Stephen L. Carter – författare

A riveting spy thriller, Jericho''s Fall is the spellbinding story of a young woman running for her life from shadowy government forces. In a secluded mountain retreat, Jericho Ainsley, former CIA director and former secretary of defense, is dying of cancer. To his bedside he has called Rebecca DeForde, a young, single mother, who was once his lover. Instead of simply bidding farewell, however, Ainsley imparts an explosive secret and DeForde finds herself thrown into a world of international intrigue, involving ex-CIA executives, local police, private investigators, and even a US senator. With no one to trust, DeForde is suddenly on the run, relying on her own wits and the lessons she learned from Ainsley to stay alive.   From the Trade Paperback edition.

From the best-selling author of The Emperor of Ocean Park and New England White, a daring reimagining of one of the most tumultuous moments in our nation’s past   Stephen L. Carter’s thrilling new novel takes as its starting point an alternate history: President Abraham Lincoln survives the assassination attempt at Ford’s Theatre on April 14, 1865. Two years later he is charged with overstepping his constitutional authority, both during and after the Civil War, and faces an impeachment trial . . . Twenty-one-year-old Abigail Canner is a young black woman with a degree from Oberlin, a letter of employment from the law firm that has undertaken Lincoln’s defense, and the iron-strong conviction, learned from her late mother, that “whatever limitations society might place on ordinary negroes, they would never apply to her.” And so Abigail embarks on a life that defies the norms of every stratum of Washington society: working side by side with a white clerk, meeting the great and powerful of the nation, including the president himself.  But when Lincoln’s lead counsel is found brutally murdered on the eve of the trial, Abigail is plunged into a treacherous web of intrigue and conspiracy reaching the highest levels of the divided government. Here is a vividly imagined work of historical fiction that captures the emotional tenor of post–Civil War America, a brilliantly realized courtroom drama that explores the always contentious question of the nature of presidential authority, and a galvanizing story of political suspense.This eBook edition includes a Reading Group Guide.

October 1962. The Soviet Union has smuggled missiles into Cuba. Kennedy and Khrushchev are in the midst of a military face-off that could lead to nuclear conflagration. Warships and submarines are on the move. Planes are in the air. Troops are at the ready. Both leaders are surrounded by advisers clamoring for war. The only way for the two leaders to negotiate safely is to open a “back channel”—a surreptitious path of communication hidden from their own people. They need a clandestine emissary nobody would ever suspect. If the secret gets out, her life will be at risk . . . but they’re careful not to tell her that. Stephen L. Carter’s gripping new novel, Back Channel, is a brilliant amalgam of fact and fiction—a suspenseful retelling of the Cuban Missile Crisis, in which the fate of the world rests unexpectedly on the shoulders of a young college student. On the island of Curaçao, a visiting Soviet chess champion whispers state secrets to an American acquaintance. In the Atlantic Ocean, a freighter struggles through a squall while trying to avoid surveillance. And in Ithaca, New York, Margo Jensen, one of the few black women at Cornell, is asked to go to Eastern Europe to babysit a madman. As the clock ticks toward World War III, Margo undertakes her harrowing journey. Pursued by the hawks on both sides, protected by nothing but her own ingenuity and courage, Margo is drawn ever more deeply into the crossfire—and into her own family’s hidden past.

Between loyalty and disobedience; between recognition of the law’s authority and realization that the law is not always right: In America, this conflict is historic, with results as glorious as the mass protests of the civil rights movement and as inglorious as the armed violence of the militia movement. In an impassioned defense of dissent, Stephen L. Carter argues for the dialogue that negotiates this conflict and keeps democracy alive. His book portrays an America dying from a refusal to engage in such a dialogue, a polity where everybody speaks, but nobody listens.The Dissent of the Governed is an eloquent diagnosis of what ails the American body politic—the unwillingness of people in power to hear disagreement unless forced to—and a prescription for a new process of response. Carter examines the divided American political character on dissent, with special reference to religion, identifying it in unexpected places, with an eye toward amending it before it destroys our democracy.At the heart of this work is a rereading of the Declaration of Independence that puts dissent, not consent, at the center of the question of the legitimacy of democratic government. Carter warns that our liberal constitutional ethos—the tendency to assume that the nation must everywhere be morally the same—pressures citizens to be other than themselves when being themselves would lead to disobedience. This tendency, he argues, is particularly hard on religious citizens, whose notion of community may be quite different from that of the sovereign majority of citizens. His book makes a powerful case for the autonomy of communities—especially but not exclusively religious—into which democratic citizens organize themselves as a condition for dissent, dialogue, and independence. With reference to a number of cases, Carter shows how disobedience is sometimes necessary to the heartbeat of our democracy—and how the distinction between challenging accepted norms and challenging the sovereign itself, a distinction crucial to the Declaration of Independence, must be kept alive if Americans are to progress and prosper as a nation.

