Sieglinde Lemke – författare

This book offers a bold new account of modernism. By focusing on cubism, primitivist-modernism, jazz, and Josephine Baker's performance, Lemke demonstrates that black art exerted a crucial if masked presence in both Euro-American high art and popular culture. American and European modernism owe much of their symbolic capital to the black cultural other. Black American artists, for their part, also relied on Euro-American American models. By reappropriating European primitivist-modernism, they invented a sui generis black modernism.

This book brings the emergent interest in social class and inequality to the field of television studies. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class.