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What is love for Sartre and Lacan? In Dialectics of Love in Sartre and Lacan, Sinan Richards examines Sartre’s and Lacan’s writings on love to draw out a distinctly Lacanian conception of love and subjectivity.
1 401 kr
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What is love for Sartre and Lacan? In Dialectics of Love in Sartre and Lacan, Sinan Richards examines Sartre’s and Lacan’s writings on love to draw out a distinctly Lacanian conception of love and subjectivity. Richards begins by demonstrating how Sartre’s in itself for itself is a convincing shorthand for Lacan’s central object of study, before presenting and explaining the various aspects of Lacan’s psychophilosophical project to show how, for Lacan, the subject is marked by various pathologies. He argues that, for Lacan, as for Sartre and Schelling before him, the subject is ontologically sick, and, by its very structure, the Oedipus complex produces subjects that are prey to a mental collapse at any moment. As a result, for Lacan, the subject has no choice but to identify with their potential madness, a constitutive aspect of their subjectivity. He concludes by making a compelling case that love in the Lacanian schema is the subject’s mad wish to reunite in itself with for itself, which is an always impossible yet necessary aspect of subjectivity. The book presents fresh insights on Lacan and Sartre that will appeal to students and scholars of psychoanalysis, philosophy, comparative literature and critical theory.
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Presents the most wide-ranging and in-depth exploration of the influence of modernist art and literature on Jacques Lacan, emphasizing the valences of Lacanian psychoanalysis for interpretations of modernism.A notorious presence in French intellectual circles throughout the 20th century, Lacan was personal friends with modernists such as André Breton and Salvador Dalí, and in 1923 was present at the legendary reading of Ulysses at the Shakespeare and Company bookshop by James Joyce, to whom Lacan would devote a year of his seminar in 1975-76. Lacan also contributed to several Surrealist publications, including the famous magazine Minotaure, the inaugural edition of which featured special mention of Lacan's early work on psychosis. However, despite his affinity with early 20th-century modernism, Lacan's name is still more routinely associated with the category of so-called "postmodernism," thus rendering the question of style and periodization somewhat out of focus.Understanding Lacan, Understanding Modernism asks and responds to a series of questions, including: Is Lacan a modernist or a postmodernist, and what is the difference? How significant was the influence of modernist literature and art on the development of Lacan's ideas? How does our understanding of modernism change when viewed through a Lacanian lens?The final section identifies key Lacaninan concepts, offering context and a discussion of their usage and relevance in current thought.