Stephen E. Tabachnick – författare

This encyclopedia, the first work of its kind, includes more than 800 alphabetically arranged entries on subjects related to Lawrence and his works. Covered are such topics as Lawrence's knowledge of Islam, the details of his military campaigns, his legacy in film and popular culture, his family members and acquaintances, his biographers, and important book dealers, collectors, and scholars interested in his writings. Most of the entries mention works for further reading, and the volume closes with a selected, general bibliography.Thomas Edward Lawrence (1888-1935), better known as Lawrence of Arabia, is one of the 20th century's most legendary figures. As a British liaison officer during World War I, he led the Arab revolt against the Turks. After the war, he helped change the political geography of the Middle East by advocating independence for Iraq. Regardless of his substantial military and political accomplishments, Lawrence aspired to be a man of letters. He recorded his Arab experiences in Seven Pillars of Wisdom, criticized the Royal Air Force in The Mint, and prepared a translation of Homer's Odyssey. He also engaged in voluminous correspondence with many of the leading figures of his day. This encyclopedia, the first work of its kind, chronicles his fascinating and diverse career.Included are over 800 alphabetically arranged entries on subjects related to Lawrence and his works. The encyclopedia covers such topics as Lawrence's knowledge of Islam, the details of his military campaigns, his legacy in film and popular culture, his family members and acquaintances, his biographers, and important book dealers, collectors, and scholars interested in his writings. Since Lawrence's interests and experiences were so varied, the encyclopedia discusses everything from the history and politics of the Middle East to biblical archaeology, medieval castle-building, literature, and modern mechanical work. Most of the entries mention works for further reading, and the volume closes with a selected, general bibliography.

The graphic novel is the most exciting literary format to emerge in the past thirty years. Among its more inspired uses has been the superlative adaptation of literary classics. Unlike the comic book abridgments aimed at young readers of an earlier era, today's graphic novel adaptations are created for an adult audience, and capture the subtleties of sophisticated written works. This first ever collection of essays focusing on graphic novel adaptations of various literary classics demonstrates how graphic narrative offers new ways of understanding the classics, including the works of Homer, Poe, Flaubert, Conrad and Kafka, among many others.

Charles Montagu Doughty's Travels in Arabia Deserta (1888) is remarkable for its scientific evelations and brilliantly unique style—an artful combination of Arabic and English syntax and diction that rendered a foreign way of life and thought and depicted a distant landscape of stark, barren beauty. The ten original essays in this book examine many aspects of Arabia Deserta, including its Victorian characteristics and aesthetics; its blend of fact and fantasy; its portrayal of Arab society and of Doughty himself; and the accuracy of its geographical, geological, archaeological, historical, and ethnographical observations. Additionally, the book's introduction and two bibliographies probe Arabia Deserta's reception, unique position in the genre of travel literature, and bibliographical history. During the grueling twenty-one-month journey narrated in Arabia Deserta, Doughty endured periods of sickness and near-famine, a series of treacherous guides, attack by a mob, and virtual imprisonment by a corrupt Turkish commandant. Celebrating this epic of scholarship and survival, Explorations in Doughty's "Arabia Deserta" maps the contours of a work that T. E. Lawrence, who had followed Doughty's path to Arabia, called "a book not like other books, but something particular, a bible of its kind."

From the early 1920s to the late 1960s, T. E. Lawrence’s life and career were largely the subject of sensationalist speculation, fired mainly by the romantic image of “Lawrence of Arabia.” Then, as the result of various political, scholarly, and intellectual developments, study of Lawrence’s career and influence began to take on a new aspect. This collection of fourteen essays, including Stephen E. Tabachnick’s extensive introduction, provides balanced and fully documented analyses of Lawrence’s multifaceted career by an international group of scholars. The T. E. Lawrence Puzzle will appeal to Lawrence experts and to general readers interested in objective, reasoned perspectives on a brilliant polymath with a fascinating personality, whose many achievements remain very relevant to our own times.

Since the graphic novel rose to prominence half a century ago, it has become one of the fastest growing literary/artistic genres, generating interest from readers globally. The Cambridge Companion to the Graphic Novel examines the evolution of comic books into graphic novels and the distinct development of this art form both in America and around the world. This Companion also explores the diverse subgenres often associated with it, such as journalism, fiction, historical fiction, autobiography, biography, science fiction and fantasy. Leading scholars offer insights into graphic novel adaptations of prose works and the adaptation of graphic novels to films; analyses of outstanding graphic novels, like Maus and The Walking Man; an overview which distinguishes the international graphic novel from its American counterpart; and analyses of how the form works and what it teaches, making this book a key resource for scholars, graduate students and undergraduate students alike.

The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.

Since the graphic novel rose to prominence half a century ago, it has become one of the fastest growing literary/artistic genres, generating interest from readers globally. The Cambridge Companion to the Graphic Novel examines the evolution of comic books into graphic novels and the distinct development of this art form both in America and around the world. This Companion also explores the diverse subgenres often associated with it, such as journalism, fiction, historical fiction, autobiography, biography, science fiction and fantasy. Leading scholars offer insights into graphic novel adaptations of prose works and the adaptation of graphic novels to films; analyses of outstanding graphic novels, like Maus and The Walking Man; an overview which distinguishes the international graphic novel from its American counterpart; and analyses of how the form works and what it teaches, making this book a key resource for scholars, graduate students and undergraduate students alike.

The Cambridge History of the Graphic Novel provides the complete history of the graphic novel from its origins in the nineteenth century to its rise and startling success in the twentieth and twenty-first century. It includes original discussion on the current state of the graphic novel and analyzes how American, European, Middle Eastern, and Japanese renditions have shaped the field. Thirty-five leading scholars and historians unpack both forgotten trajectories as well as the famous key episodes, and explain how comics transitioned from being marketed as children's entertainment. Essays address the masters of the form, including Art Spiegelman, Alan Moore, and Marjane Satrapi, and reflect on their publishing history as well as their social and political effects. This ambitious history offers an extensive, detailed and expansive scholarly account of the graphic novel, and will be a key resource for scholars and students.