Stephanie W. Jamison – författare

The Rigveda is the oldest Sanskrit text, consisting of over one thousand hymns dedicated to various divinities of the Vedic tradition. Orally composed and orally transmitted for several millennia, the hymns display remarkable poetic complexity and religious sophistication. As the culmination of the long tradition of Indo-Iranian oral-formulaic praise poetry and the first monument of specifically Indian religiosity and literature, the Rigveda is crucial to the understanding both of Indo-European and Indo-Iranian cultural prehistory and of later Indian religious history and high literature.This new translation represents the first complete scholarly translation into English in over a century and utilizes the results of the intense research of the last century on the language and the ritual system of the text. The focus of this translation is on the poetic techniques and structures utilized by the bards and on the ways that the poetry intersects with and dynamically expresses the ritual underpinnings of the text.

The Rigveda is the oldest Sanskrit text, consisting of over one thousand hymns dedicated to various divinities of the Vedic tradition. Orally composed and orally transmitted for several millennia, the hymns display remarkable poetic complexity and religious sophistication. As the culmination of the long tradition of Indo-Iranian oral-formulaic praise poetry and the first monument of specifically Indian religiousity and literature, the Rigveda is crucial to the understanding both of Indo-European and Indo-Iranian intellectual and aesthetic prehistory and of the rich flowering of Indic religious expression and Indic high literature that were to follow.This new translation represents the first complete scholarly translation into English in over a century and utilizes the results of the intense research of the last century on the language and the ritual system of the text. The focus of this translation is on the poetic techniques and structures utilized by the bards and on the ways that the poetry intersects with and dynamically expresses the ritual underpinnings of the text.

Vedic Sanskrit literature contains a wealth of material concerning the mythology and religious practices of India between 1500 and 500 B.C.E.—a crucial period in the formation of traditional Indian culture. Stephanie W. Jamison here addresses the conditions that have limited our understanding of Vedic myth and ritual, such as the profusion and obscurity of the texts and the tendency on the part of scholars to approach mythology and ritual independently. Tracing two key myths through a variety of texts, Jamison provides insight into the relationship between early Indic myth and ritual as well as offering a new methodology for their study.After a brief survey of Vedic literature and religion, Jamison examines the recurrences of the myths "Indra fed the Yatis to the hyenas" and "Svarbhanu pierced the sun with darkness." Focusing on their verbal form and ritual setting, she essays a general interpretation of the myths and their ritual purpose. Her book sheds new light on some central figures in Vedic mythology and on the evolution of Vedic mythological narrative, and it points to parallels in other cultures as well.

Vedic Sanskrit literature contains a wealth of material concerning the mythology and religious practices of India between 1500 and 500 B.C.E.—a crucial period in the formation of traditional Indian culture. Stephanie W. Jamison here addresses the conditions that have limited our understanding of Vedic myth and ritual, such as the profusion and obscurity of the texts and the tendency on the part of scholars to approach mythology and ritual independently. Tracing two key myths through a variety of texts, Jamison provides insight into the relationship between early Indic myth and ritual as well as offering a new methodology for their study.After a brief survey of Vedic literature and religion, Jamison examines the recurrences of the myths "Indra fed the Yatis to the hyenas" and "Svarbhanu pierced the sun with darkness." Focusing on their verbal form and ritual setting, she essays a general interpretation of the myths and their ritual purpose. Her book sheds new light on some central figures in Vedic mythology and on the evolution of Vedic mythological narrative, and it points to parallels in other cultures as well.

Forty-one scholars from across the world join in celebrating the work of Brent Vine, whose prodigious oeuvre in Classical and Indo-European linguistics needs no introduction to specialists. The papers in this broad-ranging collection include not just numerous studies of the Classical languages and texts by authorities like A. C. Cassio, Olav Hackstein, Richard Martin, Alan Nussbaum, and Paolo Poccetti, but also work on more far-flung corners of the family, including Lithuanian (Daniel Petit), Lydian (Philomen Probert), Gothic (Jared Klein) and Tocharian (Adam Catt, Ronald Kim), with much more in between.  Contributions in English, German and French.