Soseki Natsume – författare

"A nonchalant string of anecdotes and wisecracks, told by a fellow who doesn't have a name, and has never caught a mouse, and isn't much good for anything except watching human beings in action…" —The New YorkerWritten from 1904 through 1906, Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle-class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the most significant writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

Natsume Soseki (1867-1916) was the foremost Japanese novelist of the twentieth century, known for such highly acclaimed works as Kokoro, Sanshiro, and I Am a Cat. Yet he began his career as a literary theorist and scholar of English literature. In 1907, he published Theory of Literature, a remarkably forward-thinking attempt to understand how and why we read. The text anticipates by decades the ideas and concepts of formalism, structuralism, reader-response theory, and postcolonialism, as well as cognitive approaches to literature that are only now gaining traction. Employing the cutting-edge approaches of contemporary psychology and sociology, Soseki created a model for studying the conscious experience of reading literature as well as a theory for how the process changes over time and across cultures. Along with Theory of Literature, this volume reproduces a later series of lectures and essays in which Soseki continued to develop his theories. By insisting that literary taste is socially and historically determined, Soseki was able to challenge the superiority of the Western canon, and by grounding his theory in scientific knowledge, he was able to claim a universal validity.

Natsume Soseki (1867-1916) was the foremost Japanese novelist of the twentieth century, known for such highly acclaimed works as Kokoro, Sanshiro, and I Am a Cat. Yet he began his career as a literary theorist and scholar of English literature. In 1907, he published Theory of Literature, a remarkably forward-thinking attempt to understand how and why we read. The text anticipates by decades the ideas and concepts of formalism, structuralism, reader-response theory, and postcolonialism, as well as cognitive approaches to literature that are only now gaining traction. Employing the cutting-edge approaches of contemporary psychology and sociology, Soseki created a model for studying the conscious experience of reading literature as well as a theory for how the process changes over time and across cultures. Along with Theory of Literature, this volume reproduces a later series of lectures and essays in which Soseki continued to develop his theories. By insisting that literary taste is socially and historically determined, Soseki was able to challenge the superiority of the Western canon, and by grounding his theory in scientific knowledge, he was able to claim a universal validity.

Hailed by The New Yorker as "rich in understanding and insight," Kokoro — "the heart of things" — is the work of one of Japan's most popular authors. This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.

A stirring and insightful novel from an author Japan Quarterly calls "a Japanese writer of genius."From beloved author Soseki Natsume, And Then tells the story of Daisuke, a man in his twenties who is struggling with his personal purpose and identity as well as the changing social landscape of Meiji-era Japan. As Japan enters the 20th Century, ancient customs give way to Western ideals, and Daisuke works to resolve his feelings of disconnection and abandonment during this time of change. Thanks to his father''s wealth, Daisuke has the luxury of having time to develop his philosophies and ruminate on their meaning while remaining intellectually aloof from traditional Japanese culture and the demands of growing industrialization.Daisuke''s life takes an unexpected turn when he is reunited with his college friend and his sickly wife. At first, Daisuke''s stoicism allows him to act according to his intellect, but his intellectual fortress begins to show its vulnerabilities as his emotions start to hold greater sway over his inner life. Daisuke must now weigh his choices in a culture that has always operated on the razor''s edge of societal obligation and personal freedom.And Then is a powerful novel of an individual swept up in the floods of change.

For the first time, English readers have access to Soseki’s Spring Miscellany. Originally published as Eijitu Shohin in serial form in the Asahi newspaper in 1909, before appearing in book form, Spring Miscellany is an pastiche of twenty-five sketches, referred to as shohin (little items), heir to the great zuihitsu tradition of discursive prose. These personal vignettes are clearly autobiographical and reveal Soseki’s kaleidoscopic view of his private world and his interest in authentic, unadorned self-expression.The stories range from from episodes from his youth to his adult musings. Of special interest are the accounts of Soseki’s stay in England between 1900 and 1902, where he attended University College, studied privately with W. J. Craig, editor of the Arden Shakespeare, and immersed himself in studying eighteenth-century literature. It was not a happy time for Soseki—he described his stay as “like a poor dog that had wandered into the company of wolves”—but, as with all great writers, he managed to turn adversity into raw material for his art and to give us insight today into the life of an expatriate Japanese scholar at the turn of the century.In his Introduction to the work, Sammy Tsunematsu, founder and curator of the Soseki Museum in London, provides a fresh perspective on Soseki as a man and a writer, as well as an insightful commentary on the work itself.

Written in eight days, in December 1905, and published in the January 1906 issue of the magazine Teikoku Bungaku (Imperial Literature), Shumi no iden (The Heredity of Taste) is Soseki Natsume''s only anti-war work. Chronicling the mourning process of a narrator haunted by his friend''s death, the story reveals Soseki''s attitude to the atrocity of war, specifically to the Russo-Japanese War of 1904-5, and to the personal tragedies and loss of individuality of young men like his hero Ko-san, and the sacrifices made by both the living and the dead.Although the first part of the story powerfully describes the narrator''s visions of the war dead, including the recurring vision of Ko-san who cannot climb out of a ditch and return from the war, it is the second half, in which a beautiful and mysterious woman appears before the narrator at Ko-san''s grave, with the promise of transcendence, that grips our attention.The story centers on finding out the identity of this woman and her relationship with Ko-san, with it''s implication that what should have been a love story has been shattered by the reality of war-a reminder of the magnitude of Japan''s sacrifice for it''s so-called victory.

