Siwar Masannat – författare

With cue, Siwar Masannat follows up her prize-winning debut with poems that wrestle with intimacy and distance. Departing from love as a force of creation, cue’s intertextual experiments and lyric poems map environmental relations and pose questions about privacy and visibility, love and family, gender, and ecological agency. Masannat responds to artist Akram Zaatari’s excavation of studio portraits by Hashem El Madani. Captured between the 1940s and 1970s in the Lebanese town of Saida, El Madani’s photographs are living artifacts of a transnational modernity. They archive performances of gender and romance that seek to circumvent respectability politics. The private-public, then, emerges as a paradox at the heart of cue’s composition. The desire to commune with and re-transmit the photographs and their stories is accompanied by the speaker’s understanding of how visibility may be coopted and how privacy, at once essential and weaponized, is unevenly enjoyed, opportunistically deployed, and systematically encroached upon.

TOWARD A LIVING ARCHIVE OF AFRICAN POETRY collects Kwame Dawes's and Chris Abani's introductory essays for the New-Generation African Poets Chapbook Box Set Series. These essays are conversations that celebrate the work of emerging African poets and build - meticulously and with principled care - a vision of a pluralistic literary community in which poets may thrive. Over more than ten years, Dawes and Abani have offered readers a glimpse into their editorial labor and philosophy, which are guided by generosity and curiosity and trust in the work of African poets. Dawes's and Abani's editorial labor is a gift, an expansive curation that honors the past, present, and future of African literature. In 2024, the APBF celebrates the publication of the tenth edition of the New-Generation African Poets Chapbooks Box Sets. Each of the box sets, edited by Kwame Dawes and Chris Abani, feature a selection of chapbooks by emerging African authors who have not yet published a full-length collection of poetry. Many thought-provoking threads related to African poetics appear across the essays. They advance a transnational vision of and for African poetry, one arising from their literary leadership to imagine and create a landscape in which the work of as many poets as possible can thrive, receive recognition, and be preserved for future generations. For, as they mention in their introduction to NANE, 'the idea of a poetic community enacts the promise of being seen.'