Sophie Ratcliffe – författare

In this little book is one of the oldest of all remedies for stress: the reading of poetry.Intended to help you endure some of your stressful moments and painful experiences, these poems tell us we are not alone. Returned again and again over the centuries by great imaginations are love and death and memory – remembrance of childhood joy, of happy days and beautiful places, of loved ones we have lost or feeling at peace and at one with the natural world. `Stressed Unstressed’ harvests an array of poems on such themes in the hope that they will speak to you when you are processing your worries or when you simply want to fill your mind with different, more positive thoughts.Words can act as drugs, and on the bedside or in a waiting-room this little volume of poetry can help in all sorts of difficult circumstances. So here is a selection of new poems and old, enduring classics and forgotten gems. Next time you are feeling stressed or anxious, worried or sleepless, panicky or unable to cope, `Stressed Unstressed’ invites you to read a poem and join the thousands of others who have read and remembered and loved these poems – to form a very special community. This is bibliotherapy.

What if you could tell the truth about who you are, without risking losing the one you love? This is a book about love affairs and why we choose to have them; a book for anyone who has ever loved and wondered what it is all about. How do you learn to be a grown-up when you’ve never got over the death of a parent? What makes a ‘happy family’? What happens if you can’t stop thinking about an ex? And what does commitment really mean?In this genre-defying memoir, Sophie Ratcliffe travels through time, space and great literature to capture the complex and often messy nature of life, love – and grief. Beautifully crafted, painfully funny and frank about things that most people keep to themselves, The Lost Properties of Love is a game-changing exploration of the human heart.

What if you could tell the truth about who you are, without risking losing the one you love? This is a book about love affairs and why we choose to have them; a book for anyone who has ever loved and wondered what it is all about.This is a book about the things we hide from other people. Love affairs, grief, domestic strife and the mess at the bottom of your handbag. Part memoir, part imagined history, in The Lost Properties of Love, Sophie Ratcliffe combines her own experience of childhood bereavement, a past lover, the reality about motherhood and marriage, with undiscovered stories about Tolstoy and trains, handbags and honeymoons to muse on the messiness of everyday life.An extended train journey frames the action – and the author turns not to self-help manuals but to the fictions that have shaped our emotional and romantic landscape. Readers will find themselves propelled into Anna Karenina’s world of steam, commuting down the Northern Line, and checking out a New York El-train with Anthony Trollope’s forgotten muse, Kate Field.As scenes in her own life collide with the stories of real and imaginary heroines, The Lost Properties of Love asks how we might find new ways of thinking about love and intimacy in the twenty-first century. Frank and painfully funny, this contemporary take on Brief Encounter – told to a backing track of classic 80s songs- is a compelling look at the workings of the human heart.

Love affairs, grief, unhappiness, the mess at the bottom of your handbag. This is a book about the things we hide from other people, and how we might find new ways to think about love and intimacy in the twenty-first century. How do you learn to be a grown-up when you’ve never got over the death of a parent? What makes a ‘happy family’? What happens if you can’t stop thinking about an ex? And what does commitment really mean?In this genre-defying memoir, Sophie Ratcliffe travels through time, space and great literature to capture the complex and often messy nature of life, love – and grief. Beautifully crafted, painfully funny and frank about things that most people keep to themselves, The Lost Properties of Love is a game-changing exploration of the human heart.

'Wodehouse said letters make "a wonderful oblique form for an autobiography," and Sophie Ratcliffe's expertly edited collection amply proves the point.'SpectatorOne of the funniest and most admired writers of the twentieth century, P. G. Wodehouse always shied away from the idea of a biography. A quiet, retiring man, he expressed himself through the written word. His letters - collected here - provide an illuminating biographical accompaniment to legendary comic creations such as Jeeves, Wooster, Psmith and the Empress of Blandings. This is a book every lover of Wodehouse will want to possess.'The letters, gossipy in the kindliest, amused/bemused manner, bear true witness to the wide-ranging influences on Wodehouse's' best-known novels and best-loved characters.'The Times

What happens when we engage with fictional characters? How do our imaginative engagements bear on our actions in the wider world? Moving between the literary and the philosophical, Sophie Ratcliffe considers the ways in which readers feel when they read, and how they understand ideas of feeling.On Sympathy uses dramatic monologues based on The Tempest as its focus, and broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification and sympathy, and asks why the idea of sympathy has been seen as so important to liberal humanist theories of literary value.Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare''s late play, offer new readings of some major works, while the book''s epilogue tackles questions of contemporary sympathy. Ranging from the nineteenth century to the present day, this important new study sets out to clarify and challenge current assumptions about reading and sympathetic belief, shedding new light on the idea and ideal of sympathy, the workings of affect and allusion, and theethics of reading.