Japan''s beloved literary masterpiece brought to life in manga form!Soseki Natsume''s comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle-class Japanese society in early 20th century Tokyo. Written with biting wit and sardonic perspective, it follows the whimsical adventures of a rather cynical stray kitten. He finds his way into the home of an English teacher, where his running commentary on the follies and foibles of the people around him has been making readers laugh for more than a century.This is the very first manga edition in English of this classic piece of Japanese literature. The story lends itself well to a graphic novel format, allowing readers to pick up on the more subtle cues of the expressive cat, while also being immersed in the world of his perceptive narration. It is true to classic manga form, and is read back to front.Beautifully illustrated by Japanese artist Chiroru Kobato, this edition provides a visual, entertaining look at a unique period in Japan''s history—filled with cultural and societal changes, rapid modernization and a feeling of limitless possibility—through the eyes of an unlikely narrator.

A timeless psychological study of a young man''s deep alienation from societySet in the early 20th century, Kokoro opens with a chance encounter on a beach near Tokyo that irrevocably links a young student to a man he simply calls Sensei ("Teacher"). Intrigued by Sensei''s aloofness, the student calls upon him with increasing frequency. Eventually, Sensei and his beautiful wife open their home and their lives to him. Only later does the student learn the devastating secret that has haunted Sensei since his youth.Kokoro has sold millions of copies in Japan where it is taught in schools and is a perennial favorite. Its lucid prose and universal themes of friendship, betrayal and the struggle for meaning in a changing world have made it popular internationally as well. This English-language manga version will make the book accessible to a new generation of foreign readers.The manga includes depictions of suicide and may not be suitable for some readers.

1,000 haiku by Soseki Natsume, collected into one volume for the first time!Soseki Natsume is Japan''s most popular writer, well known in the West for his satirical novels like I Am a Cat, Botchan and Kokoro. However, he first made a name for himself in Japan as a poet, publishing hundreds of haiku over a period of several decades. Until now very few of these have appeared in English.Soseki Natsume''s Collected Haiku presents 1,000 of the author''s most famous verses, selected and translated by Erik Lofgren, a leading Soseki expert. The poems are grouped into chapters corresponding to the five traditional Japanese seasons (New Year, Spring, Summer, Autumn and Winter).In these poems, Soseki explores themes ranging from wabi sabi Zen simplicity to his personal experiences including several years studying in England. His verses are evocative of the splendor of the natural world, the power of human emotions, and the serenity found in living a peaceful life.Each poem is presented in the original Japanese with a Romanized version and English translation. Audio recordings of the English and Japanese versions are provided online.

"e;Natsume Soseki is the representative modern Japanese novelist, a figure of truly national stature."e; Haruki MurakamiA chance encounter irrevocably links a university student to an older man he simply calls Sensei ("e;Teacher"e;). Intrigued by Sensei's aloofness, the student visits him with increasing frequency, and Sensei and his beautiful wife eventually open their home and lives to him. The student graduates and is called home to care for his dying father, but Sensei draws him back with a letter revealing a secret that has shadowed him since youth.Written in 1914, toward the end of Soseki's career, Kokoro provides a timeless psychological analysis of man's alienation from society. It is recognized as one of his most important works and a milestone in the emergence of the psychological novel in Japan. Its universal themes of friendship, betrayal and the struggle for meaning in a rapidly changing world continue to resonate today.

Shirai Dōya is a man of letters, a man of principles. His principles sometimes stand in the way of his teaching career, but his writing allows him to openly address “today’s youth” with stern conviction—although he is still unable to make a comfortable living from his writing. Two youths in particular show interest in his ideas: the tubercular impoverished Takayanagi, an aspiring writer himself (and former student of Dōya’s, as it turns out), and his rich friend, the dandy Nakano. The lives and minds of the three men come together in ways that are both commonplace and surprising. The setting—mainly Tokyo of one hundred years ago—and the preoccupations of these characters will appear distinctly familiar, even today.

Shirai Dōya is a man of letters, a man of principles. His principles sometimes stand in the way of his teaching career, but his writing allows him to openly address “today’s youth” with stern conviction—although he is still unable to make a comfortable living from his writing. Two youths in particular show interest in his ideas: the tubercular impoverished Takayanagi, an aspiring writer himself (and former student of Dōya’s, as it turns out), and his rich friend, the dandy Nakano. The lives and minds of the three men come together in ways that are both commonplace and surprising. The setting—mainly Tokyo of one hundred years ago—and the preoccupations of these characters will appear distinctly familiar, even today.