Sofie Van Bauwel – författare

This thoroughly revised second edition provides a critical overview of the contemporary debates and discussions surrounding gender and mediated communication.The book is divided into three parts: representing, producing, and consuming, with each section made up of three chapters. The first chapter of each section attempts to answer the most basic questions: ‘Who is represented?’, ‘Who produces what?’, and ‘Who consumes what?’. The second chapter of each section draws attention to the complexity of the relationship between gender and media, concentrating on the 'why'. The third and final chapter of each section addresses the latest debates in the fields of media and gender, adding a vital layer of understanding of the topic at hand. Throughout, text boxes provide additional information on the most important concepts and topics, and exercises help bridge the gap between theory and everyday life media practices. The second edition has been updated in light of current developments with regard to gender, media technologies, and globalisation, including recent theoretical insights and examples.This is an ideal textbook for students studying gender and media, and for general courses on gender studies, sociology, cultural studies, and women’s studies.

This thoroughly revised second edition provides a critical overview of the contemporary debates and discussions surrounding gender and mediated communication.The book is divided into three parts: representing, producing, and consuming, with each section made up of three chapters. The first chapter of each section attempts to answer the most basic questions: ‘Who is represented?’, ‘Who produces what?’, and ‘Who consumes what?’. The second chapter of each section draws attention to the complexity of the relationship between gender and media, concentrating on the 'why'. The third and final chapter of each section addresses the latest debates in the fields of media and gender, adding a vital layer of understanding of the topic at hand. Throughout, text boxes provide additional information on the most important concepts and topics, and exercises help bridge the gap between theory and everyday life media practices. The second edition has been updated in light of current developments with regard to gender, media technologies, and globalisation, including recent theoretical insights and examples.This is an ideal textbook for students studying gender and media, and for general courses on gender studies, sociology, cultural studies, and women’s studies.

Trans-Reality Television: The Transgression of Reality, Genre, Politics, and Audience offers an overview of contributions which engage with the phenomenon of reality television as a tool to reflect on societal and mediated transformations and transgressions. While some contributors delve deep into the theoretical issues, others approach the topic at hand through empirical studies of specific reality television formats and programs. The chapters in this volume are divided into four sections, all of which deal with how we see the fluid social at work in reality television through the trans-real, trans-politics, trans-genre, and trans-audience. The first section stresses the concept of the trans-real. These chapters go into the complexity of the construction of reality in reality television. The second section, which deals with the concept of trans-politics, offers a diversity of perspectives on the articulation and re-articulation of politics and the political. In the third section, trans-genre, the chapters analyze how the modern conceptualizations of genre and format are transcended. Finally, the last set of chapters articulate the concept of trans-audiences, using case studies of particular audiences and a study of reality celebrities. Trans-Reality Television concludes by returning to the sense and nonsense of the use of these 'post' concepts.

Trans-Reality Television: The Transgression of Reality, Genre, Politics, and Audience offers an overview of contributions which engage with the phenomenon of reality television as a tool to reflect on societal and mediated transformations and transgressions. While some contributors delve deep into the theoretical issues, others approach the topic at hand through empirical studies of specific reality television formats and programs. The chapters in this volume are divided into four sections, all of which deal with how we see the fluid social at work in reality television through the trans-real, trans-politics, trans-genre, and trans-audience. The first section stresses the concept of the trans-real. These chapters go into the complexity of the construction of reality in reality television. The second section, which deals with the concept of trans-politics, offers a diversity of perspectives on the articulation and re-articulation of politics and the political. In the third section, trans-genre, the chapters analyze how the modern conceptualizations of genre and format are transcended. Finally, the last set of chapters articulate the concept of trans-audiences, using case studies of particular audiences and a study of reality celebrities. Trans-Reality Television concludes by returning to the sense and nonsense of the use of these 'post' concepts.

This is not merely a book on methods; it is a toolbox designed to provide students with the critical guidelines and ethical reflections needed to conduct research on gender and media. It serves as an indispensable researcher’s companion, guiding them through every step—from selecting a research topic to drawing meaningful conclusions from their analysis.The emphasis is on critical thinking and reflection in relation to inequalities, power, and privilege, asking readers to consider the consequences of research choices and guiding them through difficult dilemmas in relation to methods and ethics. With a focus on mass media, a variety of methods and methodologies are discussed, which can be used to study media representations, production, and consumption. Throughout, text boxes, references to further reading, exercises, and contemporary case studies help readers understand how to apply specific methodologies and methods in their research.Researching Gender and Media is essential reading for any student interested in doing research on gender and media from undergraduate to graduate level. The book will also benefit instructors teaching research methods courses with a focus on gender and media.

This is not merely a book on methods; it is a toolbox designed to provide students with the critical guidelines and ethical reflections needed to conduct research on gender and media. It serves as an indispensable researcher’s companion, guiding them through every step—from selecting a research topic to drawing meaningful conclusions from their analysis.The emphasis is on critical thinking and reflection in relation to inequalities, power, and privilege, asking readers to consider the consequences of research choices and guiding them through difficult dilemmas in relation to methods and ethics. With a focus on mass media, a variety of methods and methodologies are discussed, which can be used to study media representations, production, and consumption. Throughout, text boxes, references to further reading, exercises, and contemporary case studies help readers understand how to apply specific methodologies and methods in their research.Researching Gender and Media is essential reading for any student interested in doing research on gender and media from undergraduate to graduate level. The book will also benefit instructors teaching research methods courses with a focus on gender and media.