Siobhan Clarke – författare

Christmas in Tudor times was a period of feasting, revelry and merrymaking ‘to drive the cold winter away’. A carnival atmosphere presided at court, with a twelve-day-long festival of entertainments, pageants, theatre productions and ‘disguisings’, when even the king and queen dressed up in costume to fool their courtiers. Throughout the festive season, all ranks of subjects were freed for a short time from everyday cares to indulge in eating, drinking, dancing and game-playing.We might assume that our modern Christmas owes much to the Victorians. In fact, as Alison Weir and Siobhan Clarke reveal in this fascinating book, many of our favourite Christmas traditions date back much further. Carol-singing, present-giving, mulled wine and mince pies were all just as popular in Tudor times, and even Father Christmas and roast turkey dinners have their origins in this period. The festival was so beloved by English people that Christmas traditions survived remarkably unchanged in this age of tumultuous religious upheaval.Beautifully illustrated with original line drawings throughout, this enchanting compendium will fascinate anyone with an interest in Tudor life – and anyone who loves Christmas.

'Packed with absorbing detail and brilliant insights ... I was gripped from the first paragraph.' - Alison Weir No English king is as well-known to us as Henry VIII – famous for his six marriages, for dissolving the monasteries and for the ruthless destruction of his foes. But Henry was also an ardent patron of the arts, whose magnificent tapestries and paintings adorned his lavish court and began the Royal Collection. In contrast to later royal collectors, Henry was more interested in storytelling than art for its own sake, and all his commissions relate to one central tale: the glorification of the king and his realm. Henry’s life can be seen through his collection and the works reveal much about both his kingship and his insecurities. King and Collector tells this unique story of art and power, peeling back the layers of propaganda to show the true face of the Tudor monarch.

In a Reformation kingdom ill-used to queens, Elizabeth I needed a very particular image to hold her divided country together. The ‘Cult of Gloriana’ would elevate the queen to the status of a virgin goddess, aided by authors, musicians, and artists such as Spenser, Shakespeare, Hilliard, Tallis and Byrd. Her image was widely owned and distributed, thanks to the expansion of printing, and the English came to surpass their European counterparts in miniature painting, allowing courtiers to carry a likeness of their sovereign close to their hearts.Sumptuously illustrated, Gloriana: Elizabeth I and the Art of Queenship tells the story of Elizabethan art as a powerful device for royal magnificence and propaganda, illuminating several key artworks of Elizabeth’s reign to create a portrait of the Tudor monarch as she has never been seen before.