Sir Norman Rosenthal – författare
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Raqib Shaw is an Indian-born British artist whose work is as vibrant and ornate in color and detail as it is ambitious in scope, with a remarkable synergy between his fantastical and often violent imagery and the delicacy of his technique. Deeply inspired by the old masters but infused with his own personal iconography, and drawing equally on eastern and western mythology, his work represents a compelling and profoundly contemporary hybridization of aesthetics and sensibilities. His opulent and intricately detailed paintings of fantastical worlds, often with surfaces inlaid with vibrantly colored jewels and painted in enamel, reveal an eclectic fusion of influences from Persian carpets and Northern Renaissance painting to industrial materials and Japanese lacquerware but ultimately reflect the universality of the human condition. Collected here, in the first comprehensive monograph on the artist to date, are more than 100 of Shaw s works, representing thirty years of painting in which intricate detail, rich color, and bejeweled surfaces mask the intensity and depth of his imagery.
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"I couldn't think of a better place to have a dialogue about art today and what it can be" - Jeff Koons Curated by Koons himself, together with guest curator Norman Rosenthal, this show features seventeen important works, fourteen of which have never been exhibited in the UK before. They span the artist's entire career and his most well-known series, including Equilibrium, Statuary, Banality, Antiquity and his recent Gazing Ball sculptures and paintings. This exhibition will provoke a conversation between his creations and the history of art and ideas with which his work engages. Jeff Koons burst onto the contemporary art scene in the 1980s. He has been described as the most famous, important, subversive, controversial and expensive artist in the world. From his earliest works Koons has explored the 'ready-made' and 'appropriated image', using unadulterated found objects and creating painstaking replicas of ancient sculptures and Old Master paintings which almost defy belief in their craftsmanship and precision. Throughout his career Koons has pushed at the boundaries of contemporary art practice, stretching the limits of what is possible. This publication accompanies an exhibiton, running from February to June, 2019 at the Ashmolean. Koons will be in conversation with Martin Kemp at the Sheldonian Theatre, Oxford, in May 2019. Contents: Director's Foreword; interview with Jeff Koons (by Xa Sturgis); Jeff Koons and the Sheen and Shine of Time (Sir Norman Rosenthal); catalogue entries; Jeff Koon biography.