What happens when we engage with fictional characters? How do our imaginative engagements bear on our actions in the wider world? Moving between the literary and the philosophical, Sophie Ratcliffe considers the ways in which readers feel when they read, and how they understand ideas of feeling.On Sympathy uses dramatic monologues based on The Tempest as its focus, and broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification and sympathy, and asks why the idea of sympathy has been seen as so important to liberal humanist theories of literary value.Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare''s late play, offer new readings of some major works, while the book''s epilogue tackles questions of contemporary sympathy. Ranging from the nineteenth century to the present day, this important new study sets out to clarify and challenge current assumptions about reading and sympathetic belief, shedding new light on the idea and ideal of sympathy, the workings of affect and allusion, and theethics of reading.

What happens when we engage with fictional characters? How do our imaginative engagements bear on our actions in the wider world? Moving between the literary and the philosophical, Sophie Ratcliffe considers the ways in which readers feel when they read, and how they understand ideas of feeling.On Sympathy uses dramatic monologues based on The Tempest as its focus, and broaches questions about fictional belief, morality, and the dynamics between readers, writers, and fictional characters. The book challenges conventionally accepted ideas of literary identification and sympathy, and asks why the idea of sympathy has been seen as so important to liberal humanist theories of literary value. Individual chapters on Robert Browning, W. H. Auden, and Samuel Beckett, who all drew on Shakespeare's late play, offer new readings of some major works, while the book's epilogue tackles questions of contemporary sympathy. Ranging from the nineteenth century to the present day, this important new study sets out to clarify and challenge current assumptions about reading and sympathetic belief, shedding new light on the idea and ideal of sympathy, the workings of affect and allusion, and the ethics of reading.

'Wodehouse said letters make "a wonderful oblique form for an autobiography," and Sophie Ratcliffe's expertly edited collection amply proves the point.'SpectatorOne of the funniest and most admired writers of the twentieth century, P. G. Wodehouse always shied away from the idea of a biography. A quiet, retiring man, he expressed himself through the written word. His letters - collected here - provide an illuminating biographical accompaniment to legendary comic creations such as Jeeves, Wooster, Psmith and the Empress of Blandings. This is a book every lover of Wodehouse will want to possess.'The letters, gossipy in the kindliest, amused/bemused manner, bear true witness to the wide-ranging influences on Wodehouse's' best-known novels and best-loved characters.'The Times

Charming, witty and profound, this stylish 50th anniversary hardback edition of A LIFE IN LETTERS is the perfect addition to any Wodehouse-lover's bookcase.'The letters, gossipy in the kindliest, most amused/bemused manner, bear true witness to the wide-ranging influences on Wodehouse's' best-known novels and best-loved characters.' THE TIMES'It’s hard to imagine a better beach companion' PROSPECT***The definitive edition of P.G. Wodehouse's collected letters, edited with commentary by Oxford academic Sophie Ratcliffe.One of the funniest and most admired writers of the twentieth century, P. G. Wodehouse always shied away from the idea of a biography. A quiet, retiring man, he expressed himself through the written word. His letters - collected and expertly edited here - provide an illuminating biographical accompaniment to legendary comic creations such as Jeeves, Bertie Wooster, Psmith and the Empress of Blandings.Drawing on previously unpublished sources, these letters give an unrivalled insight into Wodehouse, covering his schooldays at Dulwich College, the family's financial reverses which saw his hopes of university dashed, life in New York working in musical comedy with Jerome Kern and George and Ira Gershwin, the years of fame as a novelist, and the unhappy episode in 1940 where he was interned by the Germans and later erroneously accused of broadcasting pro-Nazi propaganda.