Simon Dawes – författare

This edited collection presents new work by leading international scholars that addresses the multi-layered meaning of frictions within empirical and theoretical research across media and communications, digital technologies, culture and society.It brings together an impressive range of global scholars from media and communication, visual and cultural studies, to sociology, anthropology and cultural geography, and digital technology research, to critically examine the dynamics of friction, providing an original perspective on media frictions and a new understanding of the social tensions, instabilities and power inequalities of friction within media, culture and society. Together the chapters provide a timely opportunity to understand both the creative force, and negative consequences, of frictions within media and society.The book will be of interest to scholars and students of television, media and cultural studies.

This edited collection presents new work by leading international scholars that addresses the multi-layered meaning of frictions within empirical and theoretical research across media and communications, digital technologies, culture and society.It brings together an impressive range of global scholars from media and communication, visual and cultural studies, to sociology, anthropology and cultural geography, and digital technology research, to critically examine the dynamics of friction, providing an original perspective on media frictions and a new understanding of the social tensions, instabilities and power inequalities of friction within media, culture and society. Together the chapters provide a timely opportunity to understand both the creative force, and negative consequences, of frictions within media and society.The book will be of interest to scholars and students of television, media and cultural studies.

This collection of new work by international scholars on media imaginaries explores the concept as a tool for reflection. Media imaginaries are shape shifters, taking multiple forms as make believe, as thinking outside the box and as social practices. The term media imaginaries refers to the cultural and infrastructural work of texts and artefacts, audience engagement and experiences and commercial and civic organisations. Authors in the collection empirically and conceptually examine media imaginaries as multiform, providing space for dialogue on themes of political-social imaginaries, cultural-technological imaginaries and reflecting imaginaries.Media Imaginaries explores how media shapes both real and imagined experiences, examining the interplay of media practice, culture, and imagination across past, present, and future contexts. It highlights the impact of AI-enabled content and media ecologies on everyday life globally, offering fresh insights for media studies. The collection bridges multiple academic traditions, making it an important and widely relevant contribution to the field.

Neoliberalism in Context adopts a processual, relational and contextual framework, bringing together contributions from diverse national and disciplinary contexts, and bridging theoretical and methodological approaches to critiquing neoliberalism. The book presents arguments on the extent to which we are still living in neoliberal times, and illustrates examples of variation in the practice of neoliberalization and within neoliberal thought. The contributions also examine the mediation and significance of existing neoliberalism on subjectivity, and address the consequences of the neoliberalization of education for critical thinking generally, and for the critique of neoliberalism in particular. This collection will be of interest to students and scholars across sociology, international relations, urban studies, and media and cultural studies.To access an introduction by Simon Dawes, and an interview with Jamie Peck, download the front and back matter for free from SpringerLink.

Neoliberalism in Context adopts a processual, relational and contextual framework, bringing together contributions from diverse national and disciplinary contexts, and bridging theoretical and methodological approaches to critiquing neoliberalism. The book presents arguments on the extent to which we are still living in neoliberal times, and illustrates examples of variation in the practice of neoliberalization and within neoliberal thought. The contributions also examine the mediation and significance of existing neoliberalism on subjectivity, and address the consequences of the neoliberalization of education for critical thinking generally, and for the critique of neoliberalism in particular. This collection will be of interest to students and scholars across sociology, international relations, urban studies, and media and cultural studies.To access an introduction by Simon Dawes, and an interview with Jamie Peck, download the front and back matter for free from SpringerLink.

This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point. Unlike most books on broadcasting, this text adopts an explicitly Foucauldian and genealogical perspective in its account of media history and power, and unpicks how the meanings of terms such as 'public service' and 'public interest', as well as 'competition' and 'choice', have evolved over time. In considering the appropriation by broadcasting scholars of concepts such as neoliberalism, citizenship and the public sphere to a critical account of broadcasting history, the book assesses their appropriateness and efficacy by engaging with interdisciplinary debates on each concept. This work will be of particular significance to academics and students with an interest in media theory, history, policy and regulation, as well as those disposed to understanding as well as critiquing the neoliberalization of public media.

This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point. Unlike most books on broadcasting, this text adopts an explicitly Foucauldian and genealogical perspective in its account of media history and power, and unpicks how the meanings of terms such as ''public service'' and ''public interest'', as well as ''competition'' and ''choice'', have evolved over time. In considering the appropriation by broadcasting scholars of concepts such as neoliberalism, citizenship and the public sphere to a critical account of broadcasting history, the book assesses their appropriateness and efficacy by engaging with interdisciplinary debates on each concept. This work will be of particular significance to academics and students with an interest in media theory, history, policy and regulation, as well as those disposed to understanding as well as critiquing the neoliberalization of public media.