Sima Godfrey – författare

Nation-states today are under pressure from opposite directions. In Western Europe, they are being challenged by the call of assimilation into a larger supra-national polity. Elsewhere, as in Southeastern Europe, nation-states are being challenged by separatist forces from within, demanding independence or self-determination for particular ethnic groups. In either instance, the ultimate aim is not simply the breaking of bonds but rather a realignment of belonging.When the prospect of prosperity and the good life requires an adjustment of national identities and alliances, old myths and new tales alike are mobilized in the effort. People's choices of belonging are flexible and often blatantly pragmatic. Some will never renounce their original 'nation,' while others gladly assume two or three national identities in a lifetime, all of them with a deeply felt commitment. In The Shifting Foundations of Modern Nation-States, Sima Godfrey and Frank Unger have gathered together a distinguished, multidisciplinary group of authors to discuss national myths from Europe, North America, and Asia. Just as the plurality of nations implies diverse voices and distinct narratives, the authors, coming from different disciplines and backgrounds, represent multiple discourses on the theme of nationhood.

The Crimean War (1854–56) is widely considered the first modern war with its tactical use of railways, telegraphs, and battleships, its long-range rifles, and its notorious trenches – precursors of the Great War. It is also the first media war: the first to know the impact of a correspondent on the field of battle and the first to be documented in photographs. No one, however, including the French themselves, seems to remember that France was there, fighting in Crimea, losing 95,000 soldiers and leading the Allied campaign to victory. It would seem that the Crimean War has no place in the canon of culturally retained historical events that define modern French identity. Looking at literature, art, theatre, material objects, and medical reports, The Crimean War and Cultural Memory considers how the Crimean War was and was not represented in French cultural history in the second half of the nineteenth century. Ultimately, the book illuminates the forgotten traces that the Crimean War left on the French cultural landscape.