When The Emperor of Ocean Park was published, the Observer declared: 'The book is superb, both as a thriller and as a novel of social observation.' Now, with that same astute social observation, narrative drive, and richness of plot and character, Stephen Carter returns us to the New England university town of Elm Harbor, where the murder of a renowned African-American economist opens a door on the racial complications of the town's past, on one family's secrets, and on the most hidden and powerful bastions of African-American political influence. At the centre are Lemaster and Julia Carlyle. He is president of the university, she is a dean at the divinity school - African-Americans living in 'the heart of whiteness'. Lemaster's connections lead to the President of the United States, his old college room-mate. Julia is connected to the dead man, Kellen Zant, her lover before she met Lemaster. The meeting point of these connections - a murder committed and covered up in Elm Harbor thirty years ago, and the shocking plans carried out by a fraternity of the 'darker nation' - forms the core of a mystery that deepens even as Julia, guided by clues left her by Zant, closes in on the politically earth-shattering motive behind his murder. Suspenseful from first to last, galvanising in its exploration of the profound difference between allegiance to ideas and to people, New England White is a resounding confirmation of Stephen Carter's gifts as a writer of fiction.

Judge Oliver Garland has just died in suspicious circumstances. Conservative and controversial, Garland had many enemies. Many years ago, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bitter humiliation in front of a televised audience and before the eyes of his family, he had to withdraw his nomination. It was a national scandal, and a private agony, one from which he never recovered. Now, year's later, The judge's death raises even more questions than his life did and seems to be leading to a second terrible scandal. Could he have been murdered? He has left a strange message for his son Talcott, a professor at an elite Ivy League law school, entrusting him with 'the arrangements' - a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's turbulent past. When another man is found dead, and then another, Talcott must risk life, marriage and reputation, following the clues his father left him.

Summer, 1952. Twenty powerful men gather in secret and devise a plot to manipulate the President of the United States. Soon after, writer Eddie Wesley leaves a party hosted by affluent and influential members of black society, and discovers a body. The murdered man had an unusual gold cross gripped between his hands and Eddie is determined to find out why he was killed and what the cross signifies. But then Eddie's sister Junie becomes entangled in an underground movement and vanishes...Is her disappearance connected to the conspiracy to control the President of the United States?

Wenn der schwarze König fällt …Als der geachtete Richter Oliver Garland überraschend stirbt, ist sein Sohn Talcott überzeugt, dass ein schwaches Herz die Ursache war. Doch warum wird Talcott ständig nach den «Vorkehrungen» gefragt, die sein Vater für den Todesfall getroffen habe? Warum wird er verfolgt? Und warum fehlen zwei Schachfiguren auf dem sonst so sorgsam gehüteten Schachbrett des Richters? Bald darauf wird ein zweiter Toter aus dem Umfeld Oliver Garlands aufgefunden. Und Talcott sieht sich hineingezogen in die dunkle Vergangenheit seines Vaters. Er muss alles aufs Spiel setzen: seine Ehre, seinen Ruf – und sein Leben.«Seit Tom Wolfe habe ich keinen so vielschichtigen, mitreißenden und bereichernden Roman gelesen wie ‹Schachmatt›.» (USA Today)«Ein prall erzähltes, anekdoten- und facettenreiches Werk.» (Der Spiegel)«Dieses Buch kann man einfach nicht aus der Hand legen.» (New York Times Book Review)«Wunderbar erzählt und clever konstruiert. ‹Schachmatt› ist eine lebendige und vielschichtige Familiensaga, die geschickt verbunden ist mit der Spannung eines Thrillers ... Ein wirklicher Genuss!» (John Grisham)«Man kann dieses Buch einfach nicht aus der Hand legen ... Ein ebenso außergewöhnlicher wie überzeugender Roman.» (New York Times)«Ein unterhaltsamer, eleganter und ideenreicher Roman mit einem wunderbaren Kosmos von Figuren.» (The New York Review of Books)«Scharfsichtige Beobachtungen, gepaart mit einem ernsthaften sozialen Gewissen, das den meisten Büchern dieser Art fehlt ... Ein sprachliches Meisterwerk.» (Time)