Si Nae Park – författare

As the political, economic, and cultural center of Chosŏn Korea, eighteenth-century Seoul epitomized a society in flux: It was a bustling, worldly metropolis into which things and people from all over the country flowed. In this book, Si Nae Park examines how the culture of Chosŏn Seoul gave rise to a new vernacular narrative form that was evocative of the spoken and written Korean language of the time.The vernacular story (yadam) flourished in the nineteenth century as anonymously and unofficially circulating tales by and for Chosŏn people. The Korean Vernacular Story focuses on the formative role that the collection Repeatedly Recited Stories of the East (Tongp’ae naksong) played in shaping yadam, analyzing the collection’s language and composition and tracing its reception and circulation. Park situates its compiler, No Myŏnghŭm, in Seoul’s cultural scene, examining how he developed a sense of belonging in the course of transforming from a poor provincial scholar to an urbane literary figure. No wrote his tales to serve as stories of contemporary Chosŏn society and chose to write not in cosmopolitan Literary Sinitic but instead in a new medium in which Literary Sinitic is hybridized with the vernacular realities of Chosŏn society. Park contends that this linguistic innovation to represent tales of contemporary Chosŏn inspired readers not only to circulate No’s works but also to emulate and cannibalize his stylistic experimentation within Chosŏn’s manuscript-heavy culture of texts.The first book in English on the origins of yadam, The Korean Vernacular Story combines historical insight, textual studies, and the history of the book. By highlighting the role of negotiation with Literary Sinitic and sinographic writing, it challenges the script (han’gŭl)-focused understanding of Korean language and literature.

Score One for the Dancing Girl presents more than a hundred stories from an early-nineteenth-century collection of yadam stories, the Kimun ch’onghwa (“Compendium of Records of Hearsay”). Prose tales that feature historical people and places but may also include fantastical elements, the yadam stories in this volume feature ghosts and magic, courtesans and sex, and court politics. They constitute both an entertaining literary collection and a rich treasure trove of information about life in seventeenth and eighteenth-century Korea.The first volume in an ongoing series of translations of classic Korean literature by the Canadian missionary James Scarth Gale (1863–1937), Score One for the Dancing Girl includes the original literary Sinitic (hanmun) text and Gale’s English translation. Both the hanmun and English are extensively annotated.  Introductory essays by Ross King and Si Nae Park discuss the yadam genre, Gale’s life and career, and the ways in which his background as a Christian missionary affected the translations.

Score One for the Dancing Girl presents more than a hundred stories from an early-nineteenth-century collection of yadam stories, the Kimun ch’onghwa (“Compendium of Records of Hearsay”). Prose tales that feature historical people and places but may also include fantastical elements, the yadam stories in this volume feature ghosts and magic, courtesans and sex, and court politics. They constitute both an entertaining literary collection and a rich treasure trove of information about life in seventeenth and eighteenth-century Korea.The first volume in an ongoing series of translations of classic Korean literature by the Canadian missionary James Scarth Gale (1863–1937), Score One for the Dancing Girl includes the original literary Sinitic (hanmun) text and Gale’s English translation. Both the hanmun and English are extensively annotated.  Introductory essays by Ross King and Si Nae Park discuss the yadam genre, Gale’s life and career, and the ways in which his background as a Christian missionary affected the translations.