Stanislao G. Pugliese – författare

Carlo Rosselli (1899-1937) was one of the most charismatic and influential of European antifascist intellectuals. Born into a wealthy Jewish family, and abandoning a promising career as a professor of political economics, he devoted his considerable fortune and ultimately his life to the struggle against fascism. In 1925, he was instrumental in establishing the first underground antifascist newspaper. While imprisoned for his subversive political activities, he wrote his magnum opus, Liberal Socialism, arguing that socialism was the logical development of the principle of liberty. After a daring escape, he made his way to Paris and became the driving force behind a new political movement, "Justice and Liberty." Rosselli was among the first to arrive in Barcelona after the outbreak of the Spanish Civil War, in which he commanded an armed column of volunteers in defense of the Republic. When Italian fascists discovered Rosselli's plot to assassinate Mussolini, they declared him the regime's most dangerous enemy and had him murdered, along with his brother, noted historian Nello Rosselli, on a country road in Normandy.In this work, the first biography of Rosselli in English, Stanislao Pugliese skillfully interweaves the strands of heresy, exile, and tragedy in Rosselli's life. The drama and drive of his narrative enhance the scholarly contribution that this work makes to modern Italian history and to the study of European antifascism.

More than twenty years ago, the Italian chemist, writer and Holocaust survivor Primo Levi fell to his death from the stairwell of his apartment building in Turin. Within hours, a debate exploded as to whether his death was an accident or a suicide and, if the latter, how this might force us to reinterpret his legacy as a writer and "survivor." Many weighed in with thoughtful and sometimes provocative commentary, but the debate over his death has sometimes overshadowed the larger significance of his place as a thinker "after Auschwitz."This volume contains essays that deal directly with Levi and his work; others tangentially use Levi's writings or ideas to explore larger issues in Holocaust studies, philosophy, theology, and the problem of representation. They are included here in the spirit that Levi described himself: proud of being "impure" and a "centaur," cognizant that asymmetry is the fundamental structure of organic life. "I became a Jew in Auschwitz," Levi once wrote, comparing the concentration camp to a "university" of life. Yet he could also paradoxically admit, in an interview late in life, "There is Auschwitz, and so there cannot be God." Rather than seek to untangle these contradictions, Levi embraced them. This volume seeks to embrace them as well.

More than twenty years ago, the Italian chemist, writer and Holocaust survivor Primo Levi fell to his death from the stairwell of his apartment building in Turin. Within hours, a debate exploded as to whether his death was an accident or a suicide and, if the latter, how this might force us to reinterpret his legacy as a writer and "survivor." Many weighed in with thoughtful and sometimes provocative commentary, but the debate over his death has sometimes overshadowed the larger significance of his place as a thinker "after Auschwitz."This volume contains essays that deal directly with Levi and his work; others tangentially use Levi's writings or ideas to explore larger issues in Holocaust studies, philosophy, theology, and the problem of representation. They are included here in the spirit that Levi described himself: proud of being "impure" and a "centaur," cognizant that asymmetry is the fundamental structure of organic life. "I became a Jew in Auschwitz," Levi once wrote, comparing the concentration camp to a "university" of life. Yet he could also paradoxically admit, in an interview late in life, "There is Auschwitz, and so there cannot be God." Rather than seek to untangle these contradictions, Levi embraced them. This volume seeks to embrace them as well.

This book is addressed to "lovers of paradoxes" and we have done our utmost to assemble a stellar cast of Neapolitan and American scholars, intellectuals, and artists/writers who are strong and open-minded enough to wrestle with and illuminate the paradoxes through which Naples presents itself. Naples is a mysterious metropolis. Difficult to understand, it is an enigma to outsiders, and also to the Neapolitans themselves. Its very impenetrableness is what makes it so deliriously and irresistibly attractive. The essays attempt to give some hints to the answer of the enigma, without parsing it into neat scholastic formulas. In doing this, the book will be an important means of opening Naples to students, scholars and members of the community at large who are engaged in "identity-work." A primary goal has been to establish a dialogue with leading Neapolitan intellectuals and artists, and, ultimately, ensure that the "deliriously Neapolitan" dance continues.

This book is addressed to "lovers of paradoxes" and we have done our utmost to assemble a stellar cast of Neapolitan and American scholars, intellectuals, and artists/writers who are strong and open-minded enough to wrestle with and illuminate the paradoxes through which Naples presents itself. Naples is a mysterious metropolis. Difficult to understand, it is an enigma to outsiders, and also to the Neapolitans themselves. Its very impenetrableness is what makes it so deliriously and irresistibly attractive. The essays attempt to give some hints to the answer of the enigma, without parsing it into neat scholastic formulas. In doing this, the book will be an important means of opening Naples to students, scholars and members of the community at large who are engaged in "identity-work." A primary goal has been to establish a dialogue with leading Neapolitan intellectuals and artists, and, ultimately, ensure that the "deliriously Neapolitan" dance continues.

The essays in this volume use football to create a dialogue between history and other disciplines, including art criticism, philosophy, and political science. The study of football provides fertile ground for interdisciplinary initiatives and this volume explores the disciplinary boundaries that are shifting “beneath our feet.” Traditional disciplines in the humanities and social sciences have come to embrace diverse research methodologies and the increased scholarly attention to football over the past decade reflects both the startling popularity of the sport and the trends in historical scholarship that have been termed the “cultural,” “interpretive,” or “linguistic” turns. This volume includes work on gender, sexuality, and ethnicity, which have challenged disciplinary fault-lines.

The essays in this volume use football to create a dialogue between history and other disciplines, including art criticism, philosophy, and political science. The study of football provides fertile ground for interdisciplinary initiatives and this volume explores the disciplinary boundaries that are shifting “beneath our feet.” Traditional disciplines in the humanities and social sciences have come to embrace diverse research methodologies and the increased scholarly attention to football over the past decade reflects both the startling popularity of the sport and the trends in historical scholarship that have been termed the “cultural,” “interpretive,” or “linguistic” turns. This volume includes work on gender, sexuality, and ethnicity, which have challenged disciplinary fault-lines.