Sonja Fritzsche – författare

The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming.This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.

The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-based politics with the increasing visibility of imagined futures for all; and show how SF stories about new kinds of gender relations inspire new models of artistic, technoscientific, and political practice. Their chapters are grouped into five conversations—about the history of gender and genre, theoretical frameworks, subjectivities, medias and transmedialities, and transtemporalities—that are central to discussions of gender and SF in the current moment. A range of both emerging and established names in media, literature, and cultural studies engage with a huge diversity of topics including eco-criticism, animal studies, cyborg and posthumanist theory, masculinity, critical race studies, Indigenous futurisms, Black girlhood, and gaming.This is an essential resource for students and scholars studying gender, sexuality, and/or science fiction.

The Liverpool Companion to World Science Fiction Film offers critical insights into SF far beyond the more common Anglo-American narratives. Contributors take either a national or transnational approach, and stretch the geographic and conceptual boundaries of science fiction cinema. Recurrent themes include genre discussions, engagement with Hollywood, and the international subgenre of science fiction parody. Chapters contain a variety of perspectives and styles: from gender and race studies, to the eco-critical, and the post-colonial; from the avant-garde, to socialist realism, and the Hammer film.Edited by Sonja Fritzsche, the collection contains fourteen chapters written by specialists from around the world. Film traditions represented include Argentina, Australia, Brazil, Cameroon, China, the Czech Republic, France, Germany, India, Ireland, Italy, Japan, Kenya, Poland, the United Kingdom, and the United States. There is also a chapter on digital shorts.From the dinosaur myth that became Godzilla to Brazilian science fiction comedy, from China’s Death Ray to Kenya’s Pumzi, this book will broaden the horizons of scholars and students of science fiction.

The Liverpool Companion to World Science Fiction Film offers critical insights into SF far beyond the more common Anglo-American narratives. Contributors take either a national or transnational approach, and stretch the geographic and conceptual boundaries of science fiction cinema. Recurrent themes include genre discussions, engagement with Hollywood, and the international subgenre of science fiction parody. Chapters contain a variety of perspectives and styles: from gender and race studies, to the eco-critical, and the post-colonial; from the avant-garde, to socialist realism, and the Hammer film.Edited by Sonja Fritzsche, the collection contains fourteen chapters written by specialists from around the world. Film traditions represented include Argentina, Australia, Brazil, Cameroon, China, the Czech Republic, France, Germany, India, Ireland, Italy, Japan, Kenya, Poland, the United Kingdom, and the United States. There is also a chapter on digital shorts.From the dinosaur myth that became Godzilla to Brazilian science fiction comedy, from China’s Death Ray to Kenya’s Pumzi, this book will broaden the horizons of scholars and students of science fiction.

«The Boom & The Boom is a profound, accessibly written analysis that will appeal to both scholars and an engaged general audience.» (Mengmeng Zhu, Extrapolation, vol. 66, no. 1 (2025))«The Boom & the Boom, like China Miéville’s The City and the City, presents a puzzle involving two parallel worlds. It builds a bridge for both worlds, forms mutually stimulating mirror images for both cultures, and creates a beautiful structure of discursive exploration of the multiplicity of contemporary science fiction beyond national boundaries.»(Mingwei Song, author of Fear of Seeing: A Poetics of Chinese Science Fiction (2023), SFRA Book Award Winner)«Twenty-five years ago, many of us thought we were in a period of growth: the British SF Boom. Lyu’s very readable book locates this radical sf in its political and economic contexts, but his genius is to discuss a parallel event: the Chinese SF Boom. This is a brilliant exploration of the genre outside the Gernsback-Campbell Continuum of American SF.»(Andrew M. Butler, Managing Editor, Extrapolation)«This is a thoughtful and thought-provoking analysis of two sf booms, one in Britain, one in China, which until now seemed invisible to each other. LYU Guangzhao’s carefully paired readings of key novels show that sf is a global phenomenon but that, like economic globalisation itself, it takes distinctive local forms. Let a hundred schools of thought contend and a hundred science fictions boom!»(Mark Bould, Professor of Film and Literature, UWE Bristol)The Boom & The Boom provides a comparative study of the recent science fiction renaissances in the UK and China, known as the British and Chinese SF Booms, which emerged in the late 1980s. It contextualizes the two booms within the transformative political and cultural histories of both countries, characterized by the politico-economic shifts initiated by Margaret Thatcher and Deng Xiaoping. In an era marked by the state’s retreat from society and the redefinition of social subjects through market competition, science fiction assumes a crucial counter position for cultural critique, envisioning alternatives and possibilities embodied in utopian hopes.