Shunsuke Tsurumi – författare

When this book was published in Japanese in 1982 it was awarded the prestigious Jiro Osaragi Prize. It is an important contribution to the understanding of the mental and spiritual world of Japan just over two generations ago. The author argues that just as the period of isolation up to the middle of the 19th century was crucial for Japan’s development, so the Second World War represented another crucial period for the country. These years were a period of intellectual isolation during which significant development took place.

When this book was published in Japanese in 1982 it was awarded the prestigious Jiro Osaragi Prize. It is an important contribution to the understanding of the mental and spiritual world of Japan just over two generations ago. The author argues that just as the period of isolation up to the middle of the 19th century was crucial for Japan’s development, so the Second World War represented another crucial period for the country. These years were a period of intellectual isolation during which significant development took place.

Shunsuke Tsurumi, one of Japan’s most distinguished contemporary philosophers, continues his study of the intellectual and social history of modern Japan with this penetrating analysis of popular culture in the post-war years. Japanese manga (comics), manzai (dialogues), television, advertising and popular songs are the medium for a revealing examination of the many contradictory forces at work beneath the surface of an apparently uniform and universal culture. The author argues that the iconography of these popular forms has deep and significant implication for the development of Japanese national life in the post-growth years that lie ahead.

Shunsuke Tsurumi, one of Japan’s most distinguished contemporary philosophers, continues his study of the intellectual and social history of modern Japan with this penetrating analysis of popular culture in the post-war years. Japanese manga (comics), manzai (dialogues), television, advertising and popular songs are the medium for a revealing examination of the many contradictory forces at work beneath the surface of an apparently uniform and universal culture. The author argues that the iconography of these popular forms has deep and significant implication for the development of Japanese national life in the post-growth years that lie ahead.