St. Ephrem the Syrian – författare

This volume presents for the first time in the Fathers of the Church series the work of an early Christian writer who did not write in either Greek or Latin. It offers new English translations of selected prose works by St. Ephrem the Syrian (c. A.D. 309-373). The volume contains St. Ephrem's Commentary on Genesis, Commentary on Exodus, Homily on Our Lord, and Letter to Publius. The translators have enhanced the volume with a general introduction, extensive bibliography, and specific introductions to each of the works. Together these features provide an overview of the major scholarship on St. Ephrem and Syriac Christianity.St. Ephrem, the "Harp of the Spirit," composed prose commentaries and sermons of skilful charm and grace, in addition to beautiful hymns, during the time he spent teaching at his native Nisibis and at Edessa in Syria. In the two commentaries presented here, Ephrem focuses only on portions of the sacred text that had a particular theological significance for him, or whose orthodox interpretation needed to be reasserted in the face of contemporary heterodox ideas. He does not provide a continuous, verse by verse exposition. The elaborate rhetorical figures and stylistic devices of the Homily on Or Lord and Letter to Publius succeed in creating language and imagery nearly as striking as Ephrem's poetry.St. Ephrem marshaled his considerable theological and rhetorical talent to challenge the appeal that the doctrines of the Arians, Manicheans, Marcionites, and the followers of Bardaisan might have had to the minds and hearts of Syrian Christians. In the face of their rational systems, his was the voice that insisted on the incomprehensibility of the divine nature.

Among the writers of the Syriac Christian tradition, none is as renowned as St. Ephrem of Nisibis (ca. 307–373), known to much of the later Christian world simply as "the Syrian." The great majority of Ephrem's works are poetry, with the madraše ("teaching songs") especially prominent.This volume presents English translations of four complete madraše cycles of Ephrem: On the Fast, On the Unleavened Bread, On the Crucifixion, and On the Resurrection. These collections include some of the most liturgically oriented songs in Ephrem's corpus, and, as such, provide a window into the celebration of Lent and Easter in the Syriac-speaking churches of northern Mesopotamia in the fourth century. Even more significantly, they represent some of the oldest surviving poetry composed for these liturgical seasons in the entire Christian tradition. Not only are the liturgical occasions of the springtime months a source of colorful imagery in these texts, but Ephrem also employs traditional motifs of warm weather, spring rainstorms, and revived vegetation, which likely reflect Hellenistic literary influences.Like all of Ephrem's poetry, these songs express early Christian theology in language that is symbolic, terse, and vibrant. They are rich with biblical allusions and references, especially to the Exodus and Passion narratives. They also reveal a contested religious environment in which Ephrem strove to promote the Christian Pascha and Christian interpretations of Scripture over and against those of Jewish communities in the region, thus maintaining firm boundaries around the identity and practices of the churches.