Stephen Lacey – författare

A collection of essays by leading media professionals and academics, which debates the past, present and future of British television drama. Writers, producers and television executives reflect on the changing face of TV drama, and academics present case studies on critical approaches, general topics and specific programmes. Contextualized by editors' introductions to each section, this collection aims to inspire debate and reappraisal of this formative aspect of television.

The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era.Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include:* Edward Bond* John Osborne* Shelagh Delaney * Harold Pinter

The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era.Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include:* Edward Bond* John Osborne* Shelagh Delaney * Harold Pinter

Life on Mars (2006-07), is one of the most talked-about television drama events of the last decade. Centring on Sam Tyler, a DI in 2006 who is inexplicably catapulted back to 1973 after an accident, the series mixes science fiction with police drama. This collection, the first extended account of Life on Mars, includes contributions by some of the most experienced television studies researchers, and extends the discussion to the series' follow-up, Ashes to Ashes (2008-10), set in 1981, considers the series' impact in the USA and the critical and popular response to the Spanish and American remakes.

Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts his career from his early days as an actor to his position as executive producer and head of World Productions, focusing on the ways in which he has helped to define the role of the creative producer, shaping the distinctive politics and aesthetics of the drama he has produced, and enabling and facilitating the contributions of others. Garnett's distinctive contribution to the development of a social realist aesthetic is also examined, through the documentary-inspired early single plays to the subversion of genre within popular drama series.

Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology – 16 mm in the 1960s, digital video in the 1990s – have shaped his creative output.Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film.

'Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed.Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present.Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.

This book explores the ways in which television has engaged directly and indirectly with the new realities of the post-9/11 world. It offers detailed analysis of a number of key programmes and series that engage with, or are haunted by, the aftermath of the events of September 11 in the USA and what is unavoidably through problematically and contentiously referred to as the resulting ‘war on terror’.The substantive part of the book is a series of independent chapters, each written on a different topic and considering different programmes. It includes series and single dramas representing the invasion of Iraq (The Mark of Cain, Occupation and Generation Kill), comedic representations (Gary, Tank Commander), documentary (the BBC Panorama’s coverage of 9/11), ‘what if’ docudramas (Dirty War), 9/11 in popular series (CSI:NY) and representations of Tony Blair in drama and docudrama. The book concludes with an extended reflection on contemporary docudrama and an interview with filmmaker and docudramatist Peter Kosminsky.

When the National Trust decided to take on the care of gardens, the aim was that these would be the very best of their kind in England, Wales and Northern Ireland. The Trust now has the finest collection of gardens ever assembled under one ownership - the greatest in number, diversity, historic importance and quality. Taken together they contain the world's most important collection of cultivated plants, distinguished for their beauty, rarity, historical interest and scientific value.First published in 1996, this new edition has been substantially revised to showcase superb new photography, and to introduce recently acquired properties such as Greenway in Devon and the gardens of houses such as Red House in Kent and Tyntesfield in Somerset. Stephen Lacey paints a vivid picture of individual Trust gardens through historical and horticultural perspectives. He gives his personal take, describing the present state of each and placing it firmly within the context of gardening history in Britain.All the major periods are represented: a knot garden from a 1640 design at Moseley Old Hall in Staffordshire; magnificent eighteenth-century landscapes such as 'Capability' Brown's at Petworth in Sussex; Victorian Gardens like Biddulph Grange in Staffordshire, with its wealth of new plants introduced from all over the world; and the famous plantsmen's gardens of the last century, such as Nymans in Sussex, Sissinghurst Castle in Kent, and Hidcote in Gloucestershire.