Stefano Carboni – författare
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3 produkter
3 produkter
Häftad, Engelska, 2002
247 kr
Skickas inom 5-8 vardagar
This is the first major study of the subject in over seventy years. In a triumph of scholarship, Stefano Carboni has drawn on a huge range of sources to produce a beautiful and comprehensive history.The book is based on the superb al-Sabah Collection in Kuwait and includes detailed descriptions of some 500 objects, accompanied by hundreds of newly taken photographs and specially commissioned drawings. Beginning with the legacy of Roman and Sasanian traditions in the early years of Islam, the coverage extends well over a thousand years to the last phase of glass production in Mughal India and Safavid and Qajar Iran in the 18th and 19th centuries.Dr Carboni’s authoritative text, the beauty of the objects themselves and the fine quality of the reproductions combine to reveal to scholar and layman alike an aspect of Islamic art that has for too long been neglected.
Inbunden, Engelska, 2024
534 kr
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Accompanying a major traveling exhibition, this book examines the unique artistic and cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over a three-hundred-year period.From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture.Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venetian artists such as Vittore Carpaccio, Gentile Bellini, Michele Giambono, and Mariano Fortuny alongside works created by the best anonymous craftspeople both in Venice and the Ottoman Empire, including textiles, metalwork, armor, and ceramics. With newly researched essays by esteemed international scholars on topics such as trade routes, the involvement of international communities in Venice, diplomatic interactions, and military power dynamics, this important volume offers freshly reviewed and new perspectives on the intricate artistic relationship that existed between Venice and the Ottoman Empire.
Häftad, Engelska, 2020
712 kr
Skickas inom 7-10 vardagar
The subject of this book is the so-called London Qazvīnī, an early 14th-century illustrated Arabic copy of al-Qazvīnī’s The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the London Qazvīnī is lavishly illustrated, with 368 extant paintings out of the estimated original ca. 520.Its large format, ambitious illustrative cycle and the fine quality of many of the illustrations suggest that the atelier where it was produced must have been well-established and able to attract craftsmen from different parts of the Ilkhanid area. It also suggests that its patron was wealthy and curious about scientific, encyclopedic and cajā’ib literature, and keen to experiment with the illustration of new texts like this work, which had been composed by the author only two or three decades earlier. The only centre that was capable of gathering such artistic influences ranging from Anatolia to Mesopotamia appears to have been Mosul.The London Qazvīnī is an important newly surfaced document for the study of early illustrated Arabic copies of this text, representing the second earliest known surviving manuscript, as well as for the study of Ilkhanid painting. In a single and unique manuscript are gathered earlier Mesopotamian painting traditions, North Jaziran-Seljuq elements, Anatolian inspirations, the latest changes brought about after the advent of the Mongols, and a number of illustrations of extraordinary subjects which escape a proper classification.