Stephen Adly Guirgis has been hailed as one of the most promising playwrights at work in America today. A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

"Guirgis, like other storytellers who explore the sacred and profane, is most interested in how grace transforms us."—The New Yorker

Written with humor, tenderness, grit, and wonderment by acclaimed playwright Stephen Adly Guirgis, Between Riverside and Crazy is an extraordinary new play: a dark comedy about a man trying to maintain control as the world unravels around him.

City Hall is demanding more than his signature, the Landlord wants him out, the liquor store is closed, and the Church won''t leave him alone. As ex-cop and recent widower Walter "Pops" Washington struggles to hold on to one of the last great rent-stabilized apartments on Riverside Drive, he must also contend with old wounds, new houseguests, and a final ultimatum. It seems the old days are dead and gone — after a lifetime living between Riverside and Crazy.

Stephen Adly Guirgis'' other plays include The Motherfucker with the Hat, Jesus Hopped the ''A'' Train, Our Lady of 121st Street, In Arabia We''d All Be Kings, The Last Days of Judas Iscariot, The Little Flower of East Orange, Den of Thieves, Race Religion Politics, and Dominica: The Fat Ugly Ho. His play Between Riverside and Crazy won the Pulitzer Prize for Drama in 2015. He is a former co-artistic director of LABryinth Theater Company. He received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a fellowship from TCG in 2004.

"By far the most accomplished and affecting work from the gifted Mr. Guirgis, a prolific and erratic chronicler of marginal lives."—The New York Times

"The lifeblood of Guirgis''s dialogue is the most expressive cursing since Shakespeare."—The Guardian

As an expert in the art of blurring lines, Stephen Adly Guirgis is known for projects that are at once comically poignant and dramatically raucous. Following the recently rehabilitated drug dealer Jackie, trying to improve his life after being paroled, The Motherfucker with the Hat (Guirgis''s first on Broadway) examines the fragile line between ignited passions and the struggle to remain clean in the underbelly of New York City. With expressive dialogue and a captivating story, Guirgis''s widely-acclaimed play delves into the challenges of pride, self-transformation, and the intricacies of love in a lower-class world. This volume also includes the acclaimed one-act play Dominica: The Fat Ugly Ho.

Stephen Adly Guirgis''s other plays include Jesus Hopped the ''A'' Train, Our Lady of 121st Street, In Arabia We''d All Be Kings, The Last Days of Judas Iscariot, The Little Flower of East Orange, Den of Thieves, and Race Religion Politics. His play Between Riverside and Crazy won the Pulitzer Prize for Drama in 2015. He is a former co-artistic director of LABryinth Theater Company. He received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a fellowship from TCG in 2004.

“Guirgis, a lifelong New Yorker and a properly profane bard of the city, is a wizard at getting language to flow hot, funny, and fast…Guirgis’s rough-cut gem of a play is rich with revelation and barbed empathy.” —Alexandra Schwartz, New Yorker

Stephen Adly Guirgis brings his prodigious gifts for exploring the lives of social outcasts to new heights in this play about the inner workings of a women’s halfway house in New York City, where the unmoored residents struggle with addiction, abuse, and mental illness. Between daily therapy sessions, they clash with the staff and each other, form alliances, and fall in love. Harrowing, humorous, and heartbreaking, Halfway Bitches Go Straight to Heaven roaringly brings to life the experiences of women who society has tried to shuffle out of sight and out of mind.

Stephen Adly Guirgis has been hailed as one of the most promising playwrights at work in America today. A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

"Guirgis, like other storytellers who explore the sacred and profane, is most interested in how grace transforms us."—The New Yorker

Written with humor, tenderness, grit, and wonderment by acclaimed playwright Stephen Adly Guirgis, Between Riverside and Crazy is an extraordinary new play: a dark comedy about a man trying to maintain control as the world unravels around him.

City Hall is demanding more than his signature, the Landlord wants him out, the liquor store is closed, and the Church won''t leave him alone. As ex-cop and recent widower Walter "Pops" Washington struggles to hold on to one of the last great rent-stabilized apartments on Riverside Drive, he must also contend with old wounds, new houseguests, and a final ultimatum. It seems the old days are dead and gone — after a lifetime living between Riverside and Crazy.

Stephen Adly Guirgis'' other plays include The Motherfucker with the Hat, Jesus Hopped the ''A'' Train, Our Lady of 121st Street, In Arabia We''d All Be Kings, The Last Days of Judas Iscariot, The Little Flower of East Orange, Den of Thieves, Race Religion Politics, and Dominica: The Fat Ugly Ho. His play Between Riverside and Crazy won the Pulitzer Prize for Drama in 2015. He is a former co-artistic director of LABryinth Theater Company. He received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a fellowship from TCG in 2004.

"By far the most accomplished and affecting work from the gifted Mr. Guirgis, a prolific and erratic chronicler of marginal lives."—The New York Times

"The lifeblood of Guirgis''s dialogue is the most expressive cursing since Shakespeare."—The Guardian

As an expert in the art of blurring lines, Stephen Adly Guirgis is known for projects that are at once comically poignant and dramatically raucous. Following the recently rehabilitated drug dealer Jackie, trying to improve his life after being paroled, The Motherfucker with the Hat (Guirgis''s first on Broadway) examines the fragile line between ignited passions and the struggle to remain clean in the underbelly of New York City. With expressive dialogue and a captivating story, Guirgis''s widely-acclaimed play delves into the challenges of pride, self-transformation, and the intricacies of love in a lower-class world. This volume also includes the acclaimed one-act play Dominica: The Fat Ugly Ho.

Stephen Adly Guirgis''s other plays include Jesus Hopped the ''A'' Train, Our Lady of 121st Street, In Arabia We''d All Be Kings, The Last Days of Judas Iscariot, The Little Flower of East Orange, Den of Thieves, and Race Religion Politics. His play Between Riverside and Crazy won the Pulitzer Prize for Drama in 2015. He is a former co-artistic director of LABryinth Theater Company. He received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a fellowship from TCG in 2004.

“Guirgis, a lifelong New Yorker and a properly profane bard of the city, is a wizard at getting language to flow hot, funny, and fast…Guirgis’s rough-cut gem of a play is rich with revelation and barbed empathy.” —Alexandra Schwartz, New Yorker

Stephen Adly Guirgis brings his prodigious gifts for exploring the lives of social outcasts to new heights in this play about the inner workings of a women’s halfway house in New York City, where the unmoored residents struggle with addiction, abuse, and mental illness. Between daily therapy sessions, they clash with the staff and each other, form alliances, and fall in love. Harrowing, humorous, and heartbreaking, Halfway Bitches Go Straight to Heaven roaringly brings to life the experiences of women who society has tried to shuffle out of sight and out of mind.