous decade in Queen Victoria’s long reign. As the royal household roiled with resentment, Victoria and Abdul’s devotion grew in defiance. Drawn from secrets closely guarded for more than a century, Victoria & Abdul is an extraordinary and intimate history of the last years of the nineteenth-century English court and an unforgettable view onto the passions of an aging Queen.

The tall, handsome Abdul Karim was just twenty-four years old when he arrived in England from Agra to wait at tables during Queen Victoria’s Golden Jubilee. An assistant clerk at Agra Central Jail, he suddenly found himself a personal attendant to the Empress of India herself. Within a year, he was established as a powerful figure at court, becoming the queen’s teacher, or Munshi, and instructing her in Urdu and Indian affairs. Devastated by the death of John Brown, her Scottish ghillie, the queen had at last found his replacement. But her intense and controversial relationship with the Munshi led to a near-revolt in the royal household.Victoria & Abdul examines how a young Indian Muslim came to play a central role at the heart of the empire, and his influence over the queen at a time when independence movements in the sub-continent were growing in force. Yet, at its heart, it is a tender love story between an ordinary Indian and his elderly queen, a relationship that survived the best attempts to destroy it.

A fully revised and updated edition of Shrabani Basu's history of Britain's love affair with curry

Over a million Indian soldiers fought in the First World War, the largest force from the colonies and dominions. Their contribution, however, has been largely forgotten. Many soldiers were illiterate and travelled from remote villages in India to fight in the muddy trenches in France and Flanders. Many went on to win the highest bravery awards. For King and another Country tells, for the first time, the personal stories of some of these Indians who went to the Western Front: from a grand turbanned Maharaja rearing to fight for Empire to a lowly sweeper who dies in a hospital in England, from a Pathan who wins the Victoria Cross to a young pilot barely out of school. Shrabani Basu delves into archives in Britain and narratives buried in villages in India and Pakistan to recreate the War through the eyes of the Indians who fought it. There are heroic tales of bravery as well as those of despair and desperation; there are accounts of the relationships that were forged between the Indians with their British officers and how curries reached the frontline. Above all, it is the great story of how the War changed India and led, ultimately, to the call for independence.

''Basu''s account of how Arthur Conan Doyle set about trying to get a pardon for Edalji is in itself a fine piece of detective work.'' The Times''Compulsive reading.'' A.N. Wilson''Nails the nastiness of a peculiarly English scandal.'' The Spectator''A potent mix of racial injustice, Sherlockian mystery and Shrabani''s signature storytelling.'' Lucy Worsley In the village of Great Wyrley near Birmingham, someone is mutilating horses. Someone is also sending threatening letters to the vicarage, where the vicar, Shahpur Edalji, is a Parsi convert to Christianity and the first Indian to have a parish in England. His son George – quiet, socially awkward and the only boy at school with distinctly Indian features – grows up into a successful barrister, till he is improbably linked to and then prosecuted for the above crimes in a case that leaves many convinced that justice hasn''t been served.When he is released early, his conviction still hangs over him. Having lost faith in the police and the legal system, George Edalji turns to the one man he believes can clear his name – the one whose novels he spent his time reading in prison, the creator of the world''s greatest detective. When he writes to Arthur Conan Doyle asking him to meet, Conan Doyle agrees. From the author of Victoria and Abdul comes an eye-opening look at race and an unexpected friendship in the early days of the twentieth century, and the perils of being foreign in a country built on empire.

'Basu's account of how Arthur Conan Doyle set about trying to get a pardon for Edalji is in itself a fine piece of detective work.' The Times‘Compulsive reading.’ A.N. Wilson'Nails the nastiness of a peculiarly English scandal.' The Spectator'A potent mix of racial injustice, Sherlockian mystery and Shrabani's signature storytelling.' Lucy Worsley In the village of Great Wyrley near Birmingham, someone is mutilating horses. Someone is also sending threatening letters to the vicarage, where the vicar, Shahpur Edalji, is a Parsi convert to Christianity and the first Indian to have a parish in England. His son George – quiet, socially awkward and the only boy at school with distinctly Indian features – grows up into a successful barrister, till he is improbably linked to and then prosecuted for the above crimes in a case that leaves many convinced that justice hasn’t been served.When he is released early, his conviction still hangs over him. Having lost faith in the police and the legal system, George Edalji turns to the one man he believes can clear his name – the one whose novels he spent his time reading in prison, the creator of the world’s greatest detective. When he writes to Arthur Conan Doyle asking him to meet, Conan Doyle agrees. From the author of Victoria and Abdul comes an eye-opening look at race and an unexpected friendship in the early days of the twentieth century, and the perils of being foreign in a country built on empire.

