Sinclair Lewis – författare

Sånt händer inte här är klart inspirerad av fascismens framväxt i Europa under 1930-talet. Det är lätt att identifiera ledare som Hitler i texten. Samtidigt är Sånt händer inte här en skrämmande aktuell roman som fått nytt liv i dagens USA.

“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—SalonIt Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press. Called “a message to thinking Americans” by the Springfield Republican when it was published in 1935, It Can’t Happen Here is a shockingly prescient novel that remains as fresh and contemporary as today’s news. With an Introduction by Michael Meyer and an Afterword by Gary Scharnhorst

'An eerily prescient foreshadowing of current affairs' Guardian'Not only Lewis's most important book but one of the most important books ever produced in the United States' New YorkerA vain, outlandish, anti-immigrant, fearmongering demagogue runs for President of the United States - and wins. Sinclair Lewis's chilling 1935 bestseller is the story of Buzz Windrip, 'Professional Common Man', who promises poor, angry voters that he will make America proud and prosperous once more, but takes the country down a far darker path. As the new regime slides into authoritarianism, newspaper editor Doremus Jessup can't believe it will last - but is he right? This cautionary tale of liberal complacency in the face of populist tyranny shows it really can happen here.

'An eerily prescient foreshadowing of current affairs' Guardian'Not only Lewis's most important book but one of the most important books ever produced in the United States' New YorkerA vain, outlandish, anti-immigrant, fearmongering demagogue runs for President of the United States - and wins. Sinclair Lewis's chilling 1935 bestseller is the story of Buzz Windrip, 'Professional Common Man', who promises poor, angry voters that he will make America proud and prosperous once more, but takes the country down a far darker path. As the new regime slides into authoritarianism, newspaper editor Doremus Jessup can't believe it will last - but is he right? This cautionary tale of liberal complacency in the face of populist tyranny shows it really can happen here.

Published during the heyday of fascism in Europe, It Can't Happen Here is a chilling cautionary tale by one of the greatest American writers of the twentieth century, which is still startlingly relevant almost a century later.Charting the rise to power of Berzelius 'Buzz' Windrip, who whips his supporters into a frenzy while promising drastic reform under a banner of patriotism and traditional values, It Can't Happen Here decries the tactics used by politicians to mobilise voters, and exposes the danger of authoritarianism arising from populist platforms, and the chaos such regimes can leave in their wake.

BY THE AUTHOR OF IT CAN'T HAPPEN HEREBusinessman George F. Babbitt loves the latest appliances, making money and the Republican party. In fact, he loves being a Solid Citizen even more than he loves his wife. But Babbitt comes to resent the middle class trappings he has worked so hard to acquire. Realising that his life is devoid of meaning, he grows determined to transcend his trivial existence and search for a greater purpose.In the economic boom years of 1920s' America, Babbitt became a symbol of middle-class mediocrity, and his name an enduring part of the American lexicon.

Amusing and tragic by turn, Sinclair Lewis's classic novel is a biting satire of middle-American values whose title has entered the language as a byword for smug complacency, conformity, and materialism, and whose suburban targets are still much in evidence. A successful real estate agent, George F. Babbitt is a member of all the right clubs, and unquestioningly shares the same aspirations and ideas as his friends and fellow Boosters. Yet even Babbitt dreams of romance and escape, and when his best friend does something to throw his world upside down, he rebels, and tries to find fulfillment in romantic adventures and liberal thinking. Hilarious and poignant, Babbitt turns the spotlight on middle America and strips bare the hypocrisy of business practice, social mores, politics, and religious institutions. In his introduction and notes Gordon Hutner explores the novel's historical and literary contexts, and highlights its rich cultural and social references. The book also features an up-to-date bibliography and explanatory notes that document and gloss the rich social history of the period.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Sinclair Lewis’ world-famous satire of religious hypocrisy and the excesses of the Roaring ʼ20s.   Universally recognized as a landmark in American literature, Elmer Gantry scandalized readers when it was first published, causing Sinclair Lewis to be “invited” to a jail cell in New Hampshire and to his own lynching in Virginia. His portrait of a golden-tongued evangelist who rises to power within his church—a saver of souls who lives a life of duplicity, sensuality, and ruthless self-indulgence—is also the record of a period, a reign of grotesque vulgarity, which but for Lewis would have left no trace of itself. Elmer Gantry has been called the greatest, most vital, and most penetrating study of hypocrisy that has been written since the works of Voltaire.   With an introduction by Jason Stevens

The first of Sinclair Lewis’s great successes, Main Street shattered the sentimental American myth of happy small-town life with its satire of narrow-minded provincialism. Reflecting his own unhappy childhood in Sauk Centre, Minnesota, Lewis’s sixth novel attacked the conformity and dullness he saw in midwestern village life. Young college graduate Carol Milford moves from the city to tiny Gopher Prairie after marrying the local doctor, and tries to bring culture to the small town. But her efforts to reform the prairie village are met by a wall of gossip, greed, conventionality, pitifully unambitious cultural endeavors, and—worst of all—the pettiness and bigotry of small-town minds.Lewis’s portrayal of a marriage torn by disillusionment and a woman forced into compromises is at once devastating social satire and persuasive realism. His subtle characterizations and intimate details of small-town America make Main Street a complex and compelling work and established Lewis as an important figure in twentieth-century American literature.

