Simon Jarvis – författare

Among the earliest editors of Shakespeare were several of the eighteenth century's most powerful writers. Scholars and Gentlemen demonstrates how much was at stake for these writers in the editing of English texts.Simon Jarvis examines not only eighteenth-century texts of Shakespeare, but also sources as disparate as Pope's Dunciad, eighteenth-century classical and scriptural editing, and Johnson's Dictionary to show the importance of politically contested representations of scholars and scholarship for the formation of British public literary culture. Offering an unprecedented detailed account of both editorial theory and philological practice during the period, the book throws new light on a wide variety of issues, from the debates over the possibility of a polite and settled national language to the epistemological and cultural presuppositions of editorial method.Scholars and Gentlemen will interest not only students of eighteenth-century English literature, but also readers, editors, and critics of Shakespeare, and all those concerned with the theoretical implications of the reproduction of literary texts today.

Theodor Adorno was a German philosopher, sociologist and musicologist and was a leading member and eventually director of the Frankfurt Institute for Social Research.Adorno studied an extraordinary range of subjects during his lifetime – from dialectical logic and the syntax of poetry to newspaper astrology columns and the Hollywood studio system – and he left a significant mark on each of the many disciplines in which he worked. His philosophically sophisticated rethinking of Marxian materialism has been central to much European and American social theory in the latter half of the twentieth century and his studies of mass culture, radio and television were foundational documents for the discipline of cultural studies.This collection charts the most important moments in the international reception of Adorno's thinking, covering the wide range of disciplines his studies touched upon, including literary criticism, musicology, aesthetics, epistemology and metaphysics.There is also a great deal of important scholarship and commentary on Adorno in German that remains untranslated into English. This set will therefore provide Anglophone scholars with the first English translations of these important works.

Wordsworth wrote that he longed to compose 'some philosophic Song/Of Truth that cherishes our daily life'. Yet he never finished The Recluse, his long philosophical poem. Simon Jarvis argues that Wordsworth's aspiration to 'philosophic song' is central to his greatness, and changed the way English poetry was written. Some critics see Wordworth as a systematic thinker, while for others he is a poet first, and a thinker only (if at all) second. Jarvis shows instead how essential both philosophy and the 'song' of poetry were to Wordsworth's achievement. Drawing on advanced work in continental philosophy and social theory to address the ideological attacks which have dominated much recent commentary, Jarvis reads Wordsworth's writing both critically and philosophically, to show how Wordsworth thinks through and in verse. This study rethinks the relation between poetry and society itself by analysing the tensions between thinking philosophically and writing poetry.

Wordsworth wrote that he longed to compose 'some philosophic Song/Of Truth that cherishes our daily life'. Yet he never finished The Recluse, his long philosophical poem. Simon Jarvis argues that Wordsworth's aspiration to 'philosophic song' is central to his greatness, and changed the way English poetry was written. Some critics see Wordworth as a systematic thinker, while for others he is a poet first, and a thinker only (if at all) second. Jarvis shows instead how essential both philosophy and the 'song' of poetry were to Wordsworth's achievement. Drawing on advanced work in continental philosophy and social theory to address the ideological attacks which have dominated much recent commentary, Jarvis reads Wordsworth's writing both critically and philosophically, to show how Wordsworth thinks through and in verse. This study rethinks the relation between poetry and society itself by analysing the tensions between thinking philosophically and writing poetry.

Theodor Adorno is widely acknowledged to be one of the twentieth century's most original thinkers. The extraordinary range of his work is matched by the distinctiveness of his central intellectual preoccupations. This new introduction offers a comprehensive and accessible account of Adorno's work. Jarvis discusses the intellectual and institutional contexts for Adorno's thought and, in a broad-ranging study, examines his contributions to social theory, cultural theory, aesthetics and philosophy. He shows how a re-examination of Adorno's work from the perspective of classical German philosophy allows us to see him from a new and illuminating angle, and ultimately to achieve a fuller understanding of all his thought.In a clear and detailed account, Jarvis demonstrates the enduring coherence and explanatory power of Adorno's work and illustrates its continuing relevance to contemporary debates.The book will be welcomed by students and researchers in a wide range of disciplines, including sociology, philosophy, literary theory and cultural studies.