Stephan Füssel – författare

From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the 'black art' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan Füssel traces the modern resonances of Gutenberg's invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated.

From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the ''black art'' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan Füssel traces the modern resonances of Gutenberg''s invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated.

From typefounding through typesetting to the printing process itself, this narrative offers a fresh look at the unprecedented success story of the spread of the ''black art'' right across Europe in a mere 40 years. Stephan Füssel here analyses the first early printings, placing them in the context of the history of communication and the intellectual climate of a Europe-wide educated elite by about 1500. He foregrounds the tremendous rise in European culture and the history of education experienced as a direct result of this media revolution. In separate chapters Füssel depicts the fast spreading of the art of printing to Italy, France and England, at the same time highlighting the importance of the art of printing for the Roman Catholic Church, the Reformation, the University and the economy. From herbals to a guide for midwives, the present book shows popular instruction at work in the vernacular, as well as the consolidation of knowledge into encyclopedias in the early modern period, and the emergence of new forms of the prose novel and the beginnings of newspapers and periodicals. Finally Stephan Füssel traces the modern resonances of Gutenberg''s invention, which persisted in virtually unchanged form for a further 350 years. It underwent decisive technological change through industrialisation and mechanisation in the nineteenth century, and again through digitalisation at the close of the twentieth century. However, as Füssel shows, the mass diffusion of information and the related communications revolution which began with Gutenberg continue unabated.

Johannes Gutenberg (c. 1400-1468) is widely heralded as one of the most influential men of the last millennium. His invention, a printing press with mechanical moving type, had an unprecedented impact on the political and cultural history of Europe and beyond. But despite his significance, a rigorous and accessible biography has not been published in English – until now.Charting Gutenberg’s life from his youth in Mainz to his final years and lasting legacy, Stephan Füssel – one of Europe’s leading experts on Gutenberg – brings together authoritative scholarship and historical detail to illuminate the life of this fascinating figure. This short biography contains everything you need to know about the man who changed the printed word, and the world, forever.

This text presents a history of the Leipzig publisher and printer, G.J. Goschen, giving insights into the structure of publishing in the age of Goethe.

Verlag und Buchhandel zwischen Hyperinflation und Weltwirtschaftskrise, zwischen Republikgründung und schleichendem Verlust der Demokratie - Band 2 der Geschichte des deutschen Buchhandels im 19. und 20. Jahrhundert vermittelt ein anschauliches Bild der Buchbranche in bewegter Zeit. Der zweite und abschließende Teilband stellt weitere Bereiche des Verlagswesens vor, vor allem die Literaturverlage und Publikumsverlage, aber auch die politisch-weltanschaulichen Verlage, in deren Entwicklung sich der Zeitgeist der Weimarer Republik in besonderer Intensität spiegelt. Andere Akzente liegen auf dem Zwischenbuchhandel, der ganz im Zeichen früher Konzentrationsbewegungen stand, und auf den unterschiedlichen Formen des verbreitenden Buchhandels, dem klassischen Sortimentsbuchhandel ebenso wie seinen Konkurrenten, dem Warenhausbuchhandel oder anderen epochentypischen Sonderformen. Ein eigenes Kapitel ist dem Phänomen Buchgemeinschaften gewidmet, das in den 1920er Jahren aufkam und das System des deutschen Buchhandels in erhebliche Turbulenzen stürzte. Ausführungen zum Buchexport und deutschen Auslandsbuchhandel runden den Band ab, der wieder zahlreiche Abbildungen, Tabellen und Statistiken aufweist, darüber hinaus auch ein Gesamtregister für beide Teilbände.

Im ersten, programmatischen Band der Schriftenreihe Medienkonvergenz/Media Convergence stellen herausragende Fachvertreter das transdisziplinäre Forschungsfeld vor, in dem u.a. Publizistik (Russ-Mohl) und Medienrecht (Kirchhof), Buchwissenschaft (Füssel/Mittler), Narratologie (Ryan), Computerlinguistik (Ngomo) und Medienkunst (Curran/Dombois) kooperieren - und zwar sowohl in der historischen Situierung als auch in der zukunftsgewandten Analyse der Gegenwart.

Johannes Gutenberg - Der Erfinder des Buchdrucks und Vater der MassenkommunikationJohannes Gutenberg, der Mann, der im Jahr 1999 zum «Mann des Jahrtausends» gekürt wurde, revolutionierte die Welt des Wissens und der Kommunikation mit seiner bahnbrechenden Erfindung des Buchdrucks mit beweglichen Lettern. Als Vater der Massenkommunikation ebnete er den Weg für eine schnelle Verbreitung von Informationen und Ideen, die bis heute nachwirkt.Seine technischen Entwicklungen, die den Humanismus und die Reformation beflügelten, blieben fast 350 Jahre lang unübertroffen. Gutenbergs Innovationen legten den Grundstein für die spätere Industrialisierung des Druckgewerbes und die digitale Revolution, die seine Vision von der Demokratisierung des Wissens vollendeten.In dieser fesselnden Biografie taucht der renommierte Buchhistoriker Stephan Füssel tief in das Leben und Wirken des genialen Erfinders ein. Er beleuchtet nicht nur Gutenbergs technische Meisterleistungen wie die Entwicklung der Druckpresse und des Mobilletterndrucks, sondern auch den historischen Kontext des 15. Jahrhunderts, in dem er wirkte.Ein besonderes Augenmerk liegt auf Gutenbergs Meisterwerk, dem Druck der Bibel, der als eines der bedeutendsten Ereignisse in der Geschichte des Buches gilt. Füssel zeigt, wie Gutenberg mit seinem visionären Geist und seiner Beharrlichkeit die Welt für immer veränderte und den Grundstein für unsere moderne Informationsgesellschaft legte.

Rowohlt E-Book PlusJohannes Gutenberg, 1999 zum «Mann des Jahrtausends» gekürt, ist der Erfinder des Buchdrucks mit beweglichen Lettern und damit der Vater der Massenkommunikation. Seine technischen Entwicklungen, die Humanismus und Reformation beflügelten, blieben fast 350 Jahre ohne Konkurrenz. Industrialisierung des Druckgewerbes und digitale Revolution vollenden, was er begann: die schnelle Verbreitung von Wissen in jedermanns Reichweite.Diese neue E-Book-Plus-Version ist ein angereichertes E-Book, das über das konventionelle Printbuch und das einfache E-Book hinausgeht. Das E-Book-Plus enthält Videosequenzen und Bildergalerien, mit denen Gutenbergs Leistungen veranschaulicht werden. Techniken wie das Stempelschneiden, das Bleiletterngießen, der Blocksatz, das Drucken selbst, das Ausmalen und das Buchbinden werden mit kurzen Lehrvideos erklärt. Außerdem wird Gutenbergs Meisterwerk, seine Bibel, in verschiedenen Versionen mit zoomfähigen Abbildungen visualisiert. In Ausblicken wird die Weiterentwicklung der Buchherstellung und Buchkunst nach Gutenberg dokumentiert, über Monotype und Linotype, Fotosatz und Offsetdruck bis hin zu E-Books und E-Ink-Techniken in unserer Zeit.

Hartmann Schedel’s Weltchronik, or Chronicle of the World (better known today as the Nuremberg Chronicle, after the German city in which it was created), was a groundbreaking encyclopedic work and at the time the most lavishly illustrated book ever printed in Europe. Both a historical reference work and a contemporary inventory of urban culture at the end of the 15th century, the Chronicle was to have a remarkable influence on the cultural, ecclesiastical and intellectual history of the Middle Ages. It was particularly notable for its more than 1,800 woodcut illustrations depicting events from the Bible, human monstrosities, portraits of kings, queens, saints and martyrs, and allegorical pictures of miracles, as well as views of a great number of "modern" cities, many of which had never been documented before.Today, copies of the Chronicle sell for up to 200,000 Euros; we’ve procured a rare hand-colored copy, true to the original in every respect, and created a complete facsimile of utmost quality. For readers who don’t read Old German, this edition includes summaries of the main stories, making it easy to navigate and fully appreciate this remarkable historical work.

Hartmann Schedel’s Weltchronik, or Chronicle of the World (better known today as the Nuremberg Chronicle, after the German city in which it was created), was a groundbreaking encyclopedic work and at the time the most lavishly illustrated book ever printed in Europe. Both a historical reference work and a contemporary inventory of urban culture at the end of the 15th century, the Chronicle was to have a remarkable influence on the cultural, ecclesiastical and intellectual history of the Middle Ages. It was particularly notable for its more than 1,800 woodcut illustrations depicting events from the Bible, human monstrosities, portraits of kings, queens, saints and martyrs, and allegorical pictures of miracles, as well as views of a great number of "modern" cities, many of which had never been documented before.Today, copies of the Chronicle sell for up to 200,000 Euros; we’ve procured a rare hand-colored copy, true to the original in every respect, and created a complete facsimile of utmost quality. For readers who don’t read Old German, this edition includes summaries of the main stories, making it easy to navigate and fully appreciate this remarkable historical work.

In the beginning was the word, and in the Middle Ages were kings, princes, and high-ranking religious members whose wealth and influence produced illustrated bibles of extraordinary craftsmanship. This edition brings together 50 of the finest medieval bible manuscripts from the Austrian National Library. With examples from every epoch of the Middle Ages, the collection explores visualizations of the bible in various theological and historical contexts. In impeccable reproduction quality, these stunning images may be appreciated as much as art historical treasures as they are important religious artifacts. Texts by Andreas Fingernagel, Stephan Füssel, Christian Gastgeber, and a team of 15 scientific authors describe each manuscript in detail, exploring both the evolution of the Bible and the medieval understanding of history. A glossary of important terms is also included so that those not versed in bible history can enjoy the texts as well.

More than four centuries on from its first publication, discover one of the jewels of urban cartography and civic studies. This reprint includes the most enchanting color plates from the Civitates orbis terrarum, a magnificent collection of town map engravings, produced between 1572 and 1617.Featuring plans, bird’s-eye views, and maps for all major cities in Europe, plus important urban centers in Asia, Africa, and Latin America, this masterwork in urban mapping gives us a comprehensive view of city life at the turn of the 17th century. It was edited and annotated by theologian and publisher Georg Braun and largely engraved by Franz Hogenberg, but also involved over a hundred different artists and cartographers who contributed not only town views, but additional elements, such as figures in local dress, courtroom scenes, and topographical details, to help convey the situation, commercial power, and political influence of each city.TASCHEN's reprint contextualizes the plates with selected extracts from Braun’s original texts on the history and significance of each urban center as well as detailed commentaries to place each city map in its cartographical and cultural context.