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The artist as collector and champion of the American vernacular Allen Ruppersberg: Intellectual Property 1968–2018 accompanies a major retrospective exhibition on one of conceptual art’s most inventive and acclaimed practitioners. Emerging in late-1960s Los Angeles, Ruppersberg was among that city’s first generation of conceptual artists to espouse a working method that privileges ideas and process over conventional aesthetic objects. Deploying posters, books, postcards and even a café and hotel, his projects have consistently had at their center a focus on the American vernacular—its music, popular imagery and ephemera—mining the nuances of culture through its unsung conventions. From his earliest works, the artist has also welcomed the involvement of the viewer as participant, inviting an immersive experience of his work through language, visual density, accumulated elements and ideas.This fully illustrated catalog is the most comprehensive publication to date on Ruppersberg’s work, featuring a wealth of scholarly content and critical writing connecting Ruppersberg’s work to the larger contemporary art field. Produced by the Walker’s award-winning design studio and in close collaboration with the artist, the book presents a holistic view of Ruppersberg’s wide-ranging, 50-year practice.Born in Cleveland, Ohio in 1944, Allen Ruppersberg has been the subject of more than 60 solo shows. His only other US retrospective, The Secret of Life and Death, was presented by the Museum of Contemporary Art, Los Angeles, in 1985. His work is in the collection of public institutions such as the Los Angeles County Museum of Art; the Hammer Museum, Los Angeles; The Museum of Modern Art, New York; Walker Art Center, Minneapolis; and Le Fonds Ronal d’Art, among many others. Ruppersberg lives and works in Los Angeles, Cleveland and New York.
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A landmark mid-career survey for the famed Lakota artist known for her monumental geometric paintings and installations incorporating traditional quillwork and beadworkPublished with Remai Modern.Rooted in intergenerational knowledge, the art of Dyani White Hawk centers on connection—between one another, past and present, earth and sky. By foregrounding Lakota forms and motifs, she challenges prevailing narratives surrounding abstract art. Accompanying White Hawk's major mid-career survey exhibition, this publication gathers new scholarship examining 15 years of the artist's work across multimedia paintings, sculpture, video, works on paper and more.Opening with early pieces that combine quillwork, lane stitch beadwork and painting, the artist examines, dissects and reassembles elements of her own Sicángu Lakota and European American ancestries, putting these in active conversation with histories of abstract painting. In other works, she marries traditional techniques with outsize scale, highlighting her ongoing commitment to formal and material experimentation. The book features a new group of these works, from her monumental Wopila | Lineage paintings to a new series of towering columnar sculptures made from loomed beads, assembled in dizzying arrays of pattern and color. Made in collaboration with a skilled team of studio beadworkers, these shimmering surfaces invite close inspection of both their material construction and their cultural and historical underpinnings.Dyani White Hawk (born 1976) was raised in Madison, Wisconsin, and received her BFA from the Institute of American Indian Arts in Santa Fe, New Mexico, and an MFA from the University of Wisconsin-Madison. She has been the recipient of prestigious awards, most recently including a Guggenheim Fellowship (2024), Creative Capital grant (2024) and MacArthur Foundation Fellowship "Genius Grant" (2023). Her work has been exhibited at the Kemper Museum of Contemporary Art, the Pennsylvania Academy of the Fine Arts, the Denver Art Museum and the Whitney Museum of American Art, among many others. She lives and works in Minneapolis, Minnesota.