Shun-Liang Chao – författare

Romantic Legacies: Transnational and Transdisciplinary Contexts presents the most wide-ranging treatment of Romantic regenerations, covering the cross-pollination between the arts or between art and thought within or across the borders of Germany, Britain, France, the US, Russia, India, China, and Japan. Each chapter in the volume examines a legacy or afterlife in a comparative context to demonstrate ongoing Romantic legacies as fully as possible in their complexity and richness. The volume provides readers a lens through which to understand Romanticism not merely as an artistic heritage but as a dynamic site of intellectual engagement that crosses nations and time periods and entails no less than the shaping of our global cultural currents.

Romantic Legacies: Transnational and Transdisciplinary Contexts presents the most wide-ranging treatment of Romantic regenerations, covering the cross-pollination between the arts or between art and thought within or across the borders of Germany, Britain, France, the US, Russia, India, China, and Japan. Each chapter in the volume examines a legacy or afterlife in a comparative context to demonstrate ongoing Romantic legacies as fully as possible in their complexity and richness. The volume provides readers a lens through which to understand Romanticism not merely as an artistic heritage but as a dynamic site of intellectual engagement that crosses nations and time periods and entails no less than the shaping of our global cultural currents.

Humour in Times of Confrontation: 1901 to the Present examines the various and surprising ways in which humour has been powerfully employed, through a wider range of media than possible at any other time in history, as a response to conflict.

With no earlier century undergoing more diverse, more extensive, and more intense conflicts than the period in question, the last twelve decades provide a unique landscape to explore the farthest edge of humour: its darkest side. This book argues that such conflict has not only traumatically shaped the modern psyche but created a fertile ground for humour to grow and evolve with the advent of new representations and technologies. The chapters in this volume focus on international conflicts that have been reported widely through news media but seldom regarded as material for serious humour studies. Each chapter begins by engaging with a particular form of confrontation before providing a case study of how it has contributed to the creation, enjoyment, and/or sharing of humour via different media.

This volume is a valuable resource to students and scholars of humour studies, modern cultural and social history, the history of technology, and media studies.

Humour in Times of Confrontation: 1901 to the Present examines the various and surprising ways in which humour has been powerfully employed, through a wider range of media than possible at any other time in history, as a response to conflict.

With no earlier century undergoing more diverse, more extensive, and more intense conflicts than the period in question, the last twelve decades provide a unique landscape to explore the farthest edge of humour: its darkest side. This book argues that such conflict has not only traumatically shaped the modern psyche but created a fertile ground for humour to grow and evolve with the advent of new representations and technologies. The chapters in this volume focus on international conflicts that have been reported widely through news media but seldom regarded as material for serious humour studies. Each chapter begins by engaging with a particular form of confrontation before providing a case study of how it has contributed to the creation, enjoyment, and/or sharing of humour via different media.

This volume is a valuable resource to students and scholars of humour studies, modern cultural and social history, the history of technology, and media studies.

This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.

This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.