''Basu''s account of how Arthur Conan Doyle set about trying to get a pardon for Edalji is in itself a fine piece of detective work.'' The Times''Compulsive reading.'' A.N. Wilson''Nails the nastiness of a peculiarly English scandal.'' The Spectator''A potent mix of racial injustice, Sherlockian mystery and Shrabani''s signature storytelling.'' Lucy Worsley In the village of Great Wyrley near Birmingham, someone is mutilating horses. Someone is also sending threatening letters to the vicarage, where the vicar, Shahpur Edalji, is a Parsi convert to Christianity and the first Indian to have a parish in England. His son George – quiet, socially awkward and the only boy at school with distinctly Indian features – grows up into a successful barrister, till he is improbably linked to and then prosecuted for the above crimes in a case that leaves many convinced that justice hasn''t been served.When he is released early, his conviction still hangs over him. Having lost faith in the police and the legal system, George Edalji turns to the one man he believes can clear his name – the one whose novels he spent his time reading in prison, the creator of the world''s greatest detective. When he writes to Arthur Conan Doyle asking him to meet, Conan Doyle agrees. From the author of Victoria and Abdul comes an eye-opening look at race and an unexpected friendship in the early days of the twentieth century, and the perils of being foreign in a country built on empire.

‘One of the most inspirational stories of World War II … Reading this book is like watching a butterfly trapped in a net.’ – Daily MailThis is the riveting story of Noor Inayat Khan, a descendant of an Indian prince, Tipu Sultan (the Tiger of Mysore), who became a British secret agent for SOE during World War II.In this updated twentieth-anniversary edition of Spy Princess, Shrabani Basu tells the moving story of Noor’s life, from her birth in Moscow – where her father was a Sufi preacher – to her capture by the Germans. Noor was one of only three women SOE agents awarded the George Cross and, under torture, revealed nothing, not even her real name.Kept in solitary confinement, her hands and feet chained together, Noor was starved and beaten, but the Germans could not break her spirit. Ten months after she was captured, she was taken to Dachau concentration camp and, on 13 September 1944, she was shot. Her last word was ‘Liberté’.

On 13 September 1944, Noor Inayat Khan, the first female wireless operator to be flown into occupied France, was shot at Dachau. The descendant of Tipu Sultan, the Tiger of Mysore, Noor was born in Moscow and raised in the Sufi style of Islam. From this unlikely background, she became the only Asian secret agent in Europe in World War II, was one of three women in the SOE to be awarded the George Cross and the Croix de Guerre. Shrabani Basu's new book tells the full story of this extraordinarily heroic woman. Noor was brought up in France and Britain and joined the Red Cross when World War II broke out. In Britain, Noor trained as a wireless operator before being recruited by the SOE. Such was the urgent demand for radio operators that she was sent to France before her training was completed. Working under the code name of Madeleine, she joined a group that sabotaged communication lines. But disaster struck quickly and, within days, her circuit collapsed and her colleagues were arrested. Though instructed by her controller, the famous Maurice Buckmaster, to return home, she refused to abandon her post as she was the last radio operator left in Paris. For a time, she successfully dodged the Gestapo, but by late 1943 her luck had run out. She was betrayed, arrested and imprisoned at Avenue Foch. Undaunted, she made two dramatic escape attempts, but was recaptured and sent to Germany. Here she was interrogated and tortured and finally sent to Dachau, where she was shot. The Germans had learned nothing from her - not even her real name.

Over a million Indian soldiers fought in the First World War, the largest force from the colonies and dominions. Their contribution, however, has been largely forgotten. Many soldiers were illiterate and travelled from remote villages in India to fight in the muddy trenches in France and Flanders. Many went on to win the highest bravery awards. For King and another Country tells, for the first time, the personal stories of some of these Indians who went to the Western Front: from a grand turbanned Maharaja rearing to fight for Empire to a lowly sweeper who dies in a hospital in England, from a Pathan who wins the Victoria Cross to a young pilot barely out of school. Shrabani Basu delves into archives in Britain and narratives buried in villages in India and Pakistan to recreate the War through the eyes of the Indians who fought it. There are heroic tales of bravery as well as those of despair and desperation; there are accounts of the relationships that were forged between the Indians with their British officers and how curries reached the frontline. Above all, it is the great story of how the War changed India and led, ultimately, to the call for independence.

​This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.

​This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.

This is the riveting story of Noor Inayat Khan, a descendant of an Indian Prince Tipu Sultan (the Tiger of Mysore), who became a British secret agent for SOE during World War II. Shrabani Basu tells the moving story of Noor's life, from her birth in Moscow - where her father was a Sufi preacher - to her capture by the Germans. Noor was one of only three women SOE agents awarded the George Cross and, under torture, revealed nothing, not even her own real name. Kept in solitary confinement, her hands and feet chained together, Noor was starved and beaten, but the Germans could not break her spirit. Then months after she was captured, she was taken to Dachau concentration camp and, on 13th September 194, she was shot. Her last word was 'Liberté'.