Simon Schama – författare

A reissue of Simon Schama’s landmark study of the Netherlands from 1780–1813, this is a tale of a once-powerful nation’s desparate struggle to survive the treacheries and brutality of European war and politics.Between 1780 and 1813 the Dutch Republic – a country once rich enough to be called the cash till of Europe and powerful enough to make war with England – was stripped of its colonies, invaded by its enemies, driven to the edge of bankruptcy, and, finally, reduced to becoming an appendage of the French empire – an appendage not even the French seemed to value overmuch. Out of these events Simon Schama has constructed a gripping chronicle of revolution and privateering, constitutions and coups, in a tiny nation desperately struggling to stay afloat in a sea of geopolitics.Like his classics ‘The Embarrassment of Riches’ and ‘Citizens’, ‘Patriots and Liberators’ combines a mastery of historical sources with an unabashed delight in narrative. The result confirms Schama as a historian in the finest tradition – one whose study of the past reveals volumes about the present. This is one of our most revered historians’ greatest works, and this new Perennial edition will reintroduce his genius to a new generation of readers.

One of the great landmarks of modern history writing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist' Eugen Weber, The New York Times Book Review'The most marvellous book I have read about the French Revolution' Richard Cobb, The Times'Dazzling - beyond praise - He has chronicled the vicissitudes of that world with matchless understanding, wisdom, pity and truth, in the pages of this marvellous book' Bernard Levin, Sunday Times'Provides an unrivalled impression of the currents and contradictions which made up this terrible sequence of events' Antony Beevor

This is the book that made Simon Schama’s reputation when first published in 1987. A historical masterpiece, it is an epic account of Dutch Culture in the Golden Age of Rembrandt and van Diemen.In this brilliant work that moves far beyond the conventions of social or cultural history, Simon Schama investigates the astonishing case of a people’s self-invention.He shows how, in the 17th-century, a modest assortment of farming, fishing and shipping communities, without a shared language, religion or government, transformed themselves into a formidable world empire – the Dutch republic.

The forest primeval, the river of life, the sacred mount – read ‘Landscape and Memory’ to have these explained…‘Landscape and Memory’ is a history book unlike any other. In a series of journeys through space and time, it examines our relationship with the landscape around us – rivers, mountains, forests – the impact each of them has had on our culture and imaginations, and the way in which we, in turn, have shaped them to answer our needs.This is not a conventional history book, but a book that builds up its argument by a series of poetic stories and impressions which cumulatively have the effect of a great novel. The forest primeval, the river of life, the sacred mount – at the end of this wonderful book we understand where these ideas have come from, why they are so compelling and how they still lie all around us.

Simon Schama brings Britain to life through its portraits, as seen in the five-part BBC series The Face of Britain and the major National Portrait Gallery exhibitionChurchill and his painter locked in a struggle of stares and glares; Gainsborough watching his daughters run after a butterfly; a black Othello in the nineteenth century; the poet-artist Rossetti trying to capture on canvas what he couldn't possess in life; a surgeon-artist making studies of wounded faces brought in from the Battle of the Somme; a naked John Lennon five hours before his death.In the age of the hasty glance and the selfie, Simon Schama has written a tour de force about the long exchange of looks from which British portraits have been made over the centuries: images of the modest and the mighty; of friends and lovers; heroes and working people. Each of them - the image-maker, the subject, and the rest of us who get to look at them - are brought unforgettably to life. Together they build into a collective picture of Britain, our past and our present, a look into the mirror of our identity at a moment when we are wondering just who we are. Combining his two great passions, British history and art history, for the first time, Schama's extraordinary storytelling reveals the truth behind the nation's most famous portrayals of power, love, fame, the self, and the people. Mesmerising in its breadth and its panache, and beautifully illustrated, with more than 150 images from the National Portrait Gallery, The Face of Britain will change the way we see our past - and ourselves.

‘This splendid and often moving work of history… Schama has a gift for combining novelistically colourful detail, serious analysis and wryly amusing asides’ Daily Telegraph  ‘Superb’ Observer  ‘Extraordinary… A meticulous retelling of a terrible yet scientifically innovative period… Makes an urgent case for building a better future on our toxic past’ Guardian  ‘This is history of the best sort – humanly engaged but never sentimental’ Mail on Sunday Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.   Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.  At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice.  Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

‘This splendid and often moving work of history… Schama has a gift for combining novelistically colourful detail, serious analysis and wryly amusing asides’ Daily Telegraph  ‘Superb’ Observer  ‘Extraordinary… A meticulous retelling of a terrible yet scientifically innovative period… Makes an urgent case for building a better future on our toxic past’ Guardian  ‘This is history of the best sort – humanly engaged but never sentimental’ Mail on Sunday Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.   Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.  At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice.  Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

