Solimar Otero – författare
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15 produkter
15 produkter
Inbunden, Engelska, 2020
1 164 kr
Skickas inom 5-8 vardagar
In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santería, and Brazilian Candomblé, the dead tell stories. Communicating with and through mediums’ bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race.Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.
Häftad, Engelska, 2020
297 kr
Skickas inom 5-8 vardagar
In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santería, and Brazilian Candomblé, the dead tell stories. Communicating with and through mediums’ bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race.Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.
Inbunden, Engelska, 2021
878 kr
Skickas inom 5-8 vardagar
The study of folklore has historically focused on the daily life and culture of regular people, such as artisans, storytellers, and craftspeople. But what can folklore reveal about strategies of belonging, survival, and reinvention in moments of crisis? The experience of living in hostile conditions for cultural, social, political, or economic reasons has redefined communities in crisis. The curated works in Theorizing Folklore from the Margins offer clear and feasible suggestions for how to ethically engage in the study of folklore with marginalized populations. By focusing on issues of critical race and ethnic studies, decolonial and antioppressive methodologies, and gender and sexuality studies, contributors employ a wide variety of disciplines and theoretical approaches. In doing so, they reflect the transdisciplinary possibilities of Folklore studies. By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.
Häftad, Engelska, 2021
334 kr
Skickas inom 5-8 vardagar
The study of folklore has historically focused on the daily life and culture of regular people, such as artisans, storytellers, and craftspeople. But what can folklore reveal about strategies of belonging, survival, and reinvention in moments of crisis? The experience of living in hostile conditions for cultural, social, political, or economic reasons has redefined communities in crisis. The curated works in Theorizing Folklore from the Margins offer clear and feasible suggestions for how to ethically engage in the study of folklore with marginalized populations. By focusing on issues of critical race and ethnic studies, decolonial and antioppressive methodologies, and gender and sexuality studies, contributors employ a wide variety of disciplines and theoretical approaches. In doing so, they reflect the transdisciplinary possibilities of Folklore studies. By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.
Inbunden, Engelska, 2025
1 039 kr
Skickas inom 5-8 vardagar
Just over half a century ago, the rise in what became known as the "performance turn" in folklore studies led to the diffusion of performance as both a lens and a key concept across a wide range of humanistic disciplines. Now, it's time to take stock of the myriad ways in which performance and folklore studies have developed along both parallel and intersecting paths.Emerging Perspectives in the Study of Folklore and Performance reveals the captivating world where folklore and performance studies meet up, revealing both the connections and disparities between the two fields. From the mid-20th century to the present day, luminaries like Richard Bauman, Erving Goffman, Roger Abrahams, Charles Briggs, Richard Schechner, Dell Hymes, José Esteban Muñoz, Peggy Phelan, Barbara Kirshenblatt-Gimblett, Deborah Kapchan, and Diana Taylor have woven a rich tapestry of discourse, seamlessly blending the realms of folklore and performance. Editors Solimar Otero and Anthony Bak Buccitelli present a magnificent collection of chapters that delve into the intricacies of this enduring relationship. These diverse essays explore how folklore and performance intersect in realms as varied as digital culture, social movements, ritual, narrative, race and technology, archival practices, ambient play, post-human intersectionalities, speculative world-making, and embodied knowledge.Emerging Perspectives in the Study of Folklore and Performance is a must-read for scholars, students, and enthusiasts alike, offering fresh insights into the evolving landscape of folklore and performance studies and transforming the ways that we connect to culture, place, and community.
Häftad, Engelska, 2025
404 kr
Skickas
Just over half a century ago, the rise in what became known as the "performance turn" in folklore studies led to the diffusion of performance as both a lens and a key concept across a wide range of humanistic disciplines. Now, it's time to take stock of the myriad ways in which performance and folklore studies have developed along both parallel and intersecting paths.Emerging Perspectives in the Study of Folklore and Performance reveals the captivating world where folklore and performance studies meet up, revealing both the connections and disparities between the two fields. From the mid-20th century to the present day, luminaries like Richard Bauman, Erving Goffman, Roger Abrahams, Charles Briggs, Richard Schechner, Dell Hymes, José Esteban Muñoz, Peggy Phelan, Barbara Kirshenblatt-Gimblett, Deborah Kapchan, and Diana Taylor have woven a rich tapestry of discourse, seamlessly blending the realms of folklore and performance. Editors Solimar Otero and Anthony Bak Buccitelli present a magnificent collection of chapters that delve into the intricacies of this enduring relationship. These diverse essays explore how folklore and performance intersect in realms as varied as digital culture, social movements, ritual, narrative, race and technology, archival practices, ambient play, post-human intersectionalities, speculative world-making, and embodied knowledge.Emerging Perspectives in the Study of Folklore and Performance is a must-read for scholars, students, and enthusiasts alike, offering fresh insights into the evolving landscape of folklore and performance studies and transforming the ways that we connect to culture, place, and community.