The first of Sinclair Lewis’s great successes, Main Street shattered the sentimental American myth of happy small-town life with its satire of narrow-minded provincialism. Reflecting his own unhappy childhood in Sauk Centre, Minnesota, Lewis’s sixth novel attacked the conformity and dullness he saw in midwestern village life. Young college graduate Carol Milford moves from the city to tiny Gopher Prairie after marrying the local doctor, and tries to bring culture to the small town. But her efforts to reform the prairie village are met by a wall of gossip, greed, conventionality, pitifully unambitious cultural endeavors, and—worst of all—the pettiness and bigotry of small-town minds.Lewis’s portrayal of a marriage torn by disillusionment and a woman forced into compromises is at once devastating social satire and persuasive realism. His subtle characterizations and intimate details of small-town America make Main Street a complex and compelling work and established Lewis as an important figure in twentieth-century American literature.

Selected by the Modern Library as one of the 100 best novels of all timeWith Commentary by E. M. Forster, Dorothy Parker,H. L. Mencken, Lewis Mumford, Rebecca West,Sherwood Anderson, Malcolm Cowley, Alfred Kazin, Constance Rourke, and Mark Schorer"Main Street is the climax of civilization," Sinclair Lewis declared with a typical blend of seriousness and irony. "That this Ford car might stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus wrote in Oxford cloisters." Main Street, the story of an idealistic young woman''s attempts to reform her small town, brought Lewis immediate acclaim when it was published in 1920. It remains one of the essential texts of the American scene. Lewis Mumford observed: "In Main Street an American had at last written of our life with something of the intellectual rigor and critical detachment that had seemed so cruel and unjustified [in Charles Dickens and Matthew Arnold]. Young people had grown up in this environment, suffocated, stultified, helpless, but unable to find any reason for their spiritual discomfort. Mr. Lewis released them."Sinclair Lewis (1885-1951), was born in Sauk Centre, Minne-sota, and graduated from Yale in 1907; in 1930 he became the first American recipient of the Nobel Prize in Literature. Main Street (1920) was his first critical and commercial success. Lewis''s other noted books include Babbitt (1922), Arrowsmith (1925), Elmer Gantry (1927), Dodsworth (1929), and It Can''t Happen Here (1935).

“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—SalonIt Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press. Called “a message to thinking Americans” by the Springfield Republican when it was published in 1935, It Can’t Happen Here is a shockingly prescient novel that remains as fresh and contemporary as today’s news.Includes an Introduction by Michael Meyerand an Afterword by Gary Scharnhorst

In the fall of 1920, Sinclair Lewis began a novel set in a fast-growing city with the heart and mind of a small town. For the center of his cutting satire of American business he created the bustling, shallow, and myopic George F. Babbitt, the epitome of middle-class mediocrity. The novel cemented Lewis’s prominence as a social commentator. Babbitt basks in his pedestrian success and the popularity it has brought him. He demands high moral standards from those around him while flirting with women, and he yearns to have rich friends while shunning those less fortunate than he. But Babbitt’s secure complacency is shattered when his best friend is sent to prison, and he struggles to find meaning in his hollow life. He revolts, but finds that his former routine is not so easily thrown over.

Three years before the civic-minded Carol Kennicott came to life in Main Street, Una Golden was confronting the male dinosaurs of business. Like Carol, the heroine of The Job is one of Sinclair Lewis's most fully realized creations. Originally published in 1917, The Job was his first controversial novel. A "working girl" in New York City, Una Golden—caught in the dilemmas of marriage or career, husband or office, birth control or motherhood—is the prototype of the businesswoman of popular and literary culture.

In Main Street and Babbitt, Sinclair Lewis drew on his boyhood memories of Sauk Centre, Minnesota, to reveal as no writer had done before the complacency and conformity of middle-class life in America. The remarkable novels presented here in this Library of America volume combine brilliant satire with a lingering affection for the men and women, who, as Lewis wrote of Babbitt, “want “to seize something more than motor cars and a house before it’s too late.”Main Street (1920), Lewis's first triumph, was a phenomenal event in American publishing and cultural history. Lewis's idealistic, imaginative heroine, Carol Kennicott, "longs to get [her] hands on one of those prairie towns and make it beautiful,” but when her doctor husband brings her to Gopher Prairie, she finds that the romance of the American frontier has dwindled to the drab reality of the American Middle West. The great romantic satire of its decade, Main Street is a wry, sad, funny account of a woman who attempts to challenge the hypocrisy and narrow-mindedness of her community.In the character of George F. Babbitt, the boisterous, vulgar, worried, gadget-loving real estate man from Zenith, Lewis fashioned a new and enduring figure in American literature—the total conformist. Babbitt is a “joiner,” who thinks and feels with the crowd. Lewis surrounds him with a gallery of familiar American types—small businessman, Rotarians, Elks, boosters, supporters of evangelical Christianity. In biting satirical scenes of club lunches, after-dinner speeches, trade association conventions, fishing trips and Sunday School committees, Lewis reproduces the noisy restlessness of American commercial culture.In 1930 Sinclair Lewis was the first American to be awarded the Nobel Prize in Literature, largely for his achievement in Babbitt. These early novels not only define a crucial period in American history—from America’’s “coming of age” just before World War I to the dizzying boom of the twenties—they also continue to astonish us with essential truths about the country we live in today.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.