‘This splendid and often moving work of history… Schama has a gift for combining novelistically colourful detail, serious analysis and wryly amusing asides’ Daily Telegraph  ‘Superb’ Observer  ‘Extraordinary… A meticulous retelling of a terrible yet scientifically innovative period… Makes an urgent case for building a better future on our toxic past’ Guardian  ‘This is history of the best sort – humanly engaged but never sentimental’ Mail on Sunday Cities and countries engulfed by panic and death, desperate for vaccines but fearful of what inoculation may bring. This is what the world has just gone through with Covid-19. But as Simon Schama shows in his epic history of vulnerable humanity caught between the terror of contagion and the ingenuity of science, it has happened before.   Characteristically, with Schama the message is delivered through gripping, page-turning stories set in the eighteenth and nineteenth centuries: smallpox strikes London; cholera hits Paris; plague comes to India. Threading through the scenes of terror, suffering and hope – in hospitals and prisons, palaces and slums – are an unforgettable cast of characters: a philosopher-playwright burning up with smallpox in a country chateau; a vaccinating doctor paying house calls in Halifax; a woman doctor in south India driving her inoculator-carriage through the stricken streets as dead monkeys drop from the trees. But we are also in the labs when great, life-saving breakthroughs happen, in Paris, Hong Kong and Mumbai.  At the heart of it all, an unsung hero: Waldemar Haffkine. A gun-toting Jewish student in Odesa turned microbiologist at the Pasteur Institute, hailed in England as ‘the saviour of mankind’ for vaccinating millions against cholera and bubonic plague in British India while being cold-shouldered by the medical establishment of the Raj. Creator of the world’s first mass production line of vaccines in Mumbai, he is tragically brought down in an act of shocking injustice.  Foreign Bodies crosses borders between east and west, Asia and Europe, the worlds of rich and poor, politics and science. Its thrilling story carries with it the credo of its author on the interconnectedness of humanity and nature; of the powerful and the people. Ultimately, Schama says, as we face the challenges of our times together, ‘there are no foreigners, only familiars’.

‘Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time.  It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.’ Simon SchamaSir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world’s foremost publishers, broadsheet newspapers, periodicals and magazines.  His commissioned subjects over the years have been numerous and wide ranging – from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama’s tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world’s most respected publications - the Times, the Guardian, the New Yorker, Harper’s Bazaar and Rolling Stone magazine.  Wordy is a celebration of one of the world’s foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

‘Wordy is about the intoxication of writing; my sense of playful versatility; different voices for different matters: the polemical voice for political columns; the sharp-eyed descriptive take for profiles; poetic precision in grappling with the hard task of translating art into words; lyrical recall for memory pieces. And informing everything a rich sense of the human comedy and the ways it plays through historical time.  It's also a reflection on writers who have been shamelessly gloried in verbal abundance; the performing tumble of language - those who have especially inspired me - Dickens and Melville; Joyce and Marquez.’ Simon SchamaSir Simon Schama has been at the forefront of the arts, political commentary, social analysis and historical study for over forty years. As a teacher of Art History and an award-winning television presenter of iconic history-based programming, Simon is equally a prolific bestselling writer and award-winning columnist for many of the world’s foremost publishers, broadsheet newspapers, periodicals and magazines.  His commissioned subjects over the years have been numerous and wide ranging – from the music of Tom Waits, to the works of Sir Quentin Blake; the history of the colour blue, to discussing what skills an actor needs to create a unique performance of Falstaff. Schama’s tastes are wide-ranging as they are eloquent, incisive, witty and thought provoking and have entertained and educated the readers of some of the world’s most respected publications - the Times, the Guardian, the New Yorker, Harper’s Bazaar and Rolling Stone magazine.  Wordy is a celebration of one of the world’s foremost writers. This collection of fifty essays chosen by the man himself stretches across four decades and is a treasure trove for all those who have a passion for the arts, politics, food and life.

The world is facing the worst humanitarian crisis since the Second World War. Over 300,000 are dead in Syria, and one and half million are either injured or disabled. Four and a half million people are trying to flee the country. And Syria is just one of a growing number of failed or failing states in the Middle East and North Africa. How should developed nations respond to human suffering on this mass scale? Do the prosperous societies of the West, including Canada and the U.S., have a moral imperative to assist as many refugees as they reasonably and responsibly can? Or, is this a time for vigilance and restraint in the face of a wave of mass migration that risks upending the tolerance and openness of the West?The eighteenth semi-annual Munk Debate, which was held on April 1, 2016, pits former UN High Commissioner for Human Rights Louise Arbour and leading historian Simon Schama against leader of the UK Independence Party Nigel Farage and bestselling author Mark Steyn to debate the West’s response to the global refugee crisis.

An epic exploration of the artist internationally renowned for his unique gunpowder artThis is the first publication to synthesize the fundamental concepts and methodological pursuits behind the art of Cai Guo-Qiang (born 1957), since his 2008 Guggenheim retrospective exhibition catalog I Want to Believe. Introduced through a comprehensive map and chronology and encompassing the visual and textual records from over three decades of Cai Guo-Qiang’s career, this book showcases the work of an artist renowned for his unique gunpowder art through his Individual’s Journey Through Western Art History. In a series of exhibitions at major museums and cultural sites around the world, including the Prado Museum, Uffizi Galleries, Pushkin State Museum of Fine Arts, National Archaeological Museum of Naples and Pompeii Archaeological Park, and Solomon R. Guggenheim Museum, Cai has engaged in dialogues with periods of Western art history as presented by the institutions. The series also retraces Cai’s expansive journey of homecoming through dialogues with his original passion for painting, the spirit of Chinese culture and his eternal home in the Cosmos.This publication presents the culmination of Cai's Journey with the exhibition Odyssey and Homecoming at the Palace Museum, the first ever by a contemporary artist, coinciding with the 600th anniversary of the Forbidden City.

Ever since winning a travel grant as a 17-year-old to travel from the Netherlands through Belgium and Paris to Arles in Van Gogh’s footsteps, the contemporary master painter and sculptor Anselm Kiefer has been inspired by the Dutchman’s art. Van Gogh has been a profound influence upon the subjects and techniques of Kiefer’s monumental paintings and sculptures, which draw on history, mythology, literature, philosophy and science. Published to coincide with Kiefer’s 80th birthday in 2025, this book celebrates the power and luminous intensity of both artists’ work.