Sondra L. Hausner – författare

Every month, a ragtag group of Londoners gather in the site known as Crossbones Graveyard to commemorate the souls of medieval prostitutes believed to be buried there—the "Winchester Geese," women who were under the protection of the Church but denied Christian burial. In the Borough of Southwark, not far from Shakespeare's Globe, is a pilgrimage site for self-identified misfits, nonconformists, and contemporary sex workers who leave memorials to the outcast dead. Ceremonies combining raucous humor and eclectic spirituality are led by a local playwright, John Constable, also known as John Crow. His interpretation of the history of the site has struck a chord with many who feel alienated in present-day London. Sondra L. Hausner offers a nuanced ethnography of Crossbones that tacks between past and present to look at the historical practices of sex work, the relation of the Church to these professions, and their representation in the present. She draws on anthropological approaches to ritual and time to understand the forms of spiritual healing conveyed by the Crossbones rites. She shows that ritual is a way of creating the present by mobilizing the stories of the past for contemporary purposes.

Every month, a ragtag group of Londoners gather in the site known as Crossbones Graveyard to commemorate the souls of medieval prostitutes believed to be buried there—the "Winchester Geese," women who were under the protection of the Church but denied Christian burial. In the Borough of Southwark, not far from Shakespeare's Globe, is a pilgrimage site for self-identified misfits, nonconformists, and contemporary sex workers who leave memorials to the outcast dead. Ceremonies combining raucous humor and eclectic spirituality are led by a local playwright, John Constable, also known as John Crow. His interpretation of the history of the site has struck a chord with many who feel alienated in present-day London. Sondra L. Hausner offers a nuanced ethnography of Crossbones that tacks between past and present to look at the historical practices of sex work, the relation of the Church to these professions, and their representation in the present. She draws on anthropological approaches to ritual and time to understand the forms of spiritual healing conveyed by the Crossbones rites. She shows that ritual is a way of creating the present by mobilizing the stories of the past for contemporary purposes.

In this moving ethnographic portrait of Hindu renouncers—sadhus or ascetics—in northern India and Nepal, Sondra L. Hausner considers a paradox that shapes their lives: while ostensibly defined by their solitary spiritual practice, the stripping away of social commitments, and their break with family and community, renouncers in fact regularly interact with "householder" society. They form a distinctive, alternative community with its own internal structure, but one that is not located in any single place. Highly mobile and dispersed across the subcontinent, its members are regularly brought together through pilgrimage circuits on festival cycles. Drawing on many years of fieldwork, Hausner presents intimate portraits of individual sadhus as she examines the shared views of space, time, and the body that create the ground for everyday experience. Written with an extraordinary blend of empathy, compassion, and anthropological insight, this study will appeal to scholars, students, and general readers alike.

This edited collection addresses the relationship between diaspora, religion and the politics of identity in the modern world. It illuminates religious understandings of citizenship, association and civil society, and situates them historically within diverse cultures of memory and state traditions.

This volume brings together compelling new research on South Asian women who have renounced worldly life for spiritual pursuits. Documenting contemporary women's experiences with intimate ethnographic narratives, this book offers feminist insights into Jain, Buddhist, Hindu and Baul ascetic traditions.

One hundred years after the publication of the great sociological treatise, The Elementary Forms of Religious Life, this new volume shows how aptly Durkheim¹s theories still resonate with the study of contemporary and historical religious societies. The volume applies the Durkheimian model to multiple cases, probing its resilience, wondering where it might be tweaked, and asking which aspects have best stood the test of time. A dialogue between theory and ethnography, this book shows how Durkheimian sociology has become a mainstay of social thought and theory, pointing to multiple ways in which Durkheim¹s work on religion remains relevant to our thinking about culture.

One hundred years after the publication of the great sociological treatise, The Elementary Forms of Religious Life, this new volume shows how aptly Durkheim¹s theories still resonate with the study of contemporary and historical religious societies. The volume applies the Durkheimian model to multiple cases, probing its resilience, wondering where it might be tweaked, and asking which aspects have best stood the test of time. A dialogue between theory and ethnography, this book shows how Durkheimian sociology has become a mainstay of social thought and theory, pointing to multiple ways in which Durkheim¹s work on religion remains relevant to our thinking about culture.

What does it mean to study culture – and what does culture finally mean? Whether we compare cultures or delve deeply into the dynamics of a single social order, anthropology’s task is to confront the interplay of the human condition and the cultural form. Tracing the genealogy of our touchstone method, ethnography, and investigating its relation to alternative disciplines that try to get at the heart of the human experience – philology, history, and social relations – this volume considers whether contemporary anthropology might, at last, be able to define culture, after more than a century of investigation.