Sojin Kim – författare

Provides an encompassing overview of migration routes and dispersal of human populations around the world World on the Move brings together the current state of knowledge about migration and displacement in a single, easily accessible volume. Written as a companion to “World on the Move: 250,000 Years of Human Migration,” a traveling exhibition developed by the American Anthropological Association and the Smithsonian Center for Folklife and Cultural Heritage, this thought-provoking book helps us reframe the ways we think and talk about migration. World on the Move opens by describing the basic patterns and processes of migration and discussing the evidence used to measure migration, displacement, and their impacts. Subsequent chapters trace major population movements through human history, review the different reasons that propel the movement of human populations, and illustrate the many ways that migration affects us all. The final section focuses on international and national policies on immigration and displacement, including perspectives on birthright citizenship, migrant mothers and their children, and migration driven by climate change. Drawing on a wealth of case studies of diverse cultures from across human history, World on the Move: Employs the “Crossroads” concept, an innovative narrative device that reveals connections between peoples, cultures, and moments when crucial decisions are madeDiscusses ways research on migration and displacement have been used to support public policyHighlights the roles of ever-evolving genetic, archaeological, and linguistic evidence in reshaping understanding of human population movementsExplains basic terms, patterns, and processes of migration and displacement, as well as various evaluation and interpretation methodsAddresses timely and complex issues such as enslavement and trafficking, border walls, immigration policy, and climate changePresenting the latest scholarship on the peopling of the continents, World on the Move: 250,000 Years of Human Migration is an excellent textbook for undergraduate courses in anthropology, sociology, political science, cultural geography, and immigration studies, particularly those exploring migration, displacement, diaspora, and immigration policy.

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff - past and present - in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.

Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival’s principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival’s curatorial staff—past and present—in examining the Center for Folklife and Cultural Heritage’s representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N’Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival’s institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.