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'The mystery of Life, the mysteryOf Death, I seeDarkly as in a glass...'Christina Rossetti (1830-94) is perhaps the most contradictory of the great Victorian poets. She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death.This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' Times Flies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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This long-awaited volume in the Critical Heritage series presents the reception of Christina Rossetti’s work by her Victorian readers and integrates their critical responses with the evidence of her literary life and publication history. It presents the responses in unpublished material – especially in correspondence – alongside public responses in periodicals and books, and it covers responses during the composition and publishing of her works in addition to those that follow her appearances in print. The opinions of her readers – including her brother Dante Gabriel Rossetti and her publisher Alexander Macmillan – are integrated with the evidence of Rossetti’s own letters. The volume draws on hundreds of manuscript sources unnoticed in scholarship in order to provide the most accurate available literary biography and publication history of Rossetti, illuminating many aspects of her writing life – including her involvement with the Portfolio society and her relation with Macmillan – which have been misunderstood.Christina Rossetti: The Critical Heritage sets a new foundation for the study of one of the great English poets. It will be an indispensable resource for scholars and students of Christina Rossetti and Victorian literary culture.