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2 produkter
1 090 kr
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Feminist Insurgences takes the first steps towards mapping the previously unknown territory of the feminist art movement and women’s art in Norway and Sápmi in the 1970s. By examining how women artists challenged the existing institutional framework and created new structures, this edited volume offers groundbreaking new insights into Nordic and European transnational feminist history and suggests new premises for cultural heritage. It explores overlooked work by women in the visual arts, theater, dance, and documentary film, as well as critically examining art history, its institutions, and their collecting practices by studying women’s activism and exhibitions.Groundbreaking contribution to Nordic and European transnational feminist historyInvestigates how women artists interfered with the existing institutional framework and built new structuresExplores overlooked work by women in the visual arts, theatre, dance, and documentary film
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Aase Texmon Rygh introduced modern abstract sculpture into the Norwegian art scene as early as 1952. Since then she has uncompromisingly pursued the idea of abstraction and reduction, and has shown an unflagging commitment to the essence of sculpture and purity of form, as well as a firm belief in the integrity of the three-dimensional object.The catalogue presents, as did the exhibition, the broad range of the artist's production from the 1950s to the present. In addition to two articles the catalogue includes a large number of pictures and a wealth of documentation material.Text in English and Norwegian.