Inbunden, Engelska, 2025
2 510 kr
Skickas inom 10-15 vardagar
This book features a collection of essays and testimonials that provide new perspectives and incisive criticism on the writings and theatrical productions of Nigerian American author, director, and theorist Femi Euba. Esu, the Yoruba trickster deity of the crossroads, brings cohesion to this project and serves as a guiding principle for its contributors who draw upon Esu’s mysteries to illuminate distinctive characteristics of Euba’s oeuvre. As a key figure of Wole Soyinka’s circle, Euba’s literature, theory, research, and artistic practice deeply engage with the works of Soyinka. The contributions to this volume uncover multiple connections between these two artists and break ground in scholarship by considering their works together through comparative analysis. The voices of leading and emerging scholars bring together African Drama, Comparative Literature, and Theatre History in an interdisciplinary discourse on Euba which greatly complements his vast achievements. Chapters delve into Euba’s cultural theory informed by Esu, particularly his theory of satire, and offer insight into many of his creative works, including Camwood at Crossroads, Tortoise!, The Gulf, and The Eye of Gabriel.The chapters in this book were originally published as a special issue of Atlantic Studies.
Häftad, Engelska, 2026
765 kr
Kommande
This book features a collection of essays and testimonials that provide new perspectives and incisive criticism on the writings and theatrical productions of Nigerian American author, director, and theorist Femi Euba. Esu, the Yoruba trickster deity of the crossroads, brings cohesion to this project and serves as a guiding principle for its contributors who draw upon Esu’s mysteries to illuminate distinctive characteristics of Euba’s oeuvre. As a key figure of Wole Soyinka’s circle, Euba’s literature, theory, research, and artistic practice deeply engage with the works of Soyinka. The contributions to this volume uncover multiple connections between these two artists and break ground in scholarship by considering their works together through comparative analysis. The voices of leading and emerging scholars bring together African Drama, Comparative Literature, and Theatre History in an interdisciplinary discourse on Euba which greatly complements his vast achievements. Chapters delve into Euba’s cultural theory informed by Esu, particularly his theory of satire, and offer insight into many of his creative works, including Camwood at Crossroads, Tortoise!, The Gulf, and The Eye of Gabriel.The chapters in this book were originally published as a special issue of Atlantic Studies.
E-bok
PDF, Engelska, 20251 045 kr
Läs direkt efter köp
This book features a collection of essays and testimonials that provide new perspectives and incisive criticism on the writings and theatrical productions of Nigerian American author, director, and theorist Femi Euba. Esu, the Yoruba trickster deity of the crossroads, brings cohesion to this project and serves as a guiding principle for its contributors who draw upon Esu’s mysteries to illuminate distinctive characteristics of Euba’s oeuvre. As a key figure of Wole Soyinka’s circle, Euba’s literature, theory, research, and artistic practice deeply engage with the works of Soyinka. The contributions to this volume uncover multiple connections between these two artists and break ground in scholarship by considering their works together through comparative analysis. The voices of leading and emerging scholars bring together African Drama, Comparative Literature, and Theatre History in an interdisciplinary discourse on Euba which greatly complements his vast achievements. Chapters delve into Euba’s cultural theory informed by Esu, particularly his theory of satire, and offer insight into many of his creative works, including Camwood at Crossroads, Tortoise!, The Gulf, and The Eye of Gabriel.
The chapters in this book were originally published as a special issue of Atlantic Studies.
E-bok
Engelska, 20251 045 kr
Läs direkt efter köp
This book features a collection of essays and testimonials that provide new perspectives and incisive criticism on the writings and theatrical productions of Nigerian American author, director, and theorist Femi Euba. Esu, the Yoruba trickster deity of the crossroads, brings cohesion to this project and serves as a guiding principle for its contributors who draw upon Esu’s mysteries to illuminate distinctive characteristics of Euba’s oeuvre. As a key figure of Wole Soyinka’s circle, Euba’s literature, theory, research, and artistic practice deeply engage with the works of Soyinka. The contributions to this volume uncover multiple connections between these two artists and break ground in scholarship by considering their works together through comparative analysis. The voices of leading and emerging scholars bring together African Drama, Comparative Literature, and Theatre History in an interdisciplinary discourse on Euba which greatly complements his vast achievements. Chapters delve into Euba’s cultural theory informed by Esu, particularly his theory of satire, and offer insight into many of his creative works, including Camwood at Crossroads, Tortoise!, The Gulf, and The Eye of Gabriel.
The chapters in this book were originally published as a special issue of Atlantic Studies.
Häftad, Engelska, 2014
579 kr
Skickas inom 3-6 vardagar
Bridges theory, art, and practice to discuss emerging issues in transnational religious movements in Latina/o and African diasporas.Finalist for the 2014 Albert J. Raboteau Prize for the Best Book in Africana Religions presented by the Journal of Africana Religions This is the first collection of essays to analyze intersectional religious and cultural practices surrounding the deity Yemoja. In Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts, and the family. This book reveals how Yemoja traditions are negotiating gender, sexuality, and cultural identities in bold ways that emphasize the shifting beliefs and cultural practices of contemporary times. Contributors come from a wide range of fields-religious studies, art history, literature, and anthropology-and focus on the central concern of how different religious communities explore issues of race, gender, and sexuality through religious practice and discourse. The volume adds the voices of religious practitioners and artists to those of scholars to engage in conversations about how Latino/a and African diaspora religions respond creatively to a history of colonization.
Del 45 - Rochester Studies in African History and the Diaspora
Afro-Cuban Diasporas in the Atlantic World
Häftad, Engelska, 2013
357 kr
Skickas inom 5-8 vardagar
A study of the interchange between Cuba and Africa of Yoruban people and culture during the nineteenth century, with special emphasis on the Aguda community.Afro-Cuban Diasporas in the Atlantic World explores how Yoruba and Afro-Cuban communities moved across the Atlantic between the Americas and Africa in successive waves in the nineteenth century. In Havana, Yoruba slaves from Lagos banded together to buy their freedom and sail home to Nigeria. Once in Lagos, this Cuban repatriate community became known as the Aguda. This community built their own neighborhood that celebrated their Afrolatino heritage. For these Yoruba and Afro-Cuban diasporic populations, nostalgic constructions of family and community play the role of narrating and locating a longed-for home. By providing a link between the workings of nostalgia and the construction of home, this volume re-theorizes cultural imaginaries as a source for diasporic community reinvention. Through ethnographic fieldwork and research in folkloristics, Otero reveals that the Aguda identify strongly with their Afro-Cuban roots in contemporary times. Their fluid identity moves from Yoruba to Cuban, and back again, in a manner that illustrates the truly cyclical nature of transnational Atlantic community affiliation.SolimarOtero is Associate Professor of English and a folklorist at Louisiana State University. Her research centers on gender, sexuality, Afro-Caribbean spirituality, and Yoruba traditional religion in folklore, literature and ethnography. Dr. Otero is the recipient of a Ruth Landes Memorial Research Fund grant (2013), a fellowship at the Harvard Divinity School's Women's Studies in Religion Program (2009 to 2010), and a Fulbright award (2001).
Del 88 - Nexos y Diferencias
Archivos conjurados : historias de muertos en culturas afrolatines
Häftad, Spanska, 2025
406 kr
Skickas inom 3-6 vardagar
E-bok
Spanska, 2025406 kr
Läs direkt efter köp
Solimar Otero ; edicion de Gloria J. Morales Osorio ; traduccion de Manuel Cuesta ; prologo de Mayra Santos-Febres ; epilogo de Pedro Perez Sarduy. Solimar Otero explora como espiritus afrolatines guian los trabajos academicos, activistas y espirituales a traves de la colaboracion, los rituales y la creacion y uso de cultura material. La autora demuestra que las divinidades y los ancestros son agentes activos en la conformacion de las experiencias del genero, la sexualidad y la raza en el Caribe. Tras mas de diez anos de investigacion archivistica y de trabajo de campo en Cuba y Estados Unidos, Archivos conjurados resalta la importancia de la narracion de practicantes espirituales afrolatines femeninos y LGBTQ+. Otero articula estos ensambles rituales con la literatura, la musica y el performance caribenos y nos invita a escuchar detenidamente estas formas de ser y devenir. Traduccion y actualizacion de la version inglesa publicada en 2020, con un prologo de Mayra Santos-Febres y epilogo de Pedro Perez Sarduy.
Inbunden, Engelska, 2013
1 042 kr
Tillfälligt slut
Bridges theory, art, and practice to discuss emerging issues in transnational religious movements in Latina/o and African diasporas.Finalist for the 2014 Albert J. Raboteau Prize for the Best Book in Africana Religions presented by the Journal of Africana Religions This is the first collection of essays to analyze intersectional religious and cultural practices surrounding the deity Yemoja. In Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts, and the family. This book reveals how Yemoja traditions are negotiating gender, sexuality, and cultural identities in bold ways that emphasize the shifting beliefs and cultural practices of contemporary times. Contributors come from a wide range of fields-religious studies, art history, literature, and anthropology-and focus on the central concern of how different religious communities explore issues of race, gender, and sexuality through religious practice and discourse. The volume adds the voices of religious practitioners and artists to those of scholars to engage in conversations about how Latino/a and African diaspora religions respond creatively to a history of colonization.