Stephanie Russo – författare

The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first-century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties.Drawing together a wide range of texts across all forms of historical fiction – novels, dramas, musicals, films and television – this book re-frames anachronism not as an error but as a deliberate strategy that emphasises the fictionalising tendencies of all forms of historical writing. The book achieves this by exploring three core themes: the developing trends in the twenty-first century for creators of historical fiction to include deliberate anachronisms, such as contemporary references, music and language; the ways in which the deliberate use of anachronism in historical fiction can allow us to rethink the relationship between past and present; and the way that contemporary historical fiction uses anachronism to better understand modern issues and anxieties. This book will appeal to students and scholars of historical fiction, contemporary historical film and television studies, and historical theatre studies.

The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first-century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties.Drawing together a wide range of texts across all forms of historical fiction – novels, dramas, musicals, films and television – this book re-frames anachronism not as an error but as a deliberate strategy that emphasises the fictionalising tendencies of all forms of historical writing. The book achieves this by exploring three core themes: the developing trends in the twenty-first century for creators of historical fiction to include deliberate anachronisms, such as contemporary references, music and language; the ways in which the deliberate use of anachronism in historical fiction can allow us to rethink the relationship between past and present; and the way that contemporary historical fiction uses anachronism to better understand modern issues and anxieties. This book will appeal to students and scholars of historical fiction, contemporary historical film and television studies, and historical theatre studies.

This book is a major reassessment of the French Revolution’s impact on the English novel of the Romantic period. Focusing particularly – but by no means exclusively – on women writers of the time, it explores the enthusiasm, wariness, or hostility with which the Revolution was interpreted and represented for then-contemporary readers. A team of international scholars study how English Romantic novelists sought to guide the British response to an event that seemed likely to turn the world upside down.

From the poetry of Thomas Wyatt to the songs of the hit pop musical Six, The Afterlife of Anne Boleyn takes as its central contention the belief that the mythology that surrounds Anne Boleyn is as interesting, revealing, and surprising as the